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Broadway Grosses: Week Ending 2/16/25 -WICKED Continues to Lead Top Grossing Shows

Long-running Broadway shows Hamilton and The Lion King continue to lead the highest grossing shows.

Feb. 18, 2025
Broadway Grosses: Week Ending 2/16/25 -WICKED Continues to Lead Top Grossing Shows  Image
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Click below to access all the Broadway grosses from all the shows for the week ending 2/16/2025 in BroadwayWorld's grosses section.

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

Of note this week: REDWOOD opened at the Nederlander on 2/13. See what the critics are saying about the production HERE.        

ALL IN: COMEDY ABOUT LOVE, EUREKA DAY, and ROMEO + JULIET closed on 2/16. Sam Gold’s production of ROMEO + JULIET recouped its $7 million capitalization during its extended, standing-room-only, 20-week limited engagement at Broadway’s Circle in the Square Theatre       

OPERATION MINCEMEAT: A NEW MUSICAL began previews at the Golden and opens on 3/20. BroadwayWorld last week reported that lightbulbs ordered for the theatre's marquee were stuck in China following Trump's new tariff on imports from China. Read more about that HERE
    

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Up for the week by attendance (% of capacity) was: EUREKA DAY (5.3%), A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL (3%), MOULIN ROUGE! THE MUSICAL (2.4%), THE GREAT GATSBY (2.3%), THE LION KING (2%), ALADDIN (0.9%), SIX: THE MUSICAL (0.8%), MAYBE HAPPY ENDING (0.5%), THE OUTSIDERS (0.2%),

Down for the week by attendance (% of capacity) was: CHICAGO (-12.1%), GYPSY (-12.1%), OH, MARY! (-10.4%), HELL'S KITCHEN (-8.7%), CABARET AT THE KIT KAT CLUB (-6.4%), MJ (-4.3%), HARRY POTTER AND THE CURSED CHILD (-3.6%), HADESTOWN (-3.3%), & JULIET (-2.9%), DEATH BECOMES HER (-2.2%), SUNSET BLVD. (-1.8%), HAMILTON (-1.7%), THE BOOK OF MORMON (-1.6%), REDWOOD (-1.5%), ENGLISH (-1.3%),

Click Here to Visit the BroadwayWorld Grosses...


This week, 27 shows played on Broadway, with 236,755 tickets sold and a total gross of $30,710,650. The average ticket price was $129.71.

This was the same as the number of shows as last week. Compared to last week, attendance was down -4.49%. On the sales front, overall grosses were up 9.15% vs. last week. This week's average ticket price of $129.71 is up $16.21 compared to last week.


Top 5 by This Week Gross
WICKED: $2,628,457
HAMILTON: $1,921,803
THE LION KING: $1,842,255
THE OUTSIDERS: $1,548,537
ALL IN: COMEDY ABOUT LOVE: $1,526,260


Bottom 5 by This Week Gross
EUREKA DAY ($391,408), ENGLISH ($507,940), A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL ($539,854), CHICAGO ($769,168), OH, MARY! ($775,072)


Top 5 by This Week Gross vs. Last Week Gross
HAMILTON: $389,053
ALL IN: COMEDY ABOUT LOVE: $362,723
THE OUTSIDERS: $314,242
WICKED: $303,764
THE GREAT GATSBY: $293,691


Bottom 5 by This Week Gross vs. Last Week Gross
GYPSY ($-88,259), CHICAGO ($-45,923), SUNSET BLVD. ($-9,420), OH, MARY! ($14,587), MAYBE HAPPY ENDING ($36,030)


Top 5 by Average Ticket Price
ALL IN: COMEDY ABOUT LOVE: $197.09
HAMILTON: $194.08
THE OUTSIDERS: $187.63
WICKED: $170.59
CABARET AT THE KIT KAT CLUB: $145.97


Bottom 5 by Average Ticket Price
EUREKA DAY ($88.10), A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL ($90.40), ENGLISH ($92.13), ALADDIN ($97.01), HARRY POTTER AND THE CURSED CHILD ($105.96)


Top 5 by % of Total Seats Filled
THE OUTSIDERS: 100.7%
ALL IN: COMEDY ABOUT LOVE: 100%
WICKED: 100%
DEATH BECOMES HER: 97.2%
REDWOOD: 96.8%


Bottom 5 % of Total Seats Filled
A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL (74.9%), CHICAGO (81.3%), OH, MARY! (82.5%), GYPSY (84.8%), EUREKA DAY (86.4%)


Top 5 by Total Attendance This Week vs. Last Week
REDWOOD: 989
THE LION KING: 276
THE GREAT GATSBY: 272
EUREKA DAY: 270
MOULIN ROUGE! THE MUSICAL: 245


Bottom 5 by Total Attendance This Week vs. Last Week
GYPSY (-1539), HARRY POTTER AND THE CURSED CHILD (-1059), CHICAGO (-1049), HELL'S KITCHEN (-1021), OH, MARY! (-742)

That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld makes no guarantee as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..




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