I Can't Keep Running in Place
Closing: October 25, 1981I Can't Keep Running in Place - 1981 Off-Broadway History , Info & More
by Jim Munson - Oct 13, 2020
Under Artistic Director Tim Bonda??s leadership, TheatreWorks Silicon Valley has just launched an ambitious new online initiative entitled Voices of Democracy, with the intention of encouraging audiences to get out the vote and stand up for racial justice. Leading up to the 2020 election, Voices of Democracy offers digital theatrical experiences that celebrate diverse voices and build a bridge from empathy to action, including plays, poetry, and curated quotes that shine a light on pressing issues during this election year. It will also feature an interview with Tony Award winner & TheatreWorks alum James Monroe Iglehart (Broadwaya??s Aladdin and Hamilton).
BroadwayWorld recently caught up with Tim Bond to learn more about Voices of Democracy and his own history before coming to TheatreWorks. Bond is a fascinating guy to talk to so our conversation took all kinds of interesting twists and turns. A true people person, he is especially committed to using theater to build community and effect change. In conversation, he often takes his time to respond to questions and is apt to speak in complex sentences that show a great deal of thought. He is not someone who needs to shout to make his voice heard and frequently leavens his responses with gentle laughter. At once brainy and comfortable expressing his emotions, Bond is clearly a person of heart and mind.
by Peter Nason - Jun 24, 2020
Happy Gay Pride! BWW Reviewer Peter Nason chooses the 101 greatest LGBTQ songs and anthems from 1920-2020. See if your favorite songs or artists made the grade!
by Peter Nason - Jun 18, 2020
BWW Reviewer Peter Nason chooses the 101 greatest protest songs from 1939-2020. See if your favorite songs or artists made the list!
by Peter Nason - Jun 11, 2020
BWW Reviewer Peter Nason chooses the 101 greatest Motown songs from 1960-1994. See if your favorite songs or artists made the list!
by Peter Nason - May 26, 2020
BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!
by Peter Nason - May 12, 2020
BWW Reviewer Peter Nason chooses the 101 greatest Beatles songs, including some of the fab four's solo works. They're all here: 'Twist and Shout,' 'In My Life,' 'Helter Skelter,' 'Imagine,' 'Something,' 'Maybe I'm Amazed,' 'Let It Be.' See if your favorites made the grade!
by Peter Nason - Apr 30, 2020
BWW Reviewer Peter Nason chooses the best musical theatre characters from 1940-2020; see if your favorites are on our list of the best characters from Broadway musicals.
by Peter Nason - Mar 30, 2020
BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!
by Roger Catlin - Feb 1, 2020
There is certainly a dramatic story to be told behind the highly successful '60s folk-rock duo Simon & Garfunkel, from their brief high school success that got them on 'American Bandstand' to their later 1960s stardom, their love/hate relationship and mutual artistic dependence. All of that is barely mentioned, though, in the nationally touring 'The Simon & Garfunkel Story,' currently in a three show run at the National Theatre.
by Peter Nason - Dec 21, 2019
25 Shows & Performances in the Tampa Bay Area That Rocked Our World from 2010 to 2019!
by Kaitlin Milligan - Aug 3, 2019
This has been one of the hottest summers on record, but don't let the rising temperatures get you down! BroadwayWorld is here to remind you of some amazing musicals and plays that you can watch from the comfort of your couch (with the AC blasting)! From Netflix to BroadwayHD to On Demand, there's an option for everyone!
by Matt Tamanini - Apr 19, 2016
In THE SECRET LIFE OF THE AMERICAN MUSICAL, Jack Viertel takes about musicals, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love with the art form all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next-by design or by accident, by emulation or by rebellion from OKLAHOMA! to HAMILTON and onward.
by Jeffrey Ellis - Feb 12, 2016
Doubtless, there's a lot of hustling, bustling and what-not going on at Murfreesboro's Center For The Arts today as the company prepares for tonight's premiere of the musical extravaganza Dreamgirls. Directed by 2013 First Night Most Promising Actor Matthew Hayes Hunter (who may or may not answer to the name of "Matt" these days), the grand-scale production features four of the loveliest, most talented and mesmerizing leading ladies to be found on any stage, anywhere: Ra'Shaun Simon (playing Deena Jones), Brianna Booker (Lorell Robinson), Brittany Easley (Michelle Morris) and Robbyn "Vyrgo" Daniel, who plays the clarion-voiced Effie Melody White, the part made famous on Broadway by Jennifer Holliday.
by Adrienne Onofri - Nov 17, 2011
As 'Chicago' celebrates 15 years on Broadway, we profile its longest-running cast member.
by Mike Ward - Jun 5, 2011
A great premise for an evening of music from an iconic singer, RICKIE LEE JONES AT SFJAZZ brought great vocal chops but undermined her gains with a lack of organizational skills as well as taking out her frustrations on the band in front of the audience. Dressed in attire you might roll out of bed in on your way to making coffee for an early morning lounge-about with the crossword puzzle, the evening became an unintentional pastiche of past history with present disorganization. What could have been a 'win-win' became a 'why-what' for all.
by Robert Diamond - Apr 9, 2011
Today we lost one of the greats: the gentle giant of directors, Sidney Lumet. What a resume! Just to pick seven of perhaps the best known of the bunch, the bunch in question being over 100 titles strong: 12 ANGRY MEN, LONG DAY'S JOURNEY INTO NIGHT, SERPICO, DOG DAY AFTERNOON, NETWORK and BEFORE THE DEVIL KNOWS YOU'RE DEAD - the films spanning fifty years from MEN in 1957 and DEVIL in 2007 - it is clear to see why Lumet was one of the most cherished and celebrated directors in Hollywood, especially known for his tough, gritty New York stories and his pristine stage-to-screen transfers. For an excellent example of the latter (in addition to LONG DAY'S JOURNEY and the others) check out DEATHTRAP - based on Ira Levin's play, the longest-running thriller in Broadway history - featuring Michael Caine in one of his best roles and Christopher Reeve and Dyan Cannon in their finest performances on film. For an example of the former genre, look no further than NETWORK, containing one of the strongest screenplays ever penned, from the fiery and ferocious pen of Paddy Cheyefsky, and Faye Dunaway in her Oscar-winning performance for all the ages. As far as theatrical screenplays on screen, Lumet would be hard-pressed to even come close to the power, prescience and transformative brilliance at the core of the conceit of that film - yet he did just that; with his final, 2007 film no less. I am speaking, of course, of the underrated and riveting BEFORE THE DEVIL KNOWS YOU'RE DEAD starring Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, with Albert Finney and Rosemary Harris. Taking an original screenplay that could just as well have been written for the stage - shades of 12 ANGRY MEN, DOG DAY AFTERNOON, NETWORK and SERPICO, certainly - Lumet made a bristling, biting brilliant work of staggering craft and ingenuity - all with verve, energy and drive of a man a quarter of his age at the time (80). His films were classics in his own time and, now, in his passing, they are just as timeless - if not more so. With each passing year, new layers of truth, beauty, sadness and soulfulness can be found in the countless frames in the innumerable unforgettable scenes in his many masterpieces.
by BWW News Desk - May 11, 2010
BBC AMERICA's Ashes to Ashes, the critically acclaimed sequel to UK hit Life on Mars, continues by fast forwarding a year to 1982, where leg warmers are cool and fluorescent is the color of choice. While Thatcher is in her element at No. 10 Downing St, bullish Detective Chief Inspector Gene Hunt (Philip Glenister, Cranford, Life on Mars) is back, policing the streets in his politically incorrect and loud mouthed style. Ashes to Ashes Season Two premieres Tuesday, May 11, 10:00p.m. ET/PT.
by Charlie Piane - Apr 20, 2010
BBC AMERICA's Ashes to Ashes, the critically acclaimed sequel to UK hit Life on Mars, continues by fast forwarding a year to 1982, where leg warmers are cool and fluorescent is the color of choice. While Thatcher is in her element at No. 10 Downing St, bullish Detective Chief Inspector Gene Hunt (Philip Glenister, Cranford, Life on Mars) is back, policing the streets in his politically incorrect and loud mouthed style. Ashes to Ashes Season Two premieres Tuesday, May 11, 10:00p.m. ET/PT.
by Jan Nargi - Jun 1, 2007
Once left at Broadway's sacrificial altar, the stage adaptation of the Oscar-winning MGM musical - and number three favorite musical of all time according to a BBC poll - is now living happily ever after in the theater world's less urbane communities
by Joseph F. Panarello - Apr 18, 2006
A Conversation With One Of the Stars of Karoline Leach's TRYST
I Can't Keep Running in Place History
Other Productions of I Can't Keep Running in Place
| 1981 | Off-Broadway |
Off-Broadway |
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