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ANN, the new critically acclaimed play written and performed by Emmy Award-winning actress Holland Taylor and directed by Benjamin Endsley Klein, ends its run on Broadway at Lincoln Center's Vivian Beaumont Theater (150 West 65 Street) today, June 30, 2013. Below, BroadwayWorld takes you back through Ann's beginnings on the Great White Way!
ANN has scenic design by Michael Fagin, costume design by Julie Weiss, lighting design by Matthew Richards, sound design by Ken Huncovsky, projection design by Zachary Borovay and wig design by Paul Huntley. Ann is produced by Bob Boyett and Harriet Newman Leve with co-producers Jane Dubin, Jack Thomas/Mark Johannes and Amy Danis, Sarahbeth Grossman, Jon Cryer/Lisa Joyner, Minerva Productions, Lary Brandt/Brian Dorsey, Kate Hathaway/Allison Thomas and Jennifer Isaacson in association with Lincoln Center Theater,Colleen Barrett, Nancy T. Beren, Francesca Zambello and Faith Gay, Patrick Terry/Rich Affannato, Marcy Adelman/Paula Kaminsky Davis, Campbell Spencer/ Suisman Gasparian and Bonnie Levinson/Emily Conner. Ann is executive produced by Kevin Bailey.
ANN played to sold-out audiences at Galveston's Grand 1894 Opera House in the summer of 2010, San Antonio's Empire Theatre in the fall of 2010, and Austin's Paramount Theatre in the spring of 2011. In the fall of 2011 the new play opened to critical acclaim at Chicago's Bank of America Theatre, and went on to have a smash hit run at Washington DC's Kennedy Center in winter of 2011-2012.
ANN opened on March 7 at Lincoln Center's Vivian Beaumont Theater. BroadwayWorld was there for the big opening and you can check out photos from the curtain call below!
After Holland Taylor took her first official Broadway bow in Ann, she was greeted by the press (and a bad-ass motorcycle). See the photos below!
ANN began as a project and quest for Taylor to understand what it was about this housewife, mother, grandmother, leader and iconic patriot that affected so many people so deeply. Writing the play became a four year journey for Taylor, crisscrossing the country, interviewing people who knew the Governor, watching countless hours of video coverage, and pouring over reams of Richards' personal and public papers at the University of Texas. In the end, her greatest resources were the family, friends, staff and colleagues of the Governor who allowed Holland to know Ann Richards as they knew her.
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