The festival runs January 9-11, 2025.
wild project in association with Contemporary Performance will present the 7th Annual Special Effects Festival at wild project (195 E. 3rd Street New York, NY 10009), January 9-11, 2025. Tickets ($20) are available for advance purchase at https://thewildproject.org/performances/sfx-2025-new-page/.
Founded by the visionary duo, Caden Manson and Jemma Nelson of Big Art Group, the Special Effects Festival (SFX) has championed groundbreaking, genre-defying work since 2014. After a hiatus due to the pandemic, the festival is back to rekindle the spirit of the avant-garde and create a shared space to gather for contemporary performance. Held every year in the midst of the Annual Association of Performing Arts Presenters Conference in NYC, SFX celebrates the eclecticism of contemporary performance.
Past Alumni Include: Jeremy O. Harris, Sauda Aziza Jackson, Becca Blackwell, Lisa Clair, Braulio Cruz, Maiko Kikuchi, Agnes Borinsky, Joey Weiss, Kate Benson, Jill Pangallo, David Commander/ Rob Ramirez, Panoply Performance Laboratory, Adrienne Truscott, Colin Self.
Curated by Amanda Card
Thursday, January 9 at 7pm
Cumulo follows protagonist Plum as she freefalls through the sky, meeting weather and whimsy along the way. A nonverbal puppet piece that (sky)dives into our accumulation of self, and the experiences that shape us.
Featuring Max Gayford, Nick Lehane, and Joseph Lymous
When Shiny One stumbles upon a dangerous sickness in the forest, they must use their unique light to save the forest and bring the people back to nature. Shiny One is a brand new puppet theater piece currently in development.
Performed by Jacob Graham and Avemaria Magdalena
Cast From Heaven is a ceremonial reenactment and dramatization of something that may or may not have happened in the deep past. A short, contemplative vignette in the vein of The Wormwood Star.
Where Did You Go, Connie? is an experimental puppet show blending shadow puppetry, toy theater, and live-feed puppetry. Inspired by musician Connie Converse's life and disappearance, it explores themes of visibility, invisibility, and self-destruction. Developed at Concrete Temple Theatre's CONCRETE BOOM: Volume 3 and the 2024-2025 Object Movement Puppetry Residency and Festival.
Friday, January 10 at 7pm
Featuring Wonderful Cringe by Nicholas Sanchez, Harlequin by Adonis Huff & Jelani Best, and work by Lele Dai.
Curated by Lisa Clair
Saturday, January 11 at 7pm
Idiot Void (Working Title) is a work in progress and an initial effort to create a framework in which to amplify the dying scream of all humankind. It is also a musical puppet show.
Featuring Deja Rion
double column, is a performance piece with text and live music that looks to strings-those of the heart, those of rope and shibari, and those of stringed instruments-to explore Marissa's relationship to love (in all of its forms). The harmonies. The dissonance. The knots. The tuning. The rigging. The surrendering.
5G Maitreya is a multimedia performance work that looks at parallel notions of the 'real' in Buddhist metaphysics and a digital/material divide. Using video projected 3D renderings of Buddhist deities and ritual objects paired with 3D-printed facsimiles, the work brings the digital into the tangible as an analogy for Buddhist distinctions between the consciousness and the material.
Emily Batsford (they/them) is a theater maker and educator living in Brooklyn, NY. Their artistry prioritizes inclusion and accessibility, and includes immersive and physical theater practices, puppetry, & experimental forms. Emily has an extensive performance history, traveling internationally and across the United States. True to their passion for devising new work, Emily has also participated in countless work-in-progress showings at theatrical incubators across the five boroughs. When not performing, Emily is a Teaching Artist for Child's Play NY, Brooklyn Arts Exchange, New York City Children's Theater, and CO/LAB Theater Group.
Jon Riddleberger is a director, puppeteer, and filmmaker based in NYC. Notable credits include: War Horse, Il Ritorno D'Ulisse (Handspring Puppet Company), Laser Beak Man and Argus (Dead Puppet Society), El Niño (The Met Opera), Fly Away (Derek Fordjour and Nick Lehane), Bill's 44th, Clifford the Big Red Dog feature film, Moon and Me (The BBC), Hello Tomorrow! (Apple TV+), director of puppetry for demons. among others. Jon is an adjunct teacher at NYU and recently co-conceived and directed FRNKNSTN written by Jaclyn Backhaus. You can find out more at: www.jonriddleberger.com
Jacob Graham is a multidisciplinary artist and the mind behind The Creatures of Yes puppet web series. He recently collaborated with the artist Marina Abramović on Emerald Sea, a live symphonic performance.
Avemaria Magdalena is an actress, performance artist and band member of the East Village group, The Voluptuous Horror of Karen Black. Cast From Heaven is their new theater group as well as the title of this piece.
Amanda Glynn Card (she/they) is a multidisciplinary theatre artist. Her work has appeared at La MaMa, We Wiggle Dolls Puppet Slam, Teatro SEA's Micro Theater Festival, Dixon Place's Puppet BloK, Great Small Works' Toy Theater Festival, Nasty Brutish & Short Puppet Cabaret, Sarah Finn's Our Bodies Like Dams at Mabou Mines, Bee Hall's music video Park Song, Maiko Kikuchi and Spencer Lott's 9000 Paper Balloons, Maiko Kikuchi's Daydream Tutorial, and Mason Holdings' Small Acts of Daring Invention. She is a resident artist with the 2024-2025 Object Movement Puppetry Festival. MFA, Sarah Lawrence College.
David Commander writes, directs and performs in his particular style of modern toy and object theater. His work has been presented in NYC, Minneapolis, Philadelphia, Portland, and Chicago. As well as his collaborative efforts with Immediate Medium's Rob Ramirez, Commander is a long time member of the legendary theater company Big Art Group. This work-in-progress launches him into his first solo work in 11 years.
Marissa Joyce Stamps is a Black, Haitian-American NYC-born and based director, writer, and performer who creates vortexes that center, celebrate and amplify Black folks through an Afrosurrealist lens, often in dialogue with kinetics and landscape dramaturgy. She won the 2023 Princess Grace Playwriting Award. Memberships and Affiliations: Roundabout's RDG, Lucille Lortel Alcove, Clubbed Thumb's EWCG, The New Georges Jam, EST/Youngblood, TAG at The Tank. Select work: Letiche... (O'Neill NPC Finalist, National Black Theatre Special Project, Bushwick Starr SRS), ...Twisted Juniper (O'Neill NPC Finalist; Chautauqua NPW), Rollback (Clubbed Thumb ECWG). She's also directed her plays Being Up in Here... (Exponential Festival, Brick Aux), Blue Fire... (Exponential Festival; Orchard Project Performance Lab), and deadbodydeadbodydeadbody (Ars Nova ANT Fest). Additionally, Marissa has developed work as a writer and director of her own and of other playwrights at The National Black Theatre, The Vineyard, BAM, New Dramatists, Mercury Store, Conch Shell Productions, The Brick, Breaking & Entering Theatre Collective, NYU/Tisch, and more. MFA Playwriting: Brooklyn College. www.marissajoycestamps.com @marissajoycestamps
Glenn Potter-Takata is a Japanese-American artist based in the Bronx. He utilizes butoh, improvisation, media equipment, and consumer materials to create performances around the body as a historical site in post-internment America. His performance works have been shown in New York City at Mabou Mines, PAGEANT, Center for Performance Research, Movement Research at Judson Church, Grace Exhibition Space, Gibney Dance Center, New Dance Alliance's Performance Mix, WestFest, and with Pioneers Go Easts, among other places. Nationally, his work has been presented by Cannonball in Philadelphia, and his first solo gallery exhibition opened in January of 2023 at Rogers Studio Gallery in Las Vegas. He has been awarded residencies with Movement Research, Gibney Dance Center (Work Up), CUNY Dance Initiative at Lehman College, and is the recipient of a MAP Fund Award, Bronx Cultural Visions Award, Bronx Dance Fund Award, and a Mabou Mines SUITE/Space Fellowship.
wild project is a nonprofit producer and venue which supports the diverse independent theater, film, music, visual arts, and spoken-word artists of New York City. Since 2007, wild project has presented and produced theater that enriches, educates, and unifies its East Village community in an environmentally responsible green space. Located on E. 3rd St. in Manhattan, wild project curates resident companies in its 89-seat theater and devotes specific initiatives toward LGBTQIA+ and BIPOC projects and the work of local East Village artists, to ensure nonprofit theater sustains its roots in the community. wild project places the utmost importance on engendering a climate that supports the artists and cultivates artists who commit to artistic excellence, enrich the community and promote social equity. www.thewildproject.org
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