GREASE, THE MUSICAL is given a new treatment, satisfying audiences looking for a toe tapping night of nostalgia while honoring the early stage productions and liberally referencing the famous 1978 movie adaptation.
For folks of “a certain age” (which I am not telling if I do or do not fall into that category), prolific songwriter and performing artist Carole King provided what could be the official soundtrack to their adolescence. For those who have not quite crossed that age threshold, you would be surprised how well her music has endured and firmly taken its place in the American songbook, speaking to multiple generations with songs of hope, love and all that comes after.
Birmingham Royal Ballet has released first-look production shots from their sold-out world premiere production of Black Sabbath - The Ballet which continues performances at Birmingham Hippodrome until Saturday 30 September. Check out the photos here!
What did our critic think of DON'T BOTHER ME, I CAN'T COPE at Bmore Broadway Live? Dance and Bmore, one of the newer players on the Baltimore theatre scene, has launched its inaugural program, Bmore Broadway Live, with a production of Vinette Carroll's award winning musical, Don't Bother Me, I Can't Cope (I'm just going to set up the abbreviation right here, ok? DBMICC.) And what a production this is! I'll tell you, I was exhausted in the best possible way from all that hooting and hollering, swaying and stomping.
This quote is the opening sentence from the author of the book and the words that inspired, created and catapulted The White Album -- a theatrical representation in full of Didion's autobiographical, literary essays of the same name published in 1979 but focused on the tumultuous period of time between 1966 (though it was officially started in 1968) and 1971, which had an engagement as part of BAM's Next Wave Festival November 28 - December 1, through collaborators between Lars Jan/Early Morning Opera, Mia Barron (who portrayed Didion herself), and multiple commissioners and supporters including Center Theatre Group, arts centers at CalArts, UCLA, Ohio State University and the UCross Foundation, amongst others.
Imelda Staunton and Conleth Hill star in a new production of multi Tony and Pulitzer prize-winning playwright Edward Albee's Who's Afraid of Virginia Woolf? directed by James MacDonald. BroadwayWorld brings you a look at the new production below!
As part of the 50th anniversary season and tradition of 'bringing the world's best to Houston,' Society for the Performing Arts (SPA) in partnership with the Evelyn Rubenstein Jewish Community Center presents a series of innovative dance master classes. This series brings the expertise of world-renowned dancers, choreographers, and teaching artists from all over the globe directly to Houston. Scroll down for a sneak peek!
On February 3, 1959, after performing together on the Winter Dance Party Tour, rock and roll musicians Buddy Holly, Ritchie Valens, and J.P. 'The Big Bopper' Richardson were killed in a plane crash near Clear Lake, Iowa. The three, together with pilot Roger Peterson who also perished, were attempting to make it to their next stop by plane rather than travel by bus during a raging snowstorm. The event later became known as 'The Day the Music Died' after singer-songwriter Don McLean so referred to it in his 1971 song 'American Pie.' And although I was too young at the time to really understand what their deaths meant to the world of early rock and roll, I certainly appreciate the music they left behind that will live on as long as others continue to spin the tunes and keep imitating these rock and roll icons onstage.
Last week, legendary playwright Edward Albee passed away in his sleep at his home in Montauk, LI at the age of 88. See photos of the Albee throughout his distinguished career as BroadwayWorld remembers the life and works of the theatre's most revered figures.
Based on the stories of Sholom Aleichem, Fiddler on the Roof is one of the most beloved stage musicals of all time which so magically weaves music, dance, poignancy and laughter into such an electrifying and unforgettable historical experience. The Tony Award-winning musical has captured the hearts of people all over the world with its treasured tale of family and tradition, especially to those of us who can trace our origins back to the small Jewish Shtetels in Eastern Europe at the turn of the 20th Century.
On Sunday, March 13th at 4pm, Young Artists of America at Strathmore (YAA) presented the youth premiere of the new symphonic version of Children of Eden by Stephen Schwartz (Wicked, Godspell, Pippin and The Prince of Egypt). Schwartz himself worked as a guest mentor with the YAA high school-aged students. The cast, full symphonic orchestra, and chorus will include over 350 youth from all over the DC Metro area including 250 younger artists from North Bethesda Middle School. The performance took place at The Music Center at Strathmore (5301 Tuckerman Ln, North Bethesda, MD).
The Edge Theatre Company presents 'One Flew Over the Cuckoo's Nest,' a witty, touching and enduring example of an individual's battle not to succumb to the forces of a dehumanizing, demoralizing society, in their new home at 1560 Teller Street, Suite 200, Lakewood, Colo. BroadwayWorld has a first look at the cast in action below!
?Without our traditions, our lives would be as shaky as...as a Fiddler on the Roof,? announces Tevye, a humble milkman from the Russian village of Anatevka. So begins a tale of love and laughter, devotion and defiance, and changing traditions. The Tony Award® winning Fiddler on the Roof continues to capture the hearts of people all over the world with its universal appeal. This North American Tour offers audiences a once-in-a-lifetime opportunity to see Jerome Robbins? original Broadway direction and choreography, complete with the star of the original West End production and the 1971 film, Chaim Topol. A Broadway/San Diego ~ A Nederlander Presentation, it will play at San Diego Civic Theatre, July 14 ? 19, 2009.
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