Following site-specific productions in Italy, Germany and Austria, Abrons Arts Center will present the New York premiere of Big Art Group's The People L.E.S., an outdoor spectacle that combines live theater with large-scale, real-time video projection. Free performances will take place at 8 pm on May 9 and 10 in the outdoor amphitheater at Abrons (466 Grand Street). The People L.E.S. is created with 36 Lower East Side community members and the Abrons' Urban Youth Theater. Participants include "stage manager to the stars" (New York Times) Lori E. Seid; artist and grandson of award winning performers' Peggy Shaw and Lois Weaver, Ian Antoni aka Grize; singer and songwriter Jesse Malin; curator and PARTICIPANT INC founder Lia Gangitano, performance artist and La Mama curator Nicky Paraiso, actress Heather Litteer, playwright Jessica Goldschmidt, director Katherine Cooper, Iman M'Fah, Emily Mun, Christina Moore, Norrin Martinez, Christopher Angelosanto, Theather Huggins, Reginald Mitchell and Sonia Geliga, among others.
Loosely recreating the story of Aeschylus' The Oresteia, The People L.E.S. is constructed from interviews conducted with local community members, who voice their thoughts about democracy, war, terrorism and justice as it relates to their personal histories. Live theatrical reenactments are intercut with earlier, taped interviews. This hour-long performance begins with the audience gathering in the Abrons' outdoor amphitheater. Unfolding both inside and outside the building, performers are viewed through windows and doorways, while four-story high moving live images are projected onto the exterior.
The People is designed to be experienced as a kind of living television. The work repurposes commonly used media strategies such as video clips, interviews and re-enactments to explore the extraordinary forces reshaping contemporary government. It sculpts these developments into a performative action that takes as its inspiration the foundational idea of community dialogue and the birth of democracy as theatrically embodied in The Oresteia. By inverting the established relationship between mass-media and private exchange, it transforms the 'town square' into a public performance in which both performers and audience act out crucial roles in the construction of self-government.
In its 14 year history, the company has risen to internationally prominence and is a critically recognized ensemble with publications in theatrical journals, PAJ, Theater, TDR, Theater der Zeit, Theater Heute and co-productions with Festival d'Automne, Vienna Festwochen, Hebbel am Ufer, Le Vie de Festival Rome, Wexner, and Yerba Buena Center For The Arts
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