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Two For The Show 1940 Broadway — Photo Coverage


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Tanglewood 2026 Popular Artist Series Adds Cynthia Erivo, Hugh Jackman, and More

Tanglewood 2026 Popular Artist Series Adds Cynthia Erivo, Hugh Jackman, and More

by A.A. Cristi • Mar 18, 2026

The Tanglewood Popular Artist Series, which each year brings a star-studded lineup of musicians and performers to Tanglewood’s Koussevitzky Music Shed, continues to expand its 2026 summer season with the addition of Jon Stewart among a roster of major artists across genres including rock, country, pop, Broadway, and soul.

Review: DIAL M FOR MURDER at Desert TheatreWorks

Review: DIAL M FOR MURDER at Desert TheatreWorks

by Charlie Thomas • Oct 11, 2024

It’s Halloween time again and what better way to get in the spookiest of vibes than seeing a good murder mystery, right? Desert Theatreworks in Indio has just the potion for you with their current production of 'Dial M for Murder'. 

Review: GREASE AT CASA MANANA Ft. Worth TX

Review: GREASE AT CASA MANANA Ft. Worth TX

by Pati Buehler • Jun 10, 2024

I will be the first to admit that I am NOT a big fan of this show, so BOO! HISS! if you like...BUT I will admit this cast has SO much fun and energy and talent. I won't argue with a cheering SOLD OUT Show.

Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR

Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR, FUN & FINESSE

by Valerie-Jean Miller • May 28, 2024

VJM: Thank you both for giving of your time to answer my questions.  I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of.  How did that come about for both of you? Ellenore Scott:  Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel:  I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in.  Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.

Photos: First Look at SHE LOVES ME at 42nd Street Moon

Photos: First Look at SHE LOVES ME at 42nd Street Moon

by Blair Ingenthron • Jun 10, 2023

San Francisco’s 42nd Street Moon (Daniel Thomas, Executive Artistic Director)has released production photos for the 3-Time Tony Award®-winning musical SHE LOVES ME, which features music by Jerry Bock, lyrics by Sheldon Harnick, and a book by Joe Masteroff. SHE LOVES ME is based on a play by Miklos Laszlo. Check out a first look below!

Learn All About Irving Berlin's ANNIE GET YOUR GUN and Celebrate Broadway's Return wi

Learn All About Irving Berlin's ANNIE GET YOUR GUN and Celebrate Broadway's Return with #NoBusinessLikeShowBusiness

by Team BWW • Nov 8, 2021

Live theatre is officially back and Concord Theatricals is celebrating! 'There's No Business Like Show Business' is a digital celebration that launched just last month, marking the return of live theater and all of the incredible people who help to make it happen. The celebration coincides with the 75th anniversary of Irving Berlin's Annie Get Your Gun and its iconic showstopper 'There's No Business Like Show Business,' a song that has more resonance than ever this year.

BWW Review: THE ANDREWS BROTHERS Jukebox Musical Recreates a WWII USO Show Somewhere

BWW Review: THE ANDREWS BROTHERS Jukebox Musical Recreates a WWII USO Show Somewhere in the South Pacific

by Shari Barrett • Feb 25, 2020

THE ANDREWS BROTHERS sung-through musical is sure to please those who remember the 1940s first-hand, or those of us who appreciate the song stylings of those bygone days. According to Bean, a?oeHere we create the atmosphere of a rag-tag USO team a?' a very real organization with an important and impressive history a?' sing songs familiar to many in the audience, and try to live up to the memory of a legendary singing group.a?? And thanks to the talented, triple-threat performers, Kelley Dorney, Michael D'Elia, Max DeLorch and Grant Hodges, no matter what goes wrong, the show must go on!

OVER HERE! - Back with the Beat at The Triad

OVER HERE! - Back with the Beat at The Triad

by Richard Ridge • Nov 13, 2019

On Monday night, Over Here! The Big Band Musical was back in New York at The Triad Theatre for the first time since its original 1974 Broadway production and the joint was jumpin'. Veteran's Day proved to be the perfect time to revive this beloved celebration of the American spirit and optimism that defined the 1940's. To make it even more worthwhile, a portion of the proceeds from the evening was donated to Vietnam Veterans of America. Over Here! is one of this journalist's favorite musicals, so I was thrilled to have it back on the boards. Under the razor-sharp direction of Will Nunziata, who is quickly becoming a go-to director, this feel-good show sparkled and shined like a freshly polished diamond. It featured a stellar cast of 19, plus an 11-piece swing band, under musical director extraordinaire Blake Allen. Choreographer Andrew Black used every inch of space to give us one eye-popping musical number after another.

BWW Review: Racially Confrontational NATIVE SON Remains Too Close to Today's Violent

BWW Review: Racially Confrontational NATIVE SON Remains Too Close to Today's Violent Truth

by Shari Barrett • Apr 24, 2019

NATIVE SON, a novel written in 1940 by Richard Wright, tells the story of 20-year of Bigger Thomas, an African American youth living in utter poverty in a poor area on Chicago's South Side in 1939. While not apologizing for Bigger's crimes, Wright portrays a systemic inevitability behind them, making the case that there is no escape from his destiny since he is the inevitable product of the society in which he has lived since birth, faced by expectations imposed upon him by others tasked to teach him the proper way for a Black man to live in society. It is often said that those who do not learn from history are doomed to repeat it. This is certainly the case in Wright's original story which could have been written today, given the similar news stories filling the airwaves right now involving police beatings of Black men and gun violence leading to senseless murders.

BWW Review: Tom Stoppard's INDIAN INK Shares the Humanity Behind British Imperialism

BWW Review: Tom Stoppard's INDIAN INK Shares the Humanity Behind British Imperialism at The Rollins Theatre in Austin, Tx.

by Amy Tarver • Feb 22, 2019

Tom Stoppard is regarded as one of the greatest living playwrights of our day. His time spent in India in the 1940's as a boy, no doubt influenced the author's point of view in writing INDIAN INK. By modern terms, Stoppard's writing would be described as a slow burn, with a style gradually revealing plot and character as the play progresses. In INDIAN INK, the scenes travel long distances in both space and time, to reveal the heart of Flora Crewe played by Jill Blackwood. Examining the imperial British rule in early 20th century India - the clash of cultures between India and the British, display both the casualties and inspiration of such a combination. At the heart of our story Flora leaves England for a warmer climate amid advice from her doctor for her failing health. The story jumps back and forth between Flora navigating India in the early 1900's to more modern times detailing a biographer and her sister investigating the aftermath of her fascinating life. The story gently exposes itself as a subtle tale of love in many capacities. Love between sisters, scholarly love and the forbidden budding relationship between Flora and her portrait artist Nirad Das (played by Tamil Periasamy). As described of Flora throughout the show, her many affairs were fleeting, which made the building of her love for Nirad sweet, leaving the audience wanting more.

Photo Flash: DEAR RUTH Opens At Hale Centre Theatre

Photo Flash: DEAR RUTH Opens At Hale Centre Theatre

by A.A. Cristi • Sep 27, 2018

Opening at Hale Centre Theatre on September 18, 2018 and playing through Nov. 13, 2018 is the Broadway comedy Dear Ruth. Produced by David and Corrin Dietlein, with direction by Cambrian James, Dear Ruth is a charming, romantic, highly entertaining Broadway comedy written by Academy Award winner Norman Krasna (a prolific writer with numerous Hollywood and Broadway hits, he is probably best known for his screenplay "White Christmas"). Dear Ruth was a huge Broadway success with 680 performances. It was later made into a very successful film of the same name starring William Holden, Joan Caulfield, and Edward Arnold.

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