Carnegie Hall presents Emanuel Ax, Wednesday, April 26, 2016 at 8pm.
Emanuel Ax performs several of Beethoven's most beloved works and some relative rarities. Beethoven put his unique stamp on the theme and variations form by assigning a new key to each variation in his Six Variations on an Original Theme, which provide interesting contrast to the more conservative but better-known variations of the "Appassionata" Sonata's middle movement. Beethoven's sonatas are the pinnacle of the form where unfettered expression and inspired melody are wed to an unsurpassed understanding of the piano's physical capabilities. These attributes are especially evident in the moving "Pathétique" and stormy "Appassionata."
With only one exception, all of the works on this evening's program are clustered in the years around the turn of the 19th century, when Beethoven was slowly but surely transforming himself from a fire-breathing keyboard virtuoso to a no less boldly impetuous composer. Central to this metamorphosis were the "Pathétique" and "Appassionata" sonatas, which dazzled and perplexed contemporary audiences with their explosively dramatic character and concentrated economy of expression. Although mild-mannered by comparison, the G-Major Sonata plays equally fast and loose with convention, thwarting the listener's expectations at every turn. Hardly less innovative are the dozens of theme-and-variation sets and shorter pieces that Beethoven produced throughout his career, both to restock his concert repertoire and to satisfy public demand. The Op. 34 Variations are notable for their unorthodox tonal scheme-Beethoven boasted that they represented an "entirely new manner of composing" - while the jaunty Polonaise in C Major, written in 1814 for the dance-crazed Congress of Vienna, pours old wine into a sparkling new bottle.
Born in Poland, Emanuel Ax captured public attention in 1974 when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv. In 1975, he won the Michaels Award of Young Concert Artists, followed four years later by the coveted Avery Fisher Prize.
Three prominent duo collaborations will be carried through Mr. Ax's current season. Beginning with the release of sonatas by Fauré and R. Strauss on the Deutsche Grammophon label, Mr. Ax will partner with longtime friend and colleague Itzhak Perlman for concerts in Kansas City, Dallas, Washington, Los Angeles, San Francisco, Santa Barbara, and La Jolla, as well as at Ravinia. A return visit to Japan will be followed by concerts in Paris, Berlin, Rome, Tel Aviv, and Amsterdam. As an annual guest with the New York Philharmonic, he will perform Brahms with Alan Gilbert in addition to return visits to orchestras in Houston, Chicago, and Pittsburgh, as well as duo recitals in Philadelphia and New York with violinist Pamela Frank. Longstanding partner Yo-Yo Ma will join him in Norfolk, Washington, and New York, where they will program the complete Beethoven sonatas for cello and piano. Solo recitals in Tokyo, Arizona, Florida, Texas, and Boston culminate at Carnegie Hall this month as part of the Hall's 125th anniversary.Photo Credit: Lisa Marie Mazzucco
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