In the years between the fall of vaudeville and the rise of Comedy Clubs, Americans looking to enjoy some live stand-up would frequently gather at their local jazz venue, where rising stars like Lenny Bruce and Mort Saul would offer their observations in a rhythmic style that many would say mimicked the licks themselves. In his musical tale of losing his job, No Place To Go, playwright/composer/lyricist/performer Ethan Lipton tells the story of mounting disappointments in wry growls of spoken comical riffs that glide into an after-hours score heavily infused with jazz and blues.