OUR LITTLE HOUR, a musical celebrating the life of Walter Tull, Britain's first Black Army officer, will kick off its national tour at Greenwich Theatre. The show aims to address historical injustices through a powerful narrative and engaging performances.
Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.
Theatre, as do all of the arts, represents the era from which it comes or is written about. For example, Lanford Wilson's TALLEY'S FOLLY places the spotlight on Missouri in 1944, the border state that, until this day, is noted for its laws and customs regarding prejudice against Jews, Catholics and Blacks (e.g. the Ferguson incidents). It also showcases many of the feelings of border Southerners regarding 'proper' etiquette, the sanctity of the roles that women are to play in society, and the power of gossip. All this is folded into a charming tale.
The OBIE-winning HERE announces the line-up for CULTUREMART 2014, taking place January 28 - February 9. In CULTUREMART, process becomes the focus, as this annual festival offers a first look at live performance work in various stages of development from the boundary-breaking artists in the HERE Artist Residency Program (HARP) on their journey to mainstage productions. CULTUREMART 2014 serves up 13 adventurous workshop performances of new hybrid work that blurs the lines between theater, dance, music, multimedia, puppetry and visual art. Scroll down for a sneak peek at the performers!
