Manhattan Opera House
Address:
311 West 34th St.
New York, NY
Manhattan Opera House History
Opened December 3, 1906
Shows at the Manhattan Opera House
| Dates | Production | ||
|---|---|---|---|
| 1/7/1937 | - | 5/15/1937 | |
| 12/8/1927 | - | ||
| 5/17/1926 | - | ||
| 5/17/1926 | - | ||
| 5/17/1926 | - | ||
| 5/17/1926 | - | ||
| 5/17/1926 | - | ||
| 5/17/1926 | - | ||
| 5/17/1926 | - | ||
| 11/26/1923 | - | ||
| 5/19/1921 | - | 5/23/1921 | |
| 4/17/1921 | - | 4/17/1921 | |
| 12/27/1920 | - | 1/1/1921 | |
| 12/20/1919 | - | ||
| 10/14/1919 | - | ||
| 12/25/1918 | - | 1/18/1919 | |
| 11/4/1918 | - | ||
| 2/25/1918 | - | ||
| 10/22/1917 | - | ||
| 10/22/1917 | - | 10/22/1917 | |
| 2/1/1917 | - | ||
| 11/6/1916 | - | ||
| 9/24/1915 | - | ||
| 10/24/1914 | - | ||
| 9/7/1914 | - | ||
| 11/26/1913 | - | 1/3/1914 | |
| 9/22/1913 | - | 10/25/1913 | |
| 9/22/1913 | - | 10/25/1913 | |
| 9/22/1913 | - | 10/25/1913 | |
| 9/22/1913 | - | 10/25/1913 | |
| 9/22/1913 | - | 10/25/1913 | |
| 9/22/1913 | - | 10/25/1913 | |
| 9/22/1913 | - | 10/25/1913 | |
| 9/22/1913 | - | 10/25/1913 | |
| 9/22/1913 | - | 10/25/1913 | |
| 9/1/1913 | - | ||
| 11/22/1912 | - | ||
| 9/30/1912 | - | 11/2/1912 | |
| 9/30/1912 | - | 11/2/1912 | |
| 9/30/1912 | - | 11/2/1912 | |
| 9/30/1912 | - | 11/2/1912 | |
| 9/30/1912 | - | 11/2/1912 | |
| 9/30/1912 | - | 11/2/1912 | |
| 9/30/1912 | - | 11/2/1912 | |
| 9/30/1912 | - | 11/2/1912 | |
| 9/16/1912 | - | 9/21/1912 | |
| 9/16/1912 | - | 9/21/1912 | |
| 4/29/1912 | - | 5/4/1912 | |
| 12/18/1911 | - | ||
| 11/20/1911 | - | ||
| 11/20/1911 | - | ||
| 11/20/1911 | - | ||
| 11/20/1911 | - | ||
| 11/20/1911 | - | ||
| 11/20/1911 | - | ||
| 11/20/1911 | - | ||
| 5/1/1911 | - | ||
| 9/20/1910 | - | 11/26/1910 | |
| 6/21/1893 | - | 7/8/1893 | |
| 12/5/1892 | - | 12/5/1892 | |
| - | |||
| - | |||
| - | |||
News
From Stage to Stage: The Greatest Theater Dynasties in Broadway History
by Jennifer Ashley Tepper - Mar 1, 2026
This history gives context to the legacies of theatrical dynasties—considered to consist of at least three subsequent generations of theatre creators. In 2026, there is a stigma around any successful professional who follows a parent into their line of work, with this being seen as a pattern of nepotism.
by Jennifer Ashley Tepper - Mar 1, 2026
This history gives context to the legacies of theatrical dynasties—considered to consist of at least three subsequent generations of theatre creators. In 2026, there is a stigma around any successful professional who follows a parent into their line of work, with this being seen as a pattern of nepotism.
Lost Broadway Theaters Still Standing... Continued!
by Jennifer Ashley Tepper - Sep 28, 2025
Multiple lost Broadway theaters intersect with the Hammerstein family. This follows since Oscar Hammerstein I was a theater owner and builder. In addition to Hammerstein’s which was named after him and is now the Ed Sullivan, and the New Victory which he originally built, there is also the Hammerstein Ballroom. Read more here!
by Jennifer Ashley Tepper - Sep 28, 2025
Multiple lost Broadway theaters intersect with the Hammerstein family. This follows since Oscar Hammerstein I was a theater owner and builder. In addition to Hammerstein’s which was named after him and is now the Ed Sullivan, and the New Victory which he originally built, there is also the Hammerstein Ballroom. Read more here!
BWW Review: LOVE NEVER DIES at The Fox Theatre
by Sarah Fitts - Nov 29, 2017
LOVE NEVER DIES, Andrew Lloyd Webber's sequel to the hit Broadway phenomenon THE PHANTOM OF THE OPERA, has made its way to The Fox Theatre for the Atlanta leg of the national tour. In this production, the audience was reminded why they fell in love with PHANTOM in the first place and why they yearned to see more of the lives of these characters, no matter how strange their lives became.
by Sarah Fitts - Nov 29, 2017
LOVE NEVER DIES, Andrew Lloyd Webber's sequel to the hit Broadway phenomenon THE PHANTOM OF THE OPERA, has made its way to The Fox Theatre for the Atlanta leg of the national tour. In this production, the audience was reminded why they fell in love with PHANTOM in the first place and why they yearned to see more of the lives of these characters, no matter how strange their lives became.
