As BroadwayWorld reported last week, Broadway might be celebrating a successful season, but casting directors still are not pleased with their standing in the theatre community. The Teamsters Local 817 union just released the following statement:
Famous actors and Broadway casts are throwing their support behind Broadway's casting directors, and calling on the Broadway League - the producers' association - to negotiate with the casting director's union. Casting directors are the only workers on Broadway without a union contract, so they do not get healthcare or retirement plans from the shows they work on. Casting directors are joining Teamsters Local 817, which already represents film and television casting directors.
Broadway casts and actors, including those from popular shows like Book of Mormon and Indecent, posted photos of themselves holding signs reading "I Support Casting Directors" on Instagram, Twitter, and Facebook. Indecent cast members posted their photo alongside the message, "We wouldn't be here without them! We support #FairnessForCasting." "It is wonderful to have the support of our colleagues in the Broadway community," said Will Cantler,? a Broadway casting director for plays including Present Laughter, Hand To God, and All The Way. "Our support is growing on Broadway, and the producers won't be able to ignore it."
"The prospect of knowing that the next generation of casting directors will enjoy benefits that have been denied to us fills me with determination," said Tara Rubin, a casting director for over 30 years. "I have loved every minute of being a casting director but I won't give this up until I know the young people in our community will be able to carry on with union protection - like our colleagues who are designers, directors, choreographers, writers, stagehands, press representatives, ushers and all the other workers in the Broadway community."
Casting directors are the creative vision behind the dynamic casts that make Broadway shows a success. They are involved in a production from the beginning, assembling actors for readings or workshops, to the end, recasting roles and scouting new talent. Casting directors can work for months or years on a show before they get a formal contract from the producer. "Make no mistake, this is about Trump's America," said Cindy Tolan, a Broadway casting director for shows including The Curious Incident of the Dog in the Night-Time and Rodgers + Hammerstein's Cinderella. "Las?t season, Broadway producers grossed $1.5 billion. Health insurance and retirement contributions for one week for a single casting director cost significantly less than the price of one premium Broadway ticket. We're talking about the health and welfare of less than 40 theatre ??artists. Do the math. This is about the little person up against the 1%." While casting directors have gotten the cold shoulder from the producers, they have the full support of other Broadway unions, including IATSE Local One, the Stage Directors and Choreographers Society, the Actors Equity Association, and Musicians AFM Local 802. The union promised increasing activity in the days leading up to the Tony Awards, on June 11th. "Stay tuned," said O'Donnell.In response, the Broadway League has issued the statement below:
The Broadway League has great respect and deep appreciation for the work of casting directors and their valuable contributions to our Broadway productions. Casting directors that are owners or employees of casting companies, however, are not employees of our shows. Like other outside agencies, including general managers, advertising agencies, accountants and lawyers, who are also intimately involved with a show and whose collaborations we also value, casting companies are engaged as independent contractors. They are separate businesses with their own employees and typically work on more than one show at a time within and outside our industry.
We have had a respectful dialogue in the past year with Teamsters Local 817 but do not believe it would be appropriate for the Broadway League or its producing members to recognize a union as the bargaining representative of professionals who are not employees of our productions. To the extent that Local 817 or the casting companies themselves disagree, we have encouraged them to seek a determination from the National Labor Relations Board, which is the appropriate forum to resolve disputes of this nature. We have even made clear to the union that we are prepared to expedite an NLRB process.
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