Cited by The Village Voice as "grace meets physical agility to create movement that is lyrical as it is astonishing," Chase's choreography uses the human body in unpredictable ways and a uniquely recognizable and inventive corpus of dance pieces. As the former co-founder and artistic director of the revolutionary dance companies Pilobolus (1973- 2005) and Momix, Chase created more than 50 works for the stage that have been seen by audiences around the world for over 35 years. Winning international acclaim for her unique ability to blend narrative, kinetics, and visuals into rich metaphoric worlds, Chase continues to push boundaries of dance and imagination.
Chase and her eponymous company return with a quartet of works that explore psychological and social subtext within group dynamics. Leading the program is the world premiere of In the Forest of the Night, set to a haunting, original score by world- renowned multi-instrumentalist and composer Franz Nicolay. Responding to the current diaspora, In the Forest of the Night explores the complexities of life and the relationships across borders both real and imagined. The scenography of light created by the dancers underscores the unexpected alliances made on a daring journey where there is no turning back. The evening continues with the world premiere of Tracings, set to an original score by Christine Southworth that interweaves the hermit thrush song with Morse code creating a hypnotic sonic landscape. Tracings was created as a physical tone poem where a soloist exists in a terrain of moving bodies that invokes the rugged beauty of the coast of Maine (where Chase currently resides).
A semi-abstract dance for six, Red Weather (2013) features intimate and gravity defying partnering that exemplify the social and psychological fault lines of embedded relationships. Subdivisions within the larger group are revealed as connections and emotions come in and out of focus. The eerie sounds of violinist/composer Rob Flax provide a distinctive and mystifying aural framework for the frenetic movement.
The ensemble's physicality is on full display in Monkey and the White Bone Demon (2001). Described by the Boston Globe as "visually arresting and delightfully imaginative," this campy piece reinterprets the Buddhist legend with high-flying heroes and vivid acrobatic invention. Set for a quintet, three travelers on a religious pilgrimage are rescued from the wily White Bone Demon by the fearless Monkey. Characters leap and pole vault over imagined landscapes, repeatedly escaping the Demon's snares and disguises, until he meets his death in a battle of swords.
About Alison Chase/Performance
Founded in 2009 by Alison Chase, Alison Chase/Performance is a dance theater company dedicated to the development of dramatic forms of physical expression, breaking down the barriers between the traditionally separate fields of dance, theater, and performance art-bringing together accomplished dancers and actors, musicians, and artists to create innovative works for the stage and site-specific locales. The company creates both repertory dances and full-length multi-media dance theater pieces for proscenium and black box theaters, as well as site-specific installation works. Through performances, educational outreach programs, creativity and movement classes, Alison Chase/Performance seeks to engage and inform audiences in communities throughout Maine, New England, and beyond. The company is based both in Brooksville, Maine, and New York City.
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