The Dramatic Review for 1868

During the first week of November, the Mariinsky Theatre returns to the UK for an operatic showcase of Wagner's Ring in Birmingham at the historic Hippodrome and three operas originally written for the Mariinsky including the most recent Levsha (The Left-hander) by Rodion Shchedrin. With a 300-strong troop of musicians, soloists and chorus starting the tour in Cardiff with Prokofiev's Betrothal in a Monastery, Valery Gergiev proceeds to London to present Russia's national epic Mussorgsky's Boris Godunov followed by the UK premiere of The Lefthander, both in concert versions at the Barbican.

During the first week of November, the Mariinsky Theatre returns to the UK for an operatic showcase of Wagner's Ring in Birmingham at the historic Hippodrome and three operas originally written for the Mariinsky including the most recent Levsha (The Left-hander) by Rodion Shchedrin. With a 300-strong troop of musicians, soloists and chorus starting the tour in Cardiff with Prokofiev's Betrothal in a Monastery, Valery Gergiev proceeds to London to present Russia's national epic Mussorgsky's Boris Godunov followed by the UK premiere of The Lefthander, both in concert versions at the Barbican.

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