We spoke to James Tupper about the production of The Seagull at The Odyssey. Anton Chekhov’s masterpiece play receives a vital new production starring Sasha Alexander (Rizzoli and Isles, NCIS, Shameless) and James Tupper (Revenge, Big Little Lies).
Joan has been a stage manager and actor in Tokyo since 2017. Her involvement in Tokyo International Players(TIP) productions includes THE GOOD PERSON OF SZECHUAN, CHITTY CHITTY BANG BANG, and SPRING AWAKENING. Joan is also currently the publicity committee chair of Tokyo International Players.
Michael Feinstein is about to once again burnish his long-held reputation as a leading interpreter of the music of the iconic composer and his lyricist brother – the team responsible for songs like “Fascinating Rhythm,” “They Can’t Take That Away from Me,” “The Man I Love,” and many more – when he brings “Two Pianos: Who Could Ask for Anything More?” to Boston’s Symphony Hall, May 31–June 1, and Tanglewood in Lenox, Massachusetts, on July 18.
The awards honored six musicals from Broadway, Off-Broadway, and the West End with nominations for Best Musical Theatre Album - 'Jagged Little Pill,' 'American Utopia,' 'Little Shop of Horrors,' 'The Prince of Egypt,' 'Soft Power,' and Amélie.'
Daniel Brühl (Rush, Inglorious Bastards, Captain America: Civil War) and Luke Evans (The Girl on The Train, The Hobbit trilogy, Dracula Untold) have been cast in TNT's THE ALIENIST, the eagerly anticipated series based on the Anthony Award-winning New York Times bestseller by Caleb Carr
BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Steve Massa, Library Technical Asst. III? of The New York Public Library for the Performing Arts on: Broadway's First “Kiss”
The Barbican today announced a stellar program of events for spring and summer 2014, pushing the boundaries of all major art forms for its diverse audiences. This new program builds on the most successful year ever for the Barbican, with attendances for events at the Centre exceeding 1 million for the first time, an increase of 36% on 2011/12. In this Olympics year, box office receipts also rose 33%, and the Barbican's commercial income increased by 35%.