Review: THE NOTEBOOK: THE MUSICAL at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - May 14, 2026
The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the novel and memorable film moments, whilst breathing in new voices and new scenes that add different layers to these familiar characters.
Review: Make Farce Funny Again with POTUS at Theater West End
by Albert Gutierrez - May 3, 2026
There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.
Review: Revamped MEAN GIRLS Musical Debuts at La Mirada Theatre
by Michael Quintos - Apr 15, 2026
Now having its Southern California regional production, MEAN GIRLS - THE MUSICAL continues performances at the La Mirada Theatre for the Performing Arts through May 3, 2026. Produced by McCoy Rigby Entertainment, this fun, high-energy, youthfully-targeted new iteration of the 2018 stage adaptation of Tina Fey’s beloved 2004 film comedy looks and feels like a brand new show—boosted by impressive new visuals and a highly-caffeinated ensemble whose enthusiasm and verve is quite infectious. A dazzling, entertaining show with high-caliber polish, La Mirada's production is a slick, electrically-charged iteration that is a worthwhile new chapter in the show’s evolution.
Review: ANGELS IN AMERICA, PART TWO: PERESTROIKA at Theater West End
by Albert Gutierrez - Feb 21, 2026
Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.
Cabaret Roundup: Jan. 26-Feb. 1- Laura Benanti, Jennifer Egan & More
by Rebecca Kaplan - Jan 26, 2026
NYC has so many incredible events, but here are a few top picks to consider this week including Laura Benanti, singer-songwriter Nellie McKay, jazz, a songwriter's response to new work by writer Jennifer Egan (Visit from the Goon Squad) and more.
LEND ME A TENOR Comes to Portland Stage
by Stephi Wild - Jan 22, 2026
Portland Stage will begin 2026 with big belly laughs! Bringing this three-time Tony Award-winning laugh riot, Lend Me A Tenor by Ken Ludwig, to the stage.
Review: ANGELS IN AMERICA, PART ONE: MILLENNIUM APPROACHES at Theater West End
by Albert Gutierrez - Jan 18, 2026
While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.
Back to Nubia: Stories from the Making of AIDA After 25 Years
by Caitlin Hornik - Dec 6, 2025
In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.
Interview: Terry Baum of LESBO SOLO: MY GAY HISTORY PLAY at The Marsh Berkeley
by Jim Munson - Sep 19, 2025
BroadwayWorld chats with pioneering lesbian playwright and performer Terry Baum about her latest show 'Lesbo Solo: My Gay History Play' running at The Marsh Berkeley through October 12th. Her hilarious and deeply moving piece won 'Best of Fringe' at the San Francisco Fringe Festival.
ROMERO & JULIET Concert Comes to the Cutting Room NYC
by Stephi Wild - Sep 3, 2025
Chad Marge and Delilah Jane Dunn will star as Romero and Juliet, alongside Tony nominee Steven Skybell as Uncle Larry (Friar Lawrence) in a concert presentation of the new zombie rock musical ROMERO & JULIET in Concert at the Cutting Room NYC.
Review: SIMPLE PLAN - BIGGER THAN YOU THINK TOUR at Armory
by Jared Fessler - Aug 20, 2025
There’s something about seeing a band like Simple Plan live that reminds you why pop punk hit so hard in the first place. On September 12th, they took over The Armory in Minneapolis—and for anyone lucky enough to be in the room, it was a perfect mix of nostalgia, energy, and genuinely great musicianship.
MARY POPPINS Opens The Legacy's 20th Season
by Stephi Wild - Jun 30, 2025
The Legacy Theatre is producing the family hit, Mary Poppins, set to open this week. This tale has been adapted into a Broadway musical featuring classic songs like 'Spoonful of Sugar' and 'Step in Time' alongside new musical numbers.
Review: Theatre Raleigh's PETER AND THE STARCATCHER
by Jeffrey Kare - Jun 13, 2025
Loosely based on Dave Barry & Ridley Pearson’s 2004 novel, Peter and the Starcatcher upends the classic story of how a miserable young orphan became The Boy Who Would Not Grow Up, otherwise known as Peter Pan. It begins when he and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff.
Interview: Theatre Life with S. Katy Tucker
by Elliot Lanes - Apr 29, 2025
Today’s subject S. Katy Tucker is currently living her theatre life as the projection designer for Washington National Opera’s (WNO) production of The (R)evolution of Steve Jobs. The production runs May 2nd through 10th in the Opera House at Kennedy Center.
Interview: Ken Ludwig of BASKERVILLE: A SHERLOCK HOLMES MYSTERY at Alley Theatre
by Brett Cullum - Apr 11, 2025
I like to write all the time and generally write two plays a year, just because I take very seriously the notion of this being my profession. I would say playwright is spelled WRIGHT [write]. It's like a Cartwright or a wheelwright. It's somebody who rolls up their sleeves and does their work.