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The Sound of Music 1967 New York — Photo Coverage


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THE OUTSIDERS Coming to Louisville This August

THE OUTSIDERS Coming to Louisville This August

by A.A. Cristi • Apr 23, 2026

THE OUTSIDERS, winner of four 2024 Tony Awards including Best Musical, will play The Kentucky Center in Louisville for a limited engagement presented by PNC Broadway in Louisville.

David Rothenberg Makes 54 Below Debut with NEVER TOO LATE in May

David Rothenberg Makes 54 Below Debut with NEVER TOO LATE in May

by A.A. Cristi • Apr 9, 2026

54 BELOW, Broadway's Supper Club and 2022 Tony Awards Honoree for Excellence in the Theatre, will welcome David Rothenberg on May 3 at 1pm. 54 BELOW, Broadway's Supper Club and 2022 Tony Awards Honoree for Excellence in the Theatre, will welcome David Rothenberg on May 3 at 1pm.

Photos: THE OUTSIDERS New Cast Takes First Bows

Photos: THE OUTSIDERS New Cast Takes First Bows

by Jennifer Broski • Mar 18, 2026

The Outsiders welcomed new cast members beginning on Tuesday, March 17 at the Jacobs Theatre. BroadwayWorld was there to capture the cast taking their first bows. Check out photos here

HERE LIES LOVE Extends Run at Center Theatre Group

HERE LIES LOVE Extends Run at Center Theatre Group

by Stephi Wild • Feb 11, 2026

Center Theatre Group has announced that its new production of the groundbreaking musical Here Lies Love at the Mark Taper Forum has been extended for two additional weeks and must close on April 5, 2026.

Center Theatre Group to Showcase Spring/Summer 2026 CTG:FWD Lineup

Center Theatre Group to Showcase Spring/Summer 2026 CTG:FWD Lineup

by A.A. Cristi • Feb 4, 2026

Center Theatre Group announces CTG:FWD programming for the spring and summer of 2026, featuring a special return engagement of GUAC at the Kirk Douglas Theatre, the return of MUSE/IQUE with two new concerts at the Mark Taper Forum, and ¡SÍ SE PUEDE!, a world premiere play that will tour throughout Los Angeles. 

Tickets to THE OUTSIDERS at Playhouse Square are Now on Sale

Tickets to THE OUTSIDERS at Playhouse Square are Now on Sale

by Chloe Rabinowitz • Jan 28, 2026

Single tickets for the Tony Award winning Best Musical, The Outsiders, based on the seminal novel by S.E. Hinton and Francis Ford Coppola's landmark motion picture, are now on sale for its Playhouse Square engagement.

Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR

Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR, FUN & FINESSE

by Valerie-Jean Miller • May 28, 2024

VJM: Thank you both for giving of your time to answer my questions.  I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of.  How did that come about for both of you? Ellenore Scott:  Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel:  I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in.  Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.

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