Broadway Grosses: Week Ending 11/27/22

Click below to access all the Broadway grosses from all the shows for the week ending 11/27/2022 in BroadwayWorld's grosses section.

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

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Of note this week:

• Please note that Thanksgiving fell within this week.
• A CHRISTMAS CAROL opened at the Nederlander on 11/21.
• KPOP opened at Circle in the Square on 11/27.
• AIN'T NO MO' is in previews at the Belasco and opens on 12/1.
• A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL is in previews at the Broadhurst and opens on 12/4.
• OHIO STATE MURDERS is in previews at the Jones and opens on 12/8.
• SOME LIKE IT HOT is in previews at the Shubert and opens on 12/11.
• There were two capacities for WICKED at the Gershwin Theatre this week. Four performances had 1,807 seats and four performances had 1,926 seats, for a total capacity of 14,932. As this report cannot accommodate both capacities, the figure 1,867 was used.

Up for the week by attendance (% of capacity) was: CHICAGO (21.3%), BEETLEJUICE (13.9%), ALADDIN (6.7%), WICKED (6.3%), ALMOST FAMOUS (5.3%), HAMILTON (3.3%), HARRY POTTER AND THE CURSED CHILD (3.3%), THE BOOK OF MORMON (3.3%), HADESTOWN (2.8%), SIX (2.3%), MJ THE MUSICAL (1.8%), MOULIN ROUGE! THE MUSICAL (1.8%), THE MUSIC MAN (0.9%), 1776 (0.6%), & JULIET (0.4%), THE PHANTOM OF THE OPERA (0.1%),

Down for the week by attendance (% of capacity) was: A CHRISTMAS CAROL (-26.9%), A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (-18.6%), KPOP (-12.6%), THE PIANO LESSON (-10.7%), SOME LIKE IT HOT (-8.9%), TOPDOG / UNDERDOG (-8.9%), LEOPOLDSTADT (-8.6%), OHIO STATE MURDERS (-6.1%), TAKE ME OUT (-5.8%), FUNNY GIRL (-5.4%), A STRANGE LOOP (-5%), THE LION KING (-5%), AIN'T NO MO' (-4%), MIKE BIRBIGLIA: THE OLD MAN & THE POOL (-3%), KIMBERLY AKIMBO (-2.2%), DEATH OF A SALESMAN (-1%),

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This week, 33 shows played on Broadway, with 259,298 tickets sold and a total gross of $37,475,773. The average ticket price was $144.53.

This was less than the number of shows as last week. Compared to last week, attendance was down -0.64%. On the sales front, overall grosses were up 21.23% vs. last week. This week's average ticket price of $144.53 is up $26.08 compared to last week.

Top 5 by This Week Gross
THE MUSIC MAN: $2,865,542
THE LION KING: $2,674,898
HAMILTON: $2,613,656
WICKED: $2,320,543
THE PHANTOM OF THE OPERA: $2,241,317


Bottom 5 by This Week Gross
AIN'T NO MO' ($125,702), TOPDOG / UNDERDOG ($216,121), KPOP ($224,389), OHIO STATE MURDERS ($229,159), 1776 ($269,865)


Top 5 by This Week Gross vs. Last Week Gross
THE LION KING: $818,348
HARRY POTTER AND THE CURSED CHILD: $725,625
WICKED: $701,217
HAMILTON: $688,352
ALADDIN: $622,933


Bottom 5 by This Week Gross vs. Last Week Gross
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL ($-217,998), LEOPOLDSTADT ($-151,682), THE PIANO LESSON ($-128,902), OHIO STATE MURDERS ($-62,424), TOPDOG / UNDERDOG ($-49,046)


Top 5 by Average Ticket Price
THE MUSIC MAN: $261.96
HAMILTON: $251.46
FUNNY GIRL: $209.46
THE LION KING: $209.43
MJ THE MUSICAL: $175.73


Bottom 5 by Average Ticket Price
AIN'T NO MO' ($27.02), KPOP ($50.00), OHIO STATE MURDERS ($62.97), A CHRISTMAS CAROL ($62.98), MIKE BIRBIGLIA: THE OLD MAN & THE POOL ($66.36)


Top 5 by % of Total Seats Filled
THE PHANTOM OF THE OPERA: 101.5%
MJ THE MUSICAL: 100.4%
SIX: 99.4%
MOULIN ROUGE! THE MUSICAL: 99%
& JULIET: 98.8%


Bottom 5 % of Total Seats Filled
OHIO STATE MURDERS (42.5%), TAKE ME OUT (43.3%), TOPDOG / UNDERDOG (43.9%), AIN'T NO MO' (57.1%), INTO THE WOODS (61.3%)


Top 5 by Total Attendance This Week vs. Last Week
HARRY POTTER AND THE CURSED CHILD: 1845
CHICAGO: 1838
BEETLEJUICE: 1787
WICKED: 1381
INTO THE WOODS: 1311


Bottom 5 by Total Attendance This Week vs. Last Week
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (-1709), A CHRISTMAS CAROL (-1497), SOME LIKE IT HOT (-1025), THE PIANO LESSON (-892), LEOPOLDSTADT (-744)

That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld makes no guarantee as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..