THE LION KING Will Return to Anchorage in 2025
Performance dates and times for the Fall 2025 engagement will be announced at a later time.
By: Stephi Wild Dec. 13, 2024
Disney’s The Lion King will make its return to Anchorage at the Atwood Concert Hall during the 25/26 season. Performance dates and times for the Fall 2025 engagement will be announced at a later time.
Seats to this limited engagement can be guaranteed by subscribing or upgrading to a subscription for Broadway Alaska’s 24/25 season. Subscribers are guaranteed their same seats each season and receive best prices and seats, premiere access to add-on tickets, free exchanges and other opportunities.
The Lion King has been touring North America for more than 22 years, and during that time has welcomed over 23 million theatergoers, making it North America’s longest-running and most-attended Broadway tour. Having already played more than 10,000 performances in over 90 cities across North America, The Lion King now proudly returns to Anchorage at the Alaska Center for the Performing Arts.
ABOUT THE LION KING
Celebrating 27 landmark years on Broadway, The Lion King continues ascendant as one of the most popular stage musicals of all time. Since its premiere on November 13, 1997, 29 global productions have been seen by over 120 million people. Produced by Disney Theatrical Group, under the direction of Andrew Flatt, Anne Quart, and Thomas Schumacher, The Lion King has made theatrical history with two productions worldwide running 20 or more years and three others running 25 or more years.
Performed over its lifetime in nine different languages (English, Japanese, German, Korean, French, Dutch, Spanish, Mandarin and Portuguese), there are currently eight productions of The Lion King around the world: Broadway, London, Paris, Hamburg, Madrid, Tokyo, Toronto, and on tour across North America. The Lion King has played over 100 cities in 24 countries on every continent except Antarctica; its worldwide gross exceeds that of any film, Broadway show or other entertainment title in box office history.
The Lion King won six 1998 Tony Awards®: Best Musical, Best Scenic Design (Richard Hudson), Best Costume Design (Julie Taymor), Best Lighting Design (Donald Holder), Best Choreography (Garth Fagan) and Best Direction of a Musical. The Lion King has also earned more than 70 major arts awards including the 1998 NY Drama Critics Circle Award for Best Musical, the 1999 Grammy® for Best Musical Show Album, the 1999 Evening Standard Award for Theatrical Event of the Year and the 1999 Laurence Olivier Awards for Best Choreography and Best Costume Design.
Director, Costume Designer and mask co-designer Julie Taymor, the first woman to win a Tony Award for Best Director of a Musical, remains actively involved in the show, launching new productions and maintaining the flagship Broadway production.
The Broadway score features Elton John and Tim Rice’s songs from the Lion King animated film along with three new songs by John and Rice; additional musical material by South African Lebo M, Mark Mancina, Jay Rifkin, Julie Taymor and Hans Zimmer; and music from "Rhythm of the Pride Lands," an album inspired by the original music in the film, written by Lebo M, Mark Mancina and Hans Zimmer. The resulting sound of The Lion King is a fusion of Western popular music and the distinctive sounds and rhythms of Africa, ranging from the Academy Award®-winning song “Can You Feel the Love Tonight” to Lebo M’s rich choral numbers.
Elton John, Lebo M, and Hans Zimmer all collaborated on the 2019 version of the film, executive produced by Julie Taymor and Thomas Schumacher, which has gone onto extraordinary worldwide success.
The book has been adapted by Roger Allers, who co-directed the animated The Lion King feature, and Irene Mecchi, who co-wrote the film’s screenplay. Other members of the creative team include: Michael Curry, who designed the masks and puppets with Taymor, Steve Canyon Kennedy (sound design), Michael Ward (hair and makeup design), Anthony Lyn (associate director), Marey Griffith (associate choreographer), Clement Ishmael (music supervisor), Lisa Dawn Cave (production supervisor), Thomas Schlenk (general manager) and ARC/Mark Brandon, CSA (casting). Anne Quart serves as executive producer.
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