News on your favorite shows, specials & more!

Cliff Cardinal's THE LAND ACKNOWLEDGEMENT, OR AS YOU LIKE IT To Return To the CAA Theatre in May

Cardinal's play is a brutally honest and heartfelt acknowledgement about Canada’s relationship with its Indigenous people.

By: Apr. 04, 2023
Cliff Cardinal's THE LAND ACKNOWLEDGEMENT, OR AS YOU LIKE IT To Return To the CAA Theatre in May  Image
Enter Your Email to Unlock This Article

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe.




Existing user? Just click login.

David Mirvish's presentation of the Crow's Theatre production of The Land Acknowledgement, or As You Like It just ended a successful run, playing to over 10,000 people at the CAA Theatre.

As word spread about Cliff Cardinal's dynamic and provocative one-man show and as critics gave the show rave review after rave review, The Land Acknowledgement became a genuine cultural phenomenon, attracting diverse audiences of all ages and backgrounds. It was obvious there were more people who wanted to experience Cliff's brutally honest and heartfelt acknowledgement about Canada's relationship with its Indigenous people.

Due to popular demand, The Land Acknowledgement, or As You Like It is returning for one more week - May 4 to 7, 2023 at the CAA Theatre.

Tickets go on sale Wednesday, April 5 at mirvish.com and by phone at 1-800-461-3333.

ABOUT THE PLAY

In September 2021, just as theatres were starting to reopen after the long pandemic hiatus, Crow's Theatre, one of the city's most eclectic and adventuresome companies, decided to begin with an audacious new show. They said very little about it. Only that it was a "radical retelling by Cliff Cardinal" of William Shakespeare's As You Like It. There were no further details, no cast list, nothing.

Of course, most people know As You Like It as one of the bard's most accessible and whimsical plays. How was Cliff, a young Indigenous playwright and actor acclaimed for his acerbic, mischievous humour and willingness to deal with raw emotions and difficult subject matter, going to retell this classic of Western theatre?

When the show was finally on stage, word spread about it like wildfire. Its first audiences raved: it was "essential viewing," "a surprising, powerful, thrilling, and moving piece of theatre that will never be forgotten."

At the same time, word spread that the show had nothing to do with As You Like It. Cliff was NOT performing As You Like It, nor any version of it.

Instead, what Cliff was doing with his new work was examining the relationship between the Indigenous community and the settlers. He was showing us what a young and insightful artist from the Pine Ridge Indian Reservation in South Dakota sees in the aftermath of the discovery of unmarked graves on the grounds of former residential schools. He was offering us the unvarnished truth of the state of the reconciliation process this country has been attempting for the last few decades. He was using theatre to do what it has always done: to take a few moments and pay attention to someone other than our own selves.

Cliff's brilliant play The Land Acknowledgement, or As You Like It has dazzled and engaged audiences as only the best theatre can.

The Land Acknowledgement, or As You Like It features Lighting Design by Logan Raju Cracknell. Jennifer Stobart is the stage manager.

ABOUT THE PRODUCTION and CLIFF CARDINAL

Cliff Cardinal is a polarizing writer and performer known for his black humour and compassionate poeticism. William Shakespeare's As You Like It, A Radical Retelling by Cliff Cardinal received its world premiere at Crow's Theatre on September 30, 2021. The engagement was extended twice due to popular demand.

The show's Toronto success led to engagements across Canada. It enjoyed a sold-out run at the PuSh International Performing Arts Festival in Vancouver in February 2022; reopened the Roxy Theatre in Edmonton, April/May 2022; played Carrefour International De Théâtre festival in Quebec City this past June and at the Great Canadian Theatre Company (GCTC) in Ottawa in January.

Cliff Cardinal's multi-award-winning one-man play Huff, which he has performed over 200 times, is a harrowing yet hilarious show about youth who abuse solvents to the risk of suicide. Huff won the Buddies in Bad Times' Vanguard Award for Risk and Innovation; Outstanding Performance and Outstanding New Play Dora Mavor Moore Awards; RBC's Emerging Playwright Award; The Edinburgh Fringe Festival Lustrum Award (which recognizes the greatest moments at the Edinburgh Fringe Festival); was shortlisted for the Amnesty International Freedom of Expression Award; and received a five-star review in The Guardian Observer titled, "a hard-hitting tour de force." The play has been published, translated into French, continues to tour, and was released as a podcast by the CBC Radio.

Cliff Cardinal's CBC Special, his eagerly anticipated follow-up to Huff, won the Jon Kaplan Spotlight Award for the top performance at Toronto's SummerWorks Festival and toured Canada's north beginning in Yellowknife. Cardinal's first multi-character play, Too Good To Be True, which opened VideoCabaret's 2019 season at the Busy Street theatre in Toronto, with Cardinal directing, "...solidifies Cardinal as one of the most talented and intriguing writers in the country." NOW Magazine.

Born on the Pine Ridge Indian Reservation, Cliff studied playwriting at The National Theatre School of Canada in Montreal and is an associate artist at VideoCabaret where he develops his new work. Cliff also fronts the hilarious and nefarious Cliff Cardinal and The Skylarks, who have released two albums; and is the son of iconic Canadian actress Tantoo Cardinal. Cliff lives in Toronto with his wife Sage Paul, Artistic Director of Indigenous Fashion Week Toronto, their dog Frodo, and their cat Tiga.

ABOUT ARTISTIC DIRECTOR CHRIS ABRAHAM

Artistic and General Director, Chris Abraham, has been the driving force of Crow's Theatre since the 2008-2009 season. He has successfully led the company through two major milestones: the 25th and 35th Anniversaries of the company; as well as building Streetcar Crowsnest, a pioneering, state-of-the-art facility with three venues in the East End of Toronto. This season, Chris served as co-conspirator with Cliff Cardinal on William Shakespeare's As You Like It, A Radical Retelling by Cliff Cardinal and directed Zorana Sadiq's MixTape. This year he has also directed Porte Parole's The Assembly in Lithuania and the film version of Soundstreams Musik Fur Das Ende, and has received critical acclaim for his work as the Shakespearean coach on the hit television series Station Eleven. Next, Chris will be directing Cyrano at the Shaw Festival in Niagara-on-the-Lake.

Chris' artistic practice spans the spectrum of solo work, documentary, highly lauded Stratford and Shaw productions, hybrid music theatre concerts, opera, and filmmaking. At Crow's, he has directed numerous award-winning plays including, Julius Caesar, Stars: Together, The Wedding Party, True Crime, Boy in the Moon, The Assembly, The Watershed, The Seagull, Winners & Losers, Someone Else, Eternal Hydra, and I, Claudia. In 2003, Chris directed the film adaptation of Kristen Thomson's award-winning hit I, Claudia for which he won a Gemini Award.

A graduate of The National Theatre School's directing program, Chris later served as co-director of the school's renowned directing program from 2006 to 2010, and in 2013, he was awarded the Siminovitch Prize in Theatre for Directing.

ABOUT CROW'S THEATRE

For almost 40 years, Crow's Theatre has been a leading force in the Canadian theatre landscape, recognized for provocative and award-winning new theatre work that premieres in Toronto often followed by national and international tours.

Founded in 1983, Crow's Theatre has premiered over 50 new, daring, Canadian works, including the multiple-award-winning production of Brad Fraser's Unidentified Human Remains and the True Nature of Love; John Mighton's A Short History of Night, James O'Reilly's Time After Time: The Chet Baker Project, Lee MacDougall's High Life, Annabel Soutar's The Watershed, Kristen Thomson's The Wedding Party, Julius Caesar and Tartuffe with Groundling Theatre Company and Canadian Stage, The Flick with Outside the March, and Emil Sher's adaptation of Ian Brown's The Boy in the Moon.

Crow's Theatre has led two successive capital campaigns to acquire over 20,000 square feet (2017 and 2019) to build a year round flourishing arts hub. In its 7th year at Streetcar Crowsnest, Crow's has quickly become a hub for producing, presenting, commissioning, developing and touring bold and artistic projects.

Led by Artistic and General Director, Chris Abraham and Executive Director Sherrie Johnson, Crow's Theatre is located at the corner of Carlaw Avenue and Dundas Street East in Toronto's east end. Streetcar Crowsnest is comprised of four venues for dynamic cultural and community programming: the Guloien Theatre (200 seats); Studio Theatre (90); the Nada Ristich Studio Gallery (80); the full-service Lobby Bar; as well as an onsite restaurant which can accommodate 60 seated indoors and 75 on the outdoor patio.




Comments

To post a comment, you must register and login.



Videos