View the latest Broadway Grosses
Click below to access all the Broadway grosses from all the shows for the week ending 3/31/2024 in BroadwayWorld's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Of note this week: APPROPRIATE began its Belasco transfer on 3/25. THE WHO'S TOMMY opened at the Nederlander on 3/28. DAYS OF WINE AND ROSES closed on 3/31. THE OUTSIDERS is in previews at the Jacobs and opens on 4/11. LEMPICKA is in previews at the Longacre and opens on 4/14. THE WIZ began previews at the Marquis and opens on 4/17.
SUFFS began previews at the Music Box and opens on 4/18. HELL'S KITCHEN began previews at the Shubert and opens on 4/20. THE HEART OF ROCK AND ROLL began previews at the Jones and opens on 4/22. THE GREAT GATSBY began previews at the Broadway (leading the pack of new musicals in average ticket price) and opens on 4/25. ALADDIN's Thurs. 3/28 performance was a primarily invited/comped 10th anniversary celebration. Both THE LION KING and WICKED had 9 performances. CHICAGO had its highest 8 performance week (holiday and non-holiday) in the show’s 27-year history.
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Up for the week by attendance (% of capacity) was: SPAMALOT (10.8%), WATER FOR ELEPHANTS (9.6%), BACK TO THE FUTURE: THE MUSICAL (9.1%), HARRY POTTER AND THE CURSED CHILD (8.8%), KIMBERLY AKIMBO (8.2%), DAYS OF WINE AND ROSES (6.6%), MJ THE MUSICAL (6.4%), THE WHO'S TOMMY (5.1%), SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (5%), A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (4.1%), & JULIET (3.6%), THE LION KING (2.8%), CHICAGO (2.4%), THE BOOK OF MORMON (2.3%), HAMILTON (2%), ALADDIN (2%), MOULIN ROUGE! THE MUSICAL (1.2%), SIX (1.2%), WICKED (0.9%), THE OUTSIDERS (0.7%), LEMPICKA (0.1%), HADESTOWN (0.1%), DOUBT: A PARABLE (0.1%),
Down for the week by attendance (% of capacity) was: AN ENEMY OF THE PEOPLE (-0.2%),
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This week, 32 shows played on Broadway, with 271,802 tickets sold and a total gross of $37,095,505. The average ticket price was $136.48.
This was up the number of shows as last week. Compared to last week, attendance was up 18.22%. On the sales front, overall grosses were up 30.07% vs. last week. This week's average ticket price of $136.48 is up $12.43 compared to last week.
Top 5 by This Week Gross
THE LION KING: $3,178,613
WICKED: $2,910,585
HAMILTON: $2,066,135
ALADDIN: $1,810,211
HARRY POTTER AND THE CURSED CHILD: $1,799,176
Bottom 5 by This Week Gross
DAYS OF WINE AND ROSES ($411,616), LEMPICKA ($416,616), DOUBT: A PARABLE ($480,357), KIMBERLY AKIMBO ($546,501), A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL ($673,684)
Top 5 by This Week Gross vs. Last Week Gross
THE LION KING: $1,116,547
WICKED: $867,141
HARRY POTTER AND THE CURSED CHILD: $484,024
ALADDIN: $417,360
BACK TO THE FUTURE: THE MUSICAL: $305,940
Bottom 5 by This Week Gross vs. Last Week Gross
DOUBT: A PARABLE ($-91,132), MERRILY WE ROLL ALONG ($-85,935), THE OUTSIDERS ($-23,659), A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL ($16,065), DAYS OF WINE AND ROSES ($17,670)
Top 5 by Average Ticket Price
THE LION KING: $213.16
MERRILY WE ROLL ALONG: $197.68
HAMILTON: $192.79
WICKED: $167.91
& JULIET: $161.28
Bottom 5 by Average Ticket Price
LEMPICKA ($58.96), DAYS OF WINE AND ROSES ($80.39), SPAMALOT ($90.15), KIMBERLY AKIMBO ($97.47), DOUBT: A PARABLE ($98.27)
Top 5 by % of Total Seats Filled
AN ENEMY OF THE PEOPLE: 102.7%
CHICAGO: 101.7%
THE BOOK OF MORMON: 101.3%
HAMILTON: 101.2%
HADESTOWN: 101.1%
Bottom 5 % of Total Seats Filled
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (60.5%), DAYS OF WINE AND ROSES (64.8%), KIMBERLY AKIMBO (90.7%), WATER FOR ELEPHANTS (95.8%), DOUBT: A PARABLE (96.1%)
Top 5 by Total Attendance This Week vs. Last Week
WICKED: 2063
THE LION KING: 2037
SPAMALOT: 1948
THE WHO'S TOMMY: 1574
HARRY POTTER AND THE CURSED CHILD: 1144
Bottom 5 by Total Attendance This Week vs. Last Week
THE OUTSIDERS (-962), DOUBT: A PARABLE (-693), AN ENEMY OF THE PEOPLE (-16), THE NOTEBOOK (-1),
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld makes no guarantee as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
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