by Carla Maria Verdino-Süllwold • Dec 9, 2013
In 1961 at the 41st Street Theatre in New York City, African-American poet-playwright Langston Hughes premiered a work called Black Nativity, a collection of gospel songs punctuated by Hughes's own verse narrating the birth of Jesus. After a very short run, the only souvenir of that historic event was a rare LP recording. More than a half century later, Maine musicologist Aaron Robinson has collaborated with Bowdoin College conductor and choral director Anthony Antolini to mount a revised version of Hughes' original work.
Entitled Black Nativity In Concert - A Gospel Celebration, Robinson has utilized Hughes' original texts, adding a few plus some Biblical verse, as well. For the musical settings he relied on transcribing the recording and arranging several songs himself. Performed yesterday by the seventy-five person Bowdoin Chorus, conducted by Antolini, with Roy Partridge as narrator, Jennifer McIvor on piano, and Sean Fleming on the Hammond organ, the concert in Studzkinski Recital Hall drew an overflowing crowd, many of whom were relegated to watching on lobby monitors.