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TV: Tony Winner Gregg Barnes - 'FOLLIES Feels Like The Little Engine That Could'

By: Jun. 14, 2012
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Gregg Barnes is this year's recipient of the Tony Award for Best Costume Design of a Musical for FOLLIES. Check out what the designer had to say about his big win just moments after receiving his award!

James Goldman and Stephen Sondheim's FOLLIES opened on September 12, 2012. The production was directed by Eric Schaeffer, with choreography by Warren Carlyle and music direction by James Moore.

With a 28-piece orchestra, FOLLIES featured a cast of 41 and starred two-time Tony Award winner Bernadette Peters as Sally Durant Plummer, four-time Tony Award nominee Jan Maxwell as Phyllis Rogers Stone, two-time Tony Award nominee Danny Burstein as Buddy Plummer, three-time Emmy Award nominee Ron Raines as Benjamin Stone and Olivier Award winner Elaine Paige as Carlotta Campion.

The production also starred Don Correia as Theodore Whitman, Christian Delcroix as Young Buddy, Grammy & Emmy Award winner Rosalind Elias as Heidi Schiller, Colleen Fitzpatrick as Dee Dee West, Lora Lee Gayer as Young Sally, Michael Hayes as Roscoe, Leah Horowitzas Young Heidi, Tony Award nominee Jayne Houdyshell as Hattie Walker, Florence Lacey as Sandra Crane, Tony Award nominee Mary Beth Peil as Solange LaFitte, David Sabin as Dimitri Weismann, Kirsten Scottas Young Phyllis, Frederick Strother as Max Deems, Nick Verina as Young Ben, Tony Award nominee Susan Watson as Emily Whitman and Terri White as Stella Deems.

Rounding out the ensemble were Lawrence Alexander, Brandon Bieber, John Carroll, Mathew deGuzman, Sara Edwards, Leslie Donna Flesner, Jenifer Foote, Suzanne Hylenski, Danielle Jordan,Amanda Kloots-Larsen, Joseph Kolinski, Brittany Marcin, Erin N. Moore, Pamela Otterson, Clifton Samuels, Kiira Schmidt, Brian Shepard, Jessica Sheridan, Amos Wolff and Ashley Yeater.

FOLLIES featured scenic design by Derek McLane, costume design by Gregg Barnes, lighting design by Natasha Katz, sound design by Kai Harada, and the original orchestrations by Jonathan Tunick.







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