One of the best-loved and most highly acclaimed novels of our time, THE KITE RUNNER is a powerful play of friendship that follows one man’s journey to confront his past and find redemption. Afghanistan is a divided country and two childhood friends are about to be torn apart. It’s a beautiful afternoon in Kabul and the skies are full of the excitement and joy of a kite flying tournament. But neither of the boys can foresee the incident which will change their lives forever. Told across two decades and two continents, THE KITE RUNNER is an unforgettable journey of redemption and forgiveness, and shows us all that we can be good again.
Director Giles Croft, who also helmed the hit U.K. production, moves things along rather well on a smartly sparse set (carpets and crates are just about the only adornments you'll spot). And the gifted tabla artist Salar Nader, onstage throughout the entire show, provides dramatic accompaniment in just the right spots. One curious directorial choice: The second act features a silhouetted reenactment of a cold-blooded killing behind a curtain, which produces an incongruous puppet-show effect. Perhaps it's an effort to interrupt the constant, sometimes draggy, narration, but in that case, telling us that the Taliban shot someone in the back of the head in the street would be dramatic enough.
Spangler's stage adaptation is no 'Night Porter.' Then again, it is no 'Schindler's List' or 'The Damned' either. At the core of 'The Kite Runner' is a case of hidden paternity, the kind that is best left to comedies written in another century.
2017 | West End |
West End Transfer West End |
2017 | West End |
2017 West End Transfer West End |
2022 | Broadway |
Original Broadway Production Broadway |
2024 | US Tour |
North American Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Theatre World Awards | Theatre World Awards | Amir Arison |
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