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Review: THE MAGICIANS TABLE, The Vaults
by Franco Milazzo - Jun 14, 2026


Death, it turns out, is an excellent alibi for a party, even one being held in your honour. Legendary magician, beloved family man and complete fiction Dieter Roterburg has sadly died and his wake is being held nightly in the tunnels beneath Waterloo train station.

Review: A FEW GOOD MEN at Road Less Traveled Productions At Shea’s 710 Theatre
by Michael Rabice - Jun 14, 2026


Nothing can be as exciting as a heated courtroom drama. And author Aaron Sorkin most assuredly masters his craft in the stage version of his blockbuster movie A FEW  GOOD MEN now playing in a riveting presentation by Road Less Traveled Productions at Shea’s 710 Theatre.

SINGIN' IN THE RAIN JR. Trailer Debuts as Hale Centre Opens Youth Production
by Robert Diamond - Jun 14, 2026


Hale Centre has opened its youth production of SINGIN' IN THE RAIN JR. on the Miller Family Stage, with tickets starting at $12 for the limited run.

Video: The Royal Ballet Explains BENESH MOVEMENT NOTATION in New Educational Clip
by Robert Diamond - Jun 14, 2026


The Royal Ballet's Senior Benesh Choreologist and Assistant Répétiteur Gregory Mislin and Benesh Choreologist Daniel Kraus explain how Benesh Movement Notation is used to record and restage dance works, including a Kenneth MacMillan ballet.

Review: ORPHEUS IN THE UNDERWORLD at Artscape Opera House
by Kim R2 - Jun 14, 2026


A hilarious, gorgeous 1920s reimagining of the Greek myth. Veronica Paeper's classic choreography meets dazzling sets, varied costumes and standout performances from the principals and the ensemble. Showing until 21 June, tickets from R225.

REVIEW: Yve Blake Gives Shakespeare’s Tragedy Of Macbeth A Contemporary Teen Treatment With MACKENZIE
by Jade Kops - Jun 14, 2026


An hilarious homage and caution about teenage fame and unchecked egos, the Tragedy Of Macbeth is transformed in MACKENZIE.

Review: A CHORUS LINE at Downtown Cabaret Theatre
by Sean Fallon - Jun 14, 2026


There is no denying the extreme talent of the A CHORUS LINE cast. Director Brad Blake, choreographer Diana Deaver, music director Mark Ceppetelli, and assistant director Steve Belli combine their talents to help bring out the best in this first-rate ensemble cast! The hard work and dedication of all people involved is evident, with the entire cast bringing their A game to this show! They all have excellent stage chemistry with each other, a strong stage presence, and clearly enjoy performing. The synchronicity in dancing is breathtaking, enhanced by the impact of real mirrors as the back stage wall, creating the illusion of twice the dancers being on stage.

Review: The Warm, Eclectic Platter of GUDEG NANIK: WUTAH by MIMIC THEATER
by Rakaputra Paputungan - Jun 14, 2026


What did our critic think of GUDEG NANIK: WUTAH at MIMIC THEATER?

Review: GNATMAN at The Gaslight Theatre
by Zach Wetzel - Jun 14, 2026


This exciting sizzling hit arrives just in time for summer!

Review: THE VIEW UPSTAIRS at Barbershop Theatre
by Catherine Burford - Jun 14, 2026


What did our critic think of THE View UPSTAIRS at Barbershop Theatre? Street Theatre Company opened their final show of their 20th season. Max Vernon’s play was inspired by the 1973 attack at the UpStairs Lounge, a gay bar in New Orleans.

Interview: Mark Ball on Harry Styles and MELTDOWN at Southbank Centre
by Kat Mokrynski - Jun 14, 2026


Recently, we had the chance to speak with Mark Ball, the Artistic Director of the Southbank Centre. We discussed how he first got started in the arts industry and what led him to the Centre, the history of the Meltdown music festival and what it has been like working with Harry Styles as the artist curator this year.

Review: THE DROWNING GIRLS at New Mexico Actors Lab
by Jackie Camborde - Jun 14, 2026


According to the Director’s note, The Drowning Girls is based on a true story. It tells the tale of three women who lived during the early half of the 20th century; all three were murdered by their husbands, drowned in their bathtubs. 

Review: DEAR EVAN HANSEN at The Phoenix Theatre Company
by Herbert Paine - Jun 13, 2026


A bittersweet production with good performances all around.

Review: TWO OUT OF THREE FALLS at The Factory Theater
by Emily Werner - Jun 13, 2026


What did our critic think of TWO OUT OF THREE FALLS at The Factory Theater?

Review: THE PRODUCERS at BrightSide Theatre
by Tina St. Angelo - Jun 13, 2026


What did our critic think of THE PRODUCERS at BrightSide Theatre?

Review: GOD OF CARNAGE at New Jewish Theatre
by Steve Callahan - Jun 13, 2026


It would be pretentious to call it drama, but God of Carnage at the New Jewish Theatre is certainly an evening of good entertainment. It plays through June 28.

Review: THE NOTEBOOK at The Peace Center
by Elizabeth Cortes - Jun 13, 2026


The beloved novel-turned film remains precisely *for* the faint of heart in stage form.

PCPA Announces Summer Season Featuring COME FROM AWAY, Disney's FROZEN And More
by Marissa Faith Curley - Jun 13, 2026


This summer, PCPA invites audiences to enjoy a season of inspiring true stories, family-friendly adventures, and memorable music. Experience the triumph of Come From Away, the magic of Frozen, the excitement of Luchadora!, and the energy of Beehive.

FRONT OF HOUSE: THE BROADWAY TAKEOVER Returns To 54 Below Highlighting Staff from SIX
by Marissa Faith Curley - Jun 13, 2026


Back by popular demand, Front of House: The Broadway Takeover will return to 54 Below with a special SIX edition, celebrating the vocal talents of Broadway’s Front of House staff.

Review: FRIDA...A SELF-PORTRAIT at Union Arts Center
by Amelia Divine - Jun 13, 2026


One-person productions are typically autobiographical: the performer teaches the audience about themself, as themself. But this seemingly “direct” approach is often not actually revealing, where an artist performs a ritualized series of autobiographical anecdotes that fit into the form’s genre conventions. In touring production Frida…a self-portrait, now playing at Union Arts Center, the artist subverts the one-person show form by adding a layer, indirectly telling the story of the performer through the experiences of another artist: the surrealist portraitist Frida Kahlo. This new show asks, can we better understand one artist by telling the story of another?

LAST DAY To Be Added To Durango Playfest
by Marissa Faith Curley - Jun 13, 2026


Richard Vetere's dark comedic thriller LAST DAY has been added to the Durango PlayFest lineup, replacing Lyle Kessler's THE GERMAN. Dan Lauria and Ray Abruzzo will star in the Queens cemetery-set play.

Photos: COMICS READING COMICS Perform Sold Out Preview Show
by Marissa Faith Curley - Jun 13, 2026


COMICS READING COMICS, the show where comedians bring comic books to life, sold out its preview at the Hollywood Fringe Festival, with Dan Mintz of Bob's Burgers among the cast. Two more shows are scheduled at Three Clubs in Hollywood. Check out the photos!

CONFIRMED To Be Presented By SheNYC For Summer Theater Festival
by Marissa Faith Curley - Jun 13, 2026


Daisy Theatricals and The Legitimacy Machine will present CONFIRMED, a new play by Kristen Milburn, at the SheNYC Summer Theater Festival, following Catholic girls navigating adolescence ahead of their Confirmation.

HAIRSPRAY At CM Performing Arts Announces Initial Casting
by Marissa Faith Curley - Jun 13, 2026


CM Performing Arts Center announced the initial cast for its upcoming Main Stage production of HAIRSPRAY, with Shea McMahon leading as Tracy Turnblad at The Noel S. Ruiz Theatre.

Review: I LOVE YOU, YOU'RE PERFECT, NOW CHANGE at Theatre Harrisburg
by Andrea Stephenson - Jun 13, 2026


From the very first note of the “Prologue” the cast captures the audience’s attention with their gorgeous vocals. There are so many relatable moments in this production, all of which are brilliantly performed.


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