Classical Theatre Of Harlem Presents SANCHO: AN ACT of REMEMBRANCE

The Classical Theatre of Harlem (Ty Jones, Producing Artistic Director), Pemberley Productions and Dr. Barbara Ann Teer's National Black Theatre are proud to present Sancho: An Act of Remembrance. This timely theater production celebrates the extraordinary life of Charles Ignatius Sancho, an African man who was born on a slave ship and rose to prominence as a noted abolitionist, composer, social satirist and man of refinement in 18th century English society. Sancho makes his mark in history by becoming the first British-African to cast a vote in England in 1774.

In this one man show, written, conceived and helmed by one of the United Kingdom's most lauded stage and film actors Paterson Joseph, Sancho's remarkable life is unveiled while casting new light on the often misunderstood narratives of the British-African experience, which are parallel to the stories of many African-Americans today. The play unfolds as Sancho prepares to be immortalized by Thomas Gainsborough, the famous 18th century English painter (whom painted Sancho in real life and was an acquaintance). The audience is granted a firsthand account into Sancho's determined rise from poverty and servitude via the road of education, making for a truly remarkable life story. The themes of prejudice, xenophobia, and nationalism are topics that resonate today in modern American society and are explored via an elegant, witty, and often comedic delivery.

Conceived, Written and Performed by Paterson Joseph Co-Directed by Simon Godwin Music and Sound Design by Ben Park Designed by Michael Vale with lighting by Lucrecia Briceño

"Last summer The Classical Theatre of Harlem (CTH) presented The Three Musketeers whose call of 'All for one and one for all' still resonates loudly in our minds. Given our current political climate and social divisiveness, I wanted to seek perspective and sanctuary by standing strong on the shoulders of those who lived and thrived under far more oppressive circumstances. When CTH looked into the story of Charles Ignatius Sancho, we felt he was a kindred spirit that showed us what resistance, intellect and grace could accomplish against all odds. He was born in 1729 on a slave ship but learned to read, write, compose music, poetry and plays. He was a businessman, a financially independent householder, held court with intellectuals and artists and was the first black person of African origin to vote in parliamentary elections. This is a man who painted a portrait of black excellence despite the circumstances of 18th century Britain. He stayed energized, questioning and pushing against the status quo with the arts as his sanctuary. In this spirit, CTH wants to share his story with the world to show how one man can enact change in the hopes of inspiring all people" said Ty Jones, Producing Artistic Director of The Classical Theatre of Harlem.

Tickets: $20 - $50

Ticketing Websites: http://www.cthnyc.org or http://www.nationalblacktheatre.org/sancho

Sancho: An Act of Remembrance begins preview performances on Wednesday, April 18th through Thursday, April 19th. Opening night is Friday, April 20th. Shows will continue through May 6th. All evening shows begin at 8:00PM. On Saturday, there is a 2:00PM and an 8:00 PM show. On Sundays, there is only a 2:00PM show. Please note, there are no performances on Mondays and Tuesdays.

Runtime: 80 minutes; no intermission

Founded by visionary Dr. Barbara Ann Teer in 1968, National Black Theatre (NBT) is a nationally recognized cultural and educational institution. Dr. Teer pioneered "the healing art of black theatre as an instrument for wholeness in urban communities where entrepreneurial artists of African descent live and work." In 1983, Dr. Teer expanded the vision of NBT by purchasing a 64,000-square-foot building on 125th Street and Fifth Avenue (renamed "National Black Theatre Way" by local law in 1994). This was the first revenue-generating Black arts complex in the country, an innovative arrangement through which for-profit businesses who shared NBT's spiritual and aesthetic values rented retail space to subsidize the arts. Out of her vision, NBT houses the largest collection of Nigerian new sacred art in the Western hemisphere and is considered the authentic representation of a model whose time has come. NBT is partially supported by grants from the City Council of New York, City of New York Department of Cultural Affairs, Ford Foundation, New York State Council on the Arts and private donations.

Major support for CTH provided by Axe-Houghton Foundation, The Braugher Family, Casement Fund, Coalition of Theatres of Color, The Columbus Foundation, ConEdison, The Cultural Immigrant Initiative, Dorris Duke Charitable Foundation, Douglas & Paige Armentrout, Ford Foundation, Google, Harlem Community Development Corporation, Howard Gilman Foundation, Jarvis & Constance Doctorow Family Foundation, L & N Andreas Foundation, Luther & Deborah Ragin, National Endowment for the Arts, New York Community Trust, NYC Department of Cultural Affairs, NYC Department of Parks & Recreation, NYSCA, The Office of Manhattan Borough President Gale Brewer, The Office of NYC Councilmember Bill Perkins, The Office of NYC Councilmember Mark Levine, Puffin Foundation West, Robert & Mercedes Eichholz Foundation, SHS Foundation, and Upper Manhattan Empowerment Zone.