The Dusti Bongé Art Foundation will present COMING HOME: BECOMING AN ARTIST, a summer exhibition featuring 34 works tracing Mississippi's first Modernist painter as she emerged as an artist after her husband's death.
Quintessence Theatre announced its 17th season, themed 'The Outsider,' featuring seven productions including WITCH, PIPPIN, MEDEA, and a Tennessee Williams double bill of SUDDENLY LAST SUMMER and THE PARADE.
The USC Department of Theatre and Dance will present Orlando, Sarah Ruhl's theatrical adaptation of Virginia Woolf's groundbreaking story of self-discovery.
The Neighborhood Playhouse School of the Theatre presented an invite-only Red Door Reading of Prodigal Son, the deeply personal and resonant drama by Pulitzer Prize–, Tony Award–, and Academy Award–winning writer John Patrick Shanley. Check out photos of the event.
Steven Kramer’s (Book, Music & Lyrics) new work, PHAR LAP THE ELECTRO-SWING MUSICAL is a piece of pure genius.
What did our critic think of MOTHER COURAGE AND HER CHILDREN at Ensemble?
What did our critic think of THE WILD PARTY at CWU Musical Theatre Program?
Now celebrating its 18th year, the annual production of THE MANOR has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors who each inhabit their characters to a tee, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 91 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the tragic Doheny family saga have been changed, of course, a?oeto protect the guiltya?? as we are told before the play begins by the mansion's loyal butler, James, portrayed this year by David Hunt Stafford who also produces the show for Theatre 40 in association with The City of Beverly Hills.
Quintessence Theatre Group, Philadelphia's professional classic repertory theatre, continues its tenth anniversary season of progressive classic theatre with a heartwarming classic tale for all ages.
Every January I look forward to attending THE MANOR by Katherine Bates, presented by Theatre 40 inside the historic Greystone Mansion in Beverly Hills where the story upon which it is based actually took place. Now celebrating its 17th year, the annual production has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 90 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the Doheny saga have been changed, of course, "to protect the guilty" as we are told before the play begins by the mansion's loyal butler, James (Daniel Lench who has masterfully played the part for 6 years).
Michael J. LaChiusa (music, lyrics and book) and George C. Wolfe's (book) musical interpretation of Joseph Moncure March's once scandalous 1928 poem THE WILD PARTY is an escapist night of deliciously dark debauchery. The latest production from Little Triangle Theatre is a feast for the senses with fabulous music combining with brilliant choreography and creative costuming.
New musical 'LOOKING FOR GATSBY' presents a fresh take on the classic, delving into scenes that Fitzgerald never revealed.
Marius (Justin Mouledous) begs Eponine (Emma Pollet) for help finding Cosette 'Life-changing,' 'Engaging,' 'Rewarding,' 'Surreal,' 'Exciting,' 'Humbling,' 'Wonderful,' 'Extraordinary,' and 'A Blast and a Half' are just a few of the ways this extraordinary, young cast is encapsulating what it is like to be a part of The New Octavians production of the epic, grand, and uplifting, Les Miserables School Edition-The show that packs an emotional wallop that has thrilled over 65 million people worldwide. Winner of over 100 international awards, Les Miserables is an epic and inspiring story about the survival of the human spirit. The musical, based on Victor Hugo's novel, adapted for high school performers, features one of the most memorable scores of all time and some of the most memorable characters to ever grace the stage. This cast of nearly fifty students, hailing from twelve different schools from the Northshore area of the New Orleans Metropolitan area, is certainly fulfilling expectations. It is always a challenge to produce a show of this magnitude, but for Director, Brent Goodrich, being able to recruit talent from all over our community has made this production not only possible, but even more sensational.
For the past several summers, I have attended the Festival of Arts and The Pageant of the Masters in Laguna Beach. But this year, I also decided to also visit two other art festivals along Laguna Canyon Road rather than spend any time cruising the town as I had done before. The full-day of exploring all the artistic delights on display this year at all three locations left me dazzled by all the talent on display, while wishing I had lot of extra income to purchase and bring home many of the awe-inspiring items that caught my fancy. But the real highlight of the day was viewing the abundance of 'local color' on display in this summer's 'Under the Sun' themed Pageant of the Masters.
I have never been to the Pinewood Bowl in Lincoln, Nebraska. Lincoln, our neighbor to the west, is a short 40 minute drive from Omaha on a good day. When the Huskers are playing, that is another story.
Director Simon Levy, who has won much acclaim for his current production of Chaim Potok's The Chosen at the Fountain Theatre, now brings his directorial insight on achieving assimilation into America to the Sierra Madre Playhouse's production of THE IMMIGRANT, written by Mark Harelik about his grandfather's struggle to survive as the only Jewish immigrant to settle in Hamilton, Texas in 1909. The play is a timely and touching meditation on parents and children, newcomers and natives, Christians and Jews, and on what it means to be an American.
Combining the force of some fabulous comic actors, SAMI IN PARADISE presents an absurd piece that utilises humour to address the humanitarian issues that are occurring around the world.
Limelight Performing Arts, in partnership with Studio 3 Performing Arts, will give audiences a taste of American musical comedy in the Roaring 20's with a youth production of The Drowsy Chaperone, which runs April 21 through May 7 at Studio 3's Artspace Theatre in Gilbert. Check out photos from the show below!
Balanchine choreographed 425 works over the course of 60-plus years, and his works are considered masterpieces and performed by ballet companies all over the world. So you can image how thrilled I was to find out Los Angeles Ballet was going to present BALANCHINE: MASTER OF THE DANCE as their final selection of their 2016/2017 season. In it, three of his most outstanding ballet choreographies are presented: Divertimento No. 15 featuring music by Wolfgang Amadeus Mozart; Prodigal Son with music by Sergei Prokofiev; and Who Cares? with music by George Gershwin, adapted and orchestrated by Hershy Kay.
THE WILD PARTY is a musical by Michael John LaChiusa and George C. Wolfe based on the same poem.
The infamous Mack the Knife is back as Theatre South Carolina presents the landmark musical masterpiece THE THREEPENNY OPERA, October 2-10 at Longstreet Theatre. BroadwayWorld has a sneak peek at the cast below!
