How an Episcopal Retreat Became a Buzzy Off-Broadway Venue
by Joey Sims - Apr 20, 2026
This season, Broadway royalty has taken up residence in the splendid library of an Upper East Side mansion. So how did House of the Redeemer, a retreat house within the Episcopal Archdiocese of New York, become off-Broadway’s hottest new venue?
Vanessa Williams, Tony Danza and More to Perform at 54 Below in February
by Chloe Rabinowitz - Jan 30, 2026
Next month, 54 Below, Broadway’s Supper Club & Private Event Destination, will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Vanessa Williams, Tony Danza and more.
Interview: Playwright Jake Broder of UNRAVELLED at The Wallis
by Shari Barrett - Oct 13, 2025
With frontotemporal dementia (FTD) in the news due to actor Bruce Willis fighting the disease for several years, I decided to speak with playwright Jake Broder, an Atlantic Fellow at the Global Brain Health Institute, about his motivation to create Unravelled and his research on the disease.
Interview: Alan Demovsky, Director of THE NANCE at Elmwood Playhouse
by Peter Danish - May 30, 2025
The NANCE is currently enjoying a succesful and critically aclaimed run at Elmwood Playhouse in Nyack, NY. We caught up with the play's director Alan Demovsky to chat a bit about the play's message and its extraordinary significance in today's increasingly repressive political climate.
Interview: Hershey Felder On His Final Farewell Performances of GEORGE GERSHWIN ALONE At The Wallis
by Shari Barrett - Apr 4, 2023
In his inimitable artistic style, actor and concert pianist Hershey Felder continues to bring the lives and music of famous composers, including Debussy, Beethoven, Berlin, Bernstein, Gershwin, Chopin, Liszt, Tchaikovsky, and Rachmaninoff, to stages around the world. When I heard he was bringing his final performances of George Gershwin Alone to The Wallis in Beverly Hills this April, I decided to speak with him about the decision to retire his popular production and what his vision for the future holds.
PEAK Performances Announces 2021-22 Season
by Chloe Rabinowitz - Jul 2, 2021
PEAK Performances at Montclair State University today announced its 2021-2022 season, presenting a slate of gripping new works on film via the organization’s PEAK Plus streaming platform, free of charge, and then welcoming audiences back into the Alexander Kasser Theater for a robust lineup of exhilarating on-stage premieres.
Plays By Women Rock the Strawberry One-Act Festival for Women's History Month
by BWW
News Desk - Mar 13, 2019
Never underestimate the power and talent of a woman. 11 Fearless Women Playwrights will have their plays grace the stage in the Strawberry One-Act Festival with BOLD new ideas that are unapologetic and thought provoking! Beginning with JESSICA MARIE FISHER'S Welcome To Narnia, to JO RODRIGUEZ'S Why We're Here, NATASHA COBB'S Doin' Good and CAROLYN MOSES' Adam's Eve; these women playwrights tackle everything from sexual abuse, identity, empowerment, careers, family and chasing Jibouti forces.
Plays By Women Rock the Strawberry One-Act Festival for Women's History Month
by Julie Musbach - Feb 13, 2019
Never underestimate the power and talent of a woman. 11 Fearless Women Playwrights will have their plays grace the stage in the Strawberry One-Act Festival with BOLD new ideas that are unapologetic and thought provoking! Beginning with JESSICA MARIE FISHER'S Welcome To Narnia, to JO RODRIGUEZ'S Why We're Here, NATASHA COBB'S Doin' Good and CAROLYN MOSES' Adam's Eve; these women playwrights tackle everything from sexual abuse, identity, empowerment, careers, family and chasing Jibouti forces.
Tony Yazbeck to Lead John Doyle's THE CRADLE WILL ROCK At Classic Stage Company
by A.A. Cristi - Feb 5, 2019
Classic Stage Company presents Marc Blitzstein's allegorical play in music The Cradle Will Rock, directed by John Doyle, March 21 - May 19, 2019. A Depression-era indictment of rampant capitalism told almost entirely in song, The Cradle Will Rock maintains a twinkle in its eye while bearing sharp fangs. The 1937 premiere of this story of American class tensions-directed by Orson Welles-was famously shut down on the eve of opening night by federal authorities over so-called 'budget cuts,' commonly considered a thin veil for fears of the play's pro-labor stance. The artists involved rebelliously circumvented its cancellation, making for one of the most memorable stories in 20th century theater history. While Blitzstein's libretto is very much a product of its own 1930s political context, The Cradle Will Rock pulses with immediacy in an era of expanding economic inequality and policy for purchase. CSC's 2018-2019 season began with The Resistible Rise of Arturo Ui, Bertolt Brecht's allegory about the rise of fascism via a charismatic tyrant; this spring, it closes with an all-American Brecht-and-Weill-inspired work, which carries a message of defiance built into its very title.