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There is no chill to be found here! In its first week on Broadway, Be More Chill has set a new record at The Lyceum Theatre. With a gross of $738,383.50, Be More Chill breaks the house record for a seven-performance week. The previous record was held by the 2008 production of Macbeth starring Patrick Stewart, which grossed $584,033.
Be More Chill officially opens Sunday evening, March 10 at 6:30PM.
Be More Chill features music and lyrics by Joe Iconis (NBC's "Smash," The Black Suits, Broadway Bounty Hunter) and a book by Joe Tracz (The Lightning Thief, Netflix's "Lemony Snicket's A Series of Unfortunate Events") based on the cult sensation novel by Ned Vizzini. Stephen Brackett (Buyer & Cellar) directs and Chase Brock (HBO's "Last Week Tonight," Spider-Man: Turn Off the Dark) choreographs.
Be More Chill arrives on Broadway with the entire cast of this summer's off-Broadway engagement in tact. The company will feature Will Roland (Dear Evan Hansen, The Black Suits) as Jeremy; George Salazar (tick tick BOOM!, Godspell, The Lightning Thief) as Michael; Stephanie Hsu (SpongeBob SquarePants) as Christine; Gerard Canonico (Spring Awakening, Groundhog Day) as Rich; Katlyn Carlson (Dirty Dancing, The Unavoidable Disappearance of Tom Durnin) as Chloe; Tiffany Mann (Waitress, Jerry Springer the Opera) as Jenna; Lauren Marcus (The Humans at St. Louis Rep, Company at Barrington Stage) as Brooke; Britton Smith (Shuffle Along, After Midnight) as Jake; Jason SweetTooth Williams (Freaky Friday, Benny and Joon, Bloodsong of Love) as Mr. Heere - Mr. Reyes - Scary Stockboy; and Jason Tam (NBC's "Jesus Christ Superstar Live in Concert," KPOP) as The Squip. Cameron Bond (Finding Neverland), Anthony Chatmon II (The Book Of Mormon), Morgan Siobhan Green (Sweetee), Troy Iwata (The Boy Who Danced on Air), Talia Suskauer (Love in Hate Nation) and Joel Waggoner (School of Rock) are the company understudies.
What if popularity came in a pill? Would you take it, no questions asked? In Be More Chill, achieving that elusive "perfect life" is now possible thanks to some mysterious new technology-but it comes at a cost that's not as easy to swallow. What could possibly go wrong? Blending the contemporary with retro sci-fi, this thrillingly exciting, comically subversive, and deeply felt new musical takes on the competing voices in all of our heads. And ultimately proves, there's never been a better time in history to be yourself-especially if you're a loser...geek...or whatever.
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