Trinity Repertory Company will close its 2025-26 season with NEXT TO NORMAL, the Pulitzer and Tony Award-winning rock musical directed by former Associate Artistic Director Amanda Dehnert at the Dowling Theater in Providence.
Ann Talman will bring her Bistro and MAC Award-winning show Ann Talman: Elizabeth Taylor and The Shadow of Her Smile to the Barrymore Film Center in Fort Lee, New Jersey, Friday, May 8, 7:30 PM.
North Coast Repertory Theatre will present Beau Jest, James Sherman's delightful Jewish-American story that weaves together vibrant traditions, sizzling chemistry, and joyous celebrations into a warm-hearted theatrical treat.
Live at Arley will return this spring – and extra acts for the special music event have been revealed. This year's event takes place from 15-17 May in the grounds of historic Arley Hall, offering three nights of live music for the first time.
Men at Work and Toad the Wet Sprocket will be live in concert at The BayCare Sound with special guest Shonen Knife.
A Season of Laughter continues at the Westport Country Playhouse with Theatre People, a new adaptation of Ferenc Molnar’s 1924 three-act farce, Play at the Castle (Játék a kastélyban).
For decades, the multiple award-winning storyteller, humorist, playwright, and bestselling author, Dylan Brody, has honed his unique voice, blending insightful observations with sharp wit and a touch of the absurd to earn him a devoted following and the respect of comedic legends including the late Robin Williams and George Carlin.
An upcoming tour of Momix’s ALICE is headed to Austin next week, and we’re in for a treat. Momix's productions, choreographed and directed by the brilliant Moses Pendleton, have been performed all over the world, captivating audiences with their dreamlike and fantastical storytelling through movement and imagery.
We are first introduced to a young girl, a very assertive, opinionated young girl, definitely with a strong sense of identity, and self worth. She is heard speaking, which we come to find out is us hearing her inner thoughts and feelings, through her a?oeMind's Eye,a?? her vocally taped diary, into a recorder. The time is 1968. We first view her as she runs, into, outside ~ an elderly man who has fallen in their garden, helping him up and, concerned, guides him inside her home, where she spends much of her sheltered life. Patty, played quite brilliantly by Peyton Kirkner, is both honest and earnest in her connection with her new and only friend, Calhoon (played wonderfully and with much heart by Lloyd Pedersen). They were instant friends; and even though Patty is legally blind they easily shared conversation. The actors totally conveyed that feeling, so it was all the more heart-wrenching when her mom, Lola Henderson, played determinedly by Maria Kress, who, understandably, is ultra protective, comes home and just couldn't fathom this new connection ~ having been the caretaker-mom all of Patty's life, this was a concern she had not yet encountered. Flash forward, and back and forth, throughout the rest of the play, this played out and developed one of the underlying themes while at the same time we were fast-forwarded to Patty (aka now renamed by herself, Trish) as a school teacher in 1981.
A delightful start to the Georgetown Palace's 2019-2020 season.
