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The first show of Avril Lavigne’s Greatest Hits Tour played last week at Rogers Arena in Vancouver, BC to a sold out crowd. With Vancouver being her first show of the new tour, the excitement was high and a strong sense of nostalgia lingered in the air.

Comedy, friendship, and romance combine in this swashbuckling adventure.

The Three Musketeers, the final Mainstage show in the 2023/24 Season is about to begin at The Citadel Theatre.

Produced by Live Nation, the 27-date tour will see Avril perform her biggest songs to-date including the RIAA 3x platinum-certified “Complicated,” the 2x platinum-certified “Sk8er Boi,” the 2x platinum-certified “Girlfriend,” the platinum-certified “Here's To Never Growing Up,” and many more from her record-smashing catalog.

Today, LES PRIX DE LA DANSE DE MONTRÉAL (PDM) unveiled the winners of the 2022-2023 season at a ceremony held at the Studio-Théâtre des Grands Ballets Canadiens, as part of the biennial Parcours Danse platform.

Cardinal Richelieu is going to make France the greatest country on earth. It’s 1620, the time of the three Musketeers, Cyrano, the Inquisition, and Louis XIII – intrigue reigns, danger is everywhere, and one man will either bring peace or utter destruction. This is his story.

The world premiere of 'Jumping The Shark', a new comedy by David Cantor and Michael Kingsbury (who also directs) about the perils of sitcom writing, will play Upstairs at the Gatehouse 7 - 12 March.

The Citadel Theatre has announced its 2023/24 Season of programming, bringing Edmonton audiences a fantastic new season of theatre packed with action, adventure, music and storytelling.

Washington, DC is never lacking outstanding theatre, whether epic Broadway shows, engrossing dramas or bold fringe offerings. BroadwayWorld is rounding up our top recommended theatre every month. This month's picks include Sunset Boulevard, Ride The Cyclone and more!

Jumping The Shark is by a new comedy writing partnership -  David Cantor and Michael Kingsbury, who also directs. The production will tour the UK in 2023.

Asolo Repertory Theatre will kick off its 2023 repertory season with Ken Ludwig’s THE THREE MUSKETEERS, adapted from the novel by Alexandre Dumas. Peter Amster returns to direct this classic play that promises to be a fast-paced, witty, swashbuckling good time. 

Trinity Theatre’s three brilliant Christmas shows will be performed by a newly announced nine strong cast. These multi-talented multi-hyphenates will play multiple roles across three shows for  triple festive delights! 

Trinity Theatre’s three brilliant Christmas shows will be performed by a newly announced nine- strong cast. These multi-talented multi-hyphenates will play multiple roles across three shows for triple festive delights!

La Survivance: An Evening Celebrating French Canadian Heritage will be presented at The Stadium Theatre, 28 Monument Square, Woonsocket RI 02895 on Sunday, October 30, 2022, at 5:00 pm. La Survivance: An Evening Celebrating French Canadian Heritage promises a night filled with original dance and live music celebrating the vibrant Franco-American history in the Blackstone Valley.

Queens Theatre (QT) has announced plans to bring two of the most legendary stories to its stage this fall when The Acting Company presents a new adaptation of the swashbuckling adventure, The Three Musketeers and the enduring tale of star-crossed lovers, Romeo and Juliet.

Director Cressida Brown believes we'll never find the classics if we don't find new writers. Writer Ed Edwards' The Political History of Smack and Crack – a funny love song to a lost generation crushed by the 80s heroin epidemic under Thatcher – is on its way to becoming a modern classic. heroin epidemic – is on its way to becoming a modern classic.

Book-It Repertory Theatre presents the second audio drama in its hybrid season, THE THREE MUSKETEERS, available to stream or download beginning November 23.

The Outsider Art Fair announces Art Brut Global, a curated virtual exhibition of artworks sourced from the Fair's renowned galleries and dealers.

A few weeks back, I attended the opening night of The Three Musketeers at Orlando Shakes. I marveled, in particular, at a rotating stage and staircase designed by Bert Scott. The way the production team used that stage always impressed me. Imagine my delight when I came back to Orlando Shakes for the opening weekend of HENRY IV, PART 1 and saw that same exact stage now being used to represent 1492 England rather than 1628 France. Part of it is my fault, I didn't know they'd be using the same stage and assumed another theatre space at Orlando Shakes would house HENRY IV. But now knowing that this same space was used for two plays got the wheels in my head turning. It's a genius move on Orlando Shakes' part, creating a very fitting double-feature of entertainment. The same cast, the same stage, but two wholly different stories unfold.

Ask anyone to describe the Three Musketeers, and you'll get the usual answers: three heroes, bound together in brotherhood, inseparable in the most dire circumstances. They were a holy trinity of masculinity and friendship, the #SquadGoals of the 19th century. But unless one were intimately familiar with Alexandre Dumas' novel or its many adaptations, five will get you ten the average Joe today would be remiss to actually name all of them. That's not the fault of the average Joe, but rather the reputation that precedes these fictional characters. Most would be familiar with what they are, not necessarily who they are.