Michael Sheen and Callum Scott Howells will star as Salieri and Mozart in the first major West End revival of Peter Shaffer's AMADEUS in over a decade, directed by Jeremy Herrin at the Noël Coward Theatre.
Boston Ballet will present Spring Experience, a compelling mixed-repertory program that highlights the Company's versatility and artistic depth through three distinct works.
North Coast Repertory Theatre announced its 44th Spotlight Gala, 'An Evening of Laughter with Rita Rudner', set to entertain attendees with a night of comedy.
The Royal Shakespeare Company will present a new season of theatrical productions in 2026-27, featuring classic and contemporary plays. Learn more about the lineup here!
SFJAZZ will present a diverse lineup of jazz performances in February 2026, featuring renowned artists and ensembles. The month-long event will take place at the iconic SFJAZZ Center in San Francisco.
FRIGID New York and The Apollo will present the 17th season of the Obie Award-winning The Fire This Time Festival, a platform for playwrights of African and African-American descent to write and produce evocative material for diverse audiences.
Doris Day was one of the biggest box office draws of her day. Her sunny disposition, and light hearted comedies turned her into America’s sweetheart but her personal life was far from a fairytale. In Paul Adams' new play Doris Day: My Secret Love, Doris is thrust into the spotlight again. See photos from the production.
Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is opening its stunning new in-the-round Ensemble Theater in Honor of Helen Zell with ensemble member Yasen Peyankov’s extraordinarily funny and lyrical adaptation of Anton Chekhov’s Seagull, April 28–June 12, 2022.
Live theatre is officially back and Concord Theatricals is celebrating! 'There's No Business Like Show Business' is a digital celebration that launched just last month, marking the return of live theater and all of the incredible people who help to make it happen. The celebration coincides with the 75th anniversary of Irving Berlin's Annie Get Your Gun and its iconic showstopper 'There's No Business Like Show Business,' a song that has more resonance than ever this year.
The LEXington Theatre Company opened A Chorus Line on August 2, wrapping up their fourth season of combining "Today's Broadway Stars and Tomorrow's Broadway Hopefuls" in Lexington, Kentucky.
Partial Comfort Productions (Samuel D. Hunter's A Bright New Boise, Robert O'Hara's Booty Candy, Thomas Bradshaw's The Bereaved) presents the New York Premiere of DUTCH MASTERS by Greg Keller (Wit with Cynthia Nixon, Michael Mayer's Uncle Vanya on Broadway). The production marks the directorial debut of Andre Holland (Academy Award-winner Moonlight, Jitney on Broadway). This limited Off-Broadway engagement runs through April 21 at The Wild Project.
On Thursday, March 1, 2018, the 14th Street Y hosted its 2018 PURIM Gala at Cipriani, 25 Broadway, NYC, raising more than $355,00. Proceeds from the Gala help to advance the 14th Street Y's mission as a hub of creativity, community programming, and Jewish culture in downtown Manhattan, providing scholarships, developing enrichment programs, and enhancing the lives of more than 26,000 people who walk through the doors each year.
Now playing at the Geffen Playhouse in Westwood, the 80-minute play IRONBOUND by award-winning playwright Martyna Majok recounts the hard luck life of Polish immigrant Darja and the men she chooses to have in it. Moving between 2014, 1992, and 2006 - but not necessarily in that order - this wry drama points out that sometimes survival is the only measure of success. No doubt the title of her play, though set at a bus stop a quarter of a mile from Elizabeth, NJ, makes sense since that blue-collar town is just like where Darja works in a nearby noisy paper factory and as a maid for a wealthy married woman, and yet still suffers through poverty, abusive husbands who drink too much, single motherhood, and then an adult son who steals her car and abandons her with no way to get to work other than the bus, which of course is always late.
