Review: BAT BOY: THE MUSICAL at Burlington County Footlighters
Campy horror musical has bite
Kept 2001 New York — Photo Coverage
Review: MOULIN ROUGE! THE MUSICAL at Broadway San Jose
While many performances deliver a pleasing experience, only a rare, luminous creation possesses the alchemical magic to truly dazzle, delight, and forever enchant an audience, leaving an indelible mark on their hearts and minds. And what, you ask, is this extraordinary show? Ladies and gentlemen, welcome to Moulin Rouge! The Musical, a jukebox musical like no other. Prepare to be utterly captivated!
Review: MOULIN ROUGE! THE MUSICAL at Orpheum Theatre
What did our critic think of MOULIN ROUGE! THE MUSICAL at Orpheum Theatre? Sometimes a show happily checks all the boxes for a satisfying performance, but then there is that rare creature that rises above the rest to so thoroughly dazzle, delight and enchant theatergoers that it leaves an indelible imprint on their minds forever. And what is the show? Ladies and gentlemen, welcome to Moulin Rouge! The Musical, a jukebox musical like no other. Prepare to be dazzled! Playing now through November 6, BroadwaySF's Moulin Rouge! The Musical will take your breath away.
BWW Spotlight Series: Meet Mike Blaha, Fringe Management Co-Founder
This Spotlight focuses on Mike Blaha, Co-Founder of Fringe Management, a company that has produced an incredible assortment of shows for both the Edinburgh Festival Fringe and Hollywood Fringe Festival. Listen in as he shares his insights on how the Coronavirus pandemic has affected both this year, especially since the shutdown occurred just as the Edinburgh event had begun.
BWW Review: BUBBLE BOY – A BUBBLE WHAMMY at Cast Aside Productions
Take the creators of Despicable Me 2 and the 2001 Bubble Boy movie, add a dash of energy, originality and a lot of side splitting humour, and you end up with the toe-tapping, fast paced, crazy hilarious Bubble Boy the Musical.
BWW REVIEW: MAMMA MIA! Returns To The Sydney Stage In A New Interpretation Of The Feel Good Musical
Australian Director Gary Young has reinterpreted MAMMA MIA! for Australian audiences, delivering a fresh new take on the work, 19 years after it debuted on the West End.
Photo Flash: Remembering Marni Nixon
As BroadwayWorld sadly reported earlier this week, Marni Nixon, perhaps best known for dubbing the singing voices of the leading actresses in films, including THE KING AND I, WEST SIDE STORY and MY FAIR LADY, passed away from breast cancer on July 24th. She was 86.
Photo Flash: First Look at MRS. WARREN'S PROFESSION at Seattle Shakespeare Company
Confronting the truth locks two unconventional women in a battle of wits and wills when Seattle Shakespeare Company presents MRS. WARREN'S PROFESSION by GeorgeBernard Shaw. Directed by Victor Pappas, MRS. WARREN'S PROFESSION will play at the Center Theatre at Seattle Center now through April 10, 2016. BroadwayWorld has a first look at the cast in action below!
BWW Review: THE PRIDE Examines The Expression And Repression Of Love In Two Different Eras And Explores The Progression And Distance Still To Go For Acceptance.
Confronting, heartbreaking, and also hilarious, THE PRIDE draws the audience into two worlds, 50 years apart, highlighting that the horrific denial of love was not such a distant memory and still remains a challenge.
BWW Review: Delightful REEFER MADNESS at Blank Canvas induces Giggles and Munchies
Even though the movement may have been slowed down by the recent Ohio election, the march toward legalization of marijuana seems on its way in this country.
BWW Interview: Lynne Griffin
Lynne Griffin is what director David Ellenstein describes as 'a heavy-weight' in the industry. Her credits span more than 5 decades and include print, film, television and theatre. She was a child model and actor, appearing in multitudes of commercials and even hosting a children's television show in Toronto.
BWW Exclusive: NTI - Unparalleled Access to New Work & Living Writers
This week Risk Again explores the rich relationship between the Eugene O'Neill Theater Center's National Theater Institute (est. 1970) and National Playwrights Conference (est. 1964). Both committed to developing new work in a collaborative environment where artists are free to risk and safe to fail.
BWW Reviews: Classic Stravinsky and Recent American Dances at the NYCB
As part of its 33 Ballets in 3 Weeks showcase, the New York City Ballet staged Stravinsky's 'Firebird' alongside three short, recent compositions. The show had a few imperfections-but also had several bracing, spectacular moments.
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Tickets From $95
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