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Aprovechando que este verano visitará España con su nueva gira de conciertos, repasamos cronológicamente los papeles más icónicos y exigentes de la diva del musical

The nominations are here for the 2026 Tony Awards. This year, a high number of titles have onscreen counterparts, and we have rounded up how to watch these versions at home, from The Lost Boys to Schmigadoon!

Tony and Emmy Award-winner Billy Crystal will return to Broadway this fall in a new one-man show, 860, written and performed by Mr. Crystal and directed by Olivier Award-winner Scott Ellis. We have all of the details!

Laurie Metcalf is back on Broadway! The actress of stage and screen is back in New York, starring in Death of a Salesman. As Metcalf takes her next Broadway bow, we're looking back on some of her many iconic roles.

There are many museums dedicated to disaster, but only Britain could create one in which the exhibits are victims of its own fiscal policies. Museum of Austerity, revived at the Young Vic, is a cool, technologically-slick indictment, a moral subpoena served directly to your eyeballs through augmented-reality headsets. Grimmer than a midwinter funeral, the show is misnamed and flawed but serves as a salient reminder of how man’s inhumanity to man never ceases to beggar the imagination. 

Actors Theatre of Indiana will perform Mel Brooks' YOUNG FRANKENSTEIN October 24 - November 9. If you like good music, like to laugh and like Mel Brooks, then you'll love this show!

BroadwayWorld talks to Brian Copeland about 'The Waiting Period,' his searingly honest and surprisingly humorous life-saving solo show which will have its 500th performance September 20th at The Marsh Berkeley, coincidingBrian Copeland could easily point to any number of impressive achievements from his multi-faceted career. As a standup comic, he’s opened for icons like Aretha Franklin and Smokey Robinson. His seminal theater piece Not a Genuine Black Man still reigns as the longest-running solo show in San Francisco theater history. For 5 years, he co-hosted KTVUs Mornings on 2, and for 27 years hosted his own radio program on KGO. Related to the latter, he will be inducted into the Bay Area Radio Hall of Fame next month, something of which he is particularly proud. But – if you ask him “What is the most worthwhile thing you’ve ever done?” he answers without hesitation, “The Waiting Period,” because it has actually saved people’s lives. I spoke with him recently to learn more about this uniquely impactful solo theater piece, which will mark its 500th performance on September 20th at The Marsh Berkeley. As has become standard practice for The Waiting Period, tickets are free of charge. Based on his personal experience, the piece is an exploration of depression and suicidal ideation, its title referring to the state-mandated 10 ten days that must elapse between purchasing a gun and taking possession of it. For Copeland, those ten days were literally a lifesaver, and so he felt compelled to share his story. Although he’d long struggled with depression, back in 2008 he was faced with an unimaginable chain of events that was more than he could handle. Within a short time, the grandmother who’d raised him died of a stroke, his wife announced out of the blue that she wanted a divorce, and he got into a horrific accident that totaled his car and necessitated spinal cord surgery, putting on his couch in a neck brace for three months, popping Vicodin. Thoughts of suicide became inescapable so he purchased a TomCat, planning to use it to end his life. Against all odds, he managed to “white-knuckle it” through the waiting period while the most acute aspects of his depression lifted just enough to stop him from killing himself. But, as Copeland says, “The thing about depression is it’s never cured – it’s better, it’s worse, it’s manageable, there are times when it’s absent - but it’s always a hair trigger away from something, from some catastrophe or some chemical imbalance.” Once the fog had lifted at least temporarily, he seriously started rethinking his experience as someone who believes in finding reasons for things. During that period, a young man within Copeland’s circle committed suicide at the age of fifteen and Robin Williams killed himself as well, although the complicating factor of Lewy Body Dementia had not been made public at that time. Copeland took those incidents like a blow to the solar plexus and began to explore what he could personally do to help prevent such tragedies. He was encouraged to bring his own struggles to light by his publicist, who happened to have represented film icon Rock Hudson in 1985 when the actor announced to the world that he had AIDS, thereby removing some of the stigma from that disease. The publicist suggested to Copeland that by going public with his story maybe he could do the same thing for depression and suicidal ideation. Copeland had received his mission. Collaborating with the Bay Area’s guru of solo performance, David Ford, Copeland set out to “create a show about depression that wasn’t depressing,” making sure to include enough reality-based humor to draw audiences in and counterbalance the heaviness of the topic. As he puts it, “the comedy makes the drama much more impactful, and the drama makes the comedy funnier because it’s a release.” The Waiting Period opened at The Marsh in 2012 and became an instant sensation, winning awards and getting extended multiple times. After a year or so, Copeland realized he couldn’t keep performing the show on a regular basis because it required him relive some very dark and harrowing episodes. But he felt he could continue to do the show on an occasional basis, maybe twice a month or so, without seriously endangering his own mental health. He also talked to Stephanie Weisman, artistic director of The Marsh, about making the show free of charge to audiences so that cost wouldn’t be a barrier to attending. Weisman readily agreed to having a GoFundMe campaign was set up to cover basic production costs like theater staffing. Copeland and his publicist then placed calls to various industry contacts and were stunned by the outpouring of support from celebrities like Glenn Close, Ed Asner and Lucie Arnaz, whose lives had been personally touched by depression and suicide. Fast forward to 2025, and Copeland is now embarking on the 500th performance of The Waiting Period on September 20th, timed to coincide with Suicide Prevention Month. Copeland remains committed to continuing to do the show because he knows the profound impact it’s had on the lives of so many people, from the letters he’s received and follow-up conversations he’s had. Just one example: a woman planned to jump off the Golden Gate Bridge one Sunday morning and stopped off at her favorite café enroute to savor one last coffee and pastry before ending her life. She noticed the San Francisco Chronicle “pink” section lying on her table and thumbed through it while finishing her coffee. It happened to contain a brief article about The Waiting Period that noted a performance would be happening that very afternoon. She was intrigued enough to alter her plan - slightly. She decided to flip a coin and if it came up heads, she would proceed straight to the bridge; if it came up tails, she would go see Copeland’s show first. It came up tails, and so she went to see The Waiting Period, the core message of which is “If you’re thinking of doing some kind of harm to yourself, tell someone first.” When the play was over, she remained in her seat crying for another twenty minutes, then called her sister to tell her what she was thinking of doing, and her sister got her help. Or there’s the story of a woman who struggled with depression and her husband always wondered why she couldn’t just lighten up and smell the roses. She basically dragged him to The Waiting Period, and afterwards he said to her, “That’s what you’ve been going through? I had no idea.” And that’s the thing with depression: it is so misunderstood. It’s not something that can be cured by thinking happy thoughts. As Copeland says, “You know, we’re dealing with a disease, and yet people are ashamed of it. There’s such shame and stigma attached to it, and I want people to know they have nothing to be ashamed of, any more than if you had Lou Gehrig’s Disease or muscular dystrophy or cancer. You wouldn’t be ashamed of those afflictions. And the world, society, would be a lot more sympathetic.” As a comedian and talk show host, i.e. someone who earns his living projecting amiability and cheerfulness, Copeland makes a perfect communicator for that message. If someone as seemingly light-hearted as him can suffer from depression, then it can truly happen to anyone. When he started debuted The Waiting Period in 2012, some people were quite surprised to learn that he’d ever wanted to kill himself. And yet, what sticks with him most over the years is the number of people who’ve approached him after a performance and whispered in his ear that they, too, are “one of us,” as Copeland refers to those who experience acute depression. Some of them are people Copeland knows well and are in the public eye, people he says you would never guess struggled with the disease. Toward the conclusion of our conversation, Copeland tells me, “If there’s nothing else at all worthwhile I’ve done while I was here, at least there are a couple of people walking around who might not be here.” I tell him that’s a statement most of us can’t make, myself included, and he responds, “You don’t know that. That’s the thing. I’m fortunate enough that I’m in a position where people are able to reach out and tell me. But you don’t know who you told to have a nice day to, who were planning on doing something and ended up not because of your kindness, you know, in tipping the barista and saying they did a good job one day when they thought they were worthless and were going to do something right after they got off work. There are stories like that, and those stories are real.” (Header photo of Brian Copeland by Joan Marcus) --- The Waiting Period will play its 500th performance 5:00pm, Saturday, September 20 at The Marsh Berkeley, 2120 Allston Way, Berkeley. Additional dates are soon to be announced. Thanks to the support of generous donors, general admission tickets are FREE. Supporters may donate $50/$100 for reserved seats, funds which make it possible for others to see the show at no cost. To order free tickets or reserve seats, please visit themarsh.org. with National Suicide Prevention Month.

The New York Landmarks Conservancy just announced the winners of the 2025 Lucy G. Moses Preservation Awards, the Conservancy's highest honors for excellence in preservation. The Award recipients demonstrate outstanding and challenging preservation projects that occur throughout the City. 

Mayo Performing Arts Center has revealed their March lineup of performances including singer-songwriter Matt Nathanson and more. See the full lineup and learn how to purchase tickets.

Great family musical. Entertaining and fun. Great musical artists.

Greenwich Theatre’s 2025 season is packed with theatre, musicals, live music, children’s shows and a magical pantomime. In autumn 2025, the venue will stage Murder Ballad, their first in-house musical in two decades.

Stage, film and television star Juan Pablo Di Pace will return to 54 Below on 10/4 and 10/5 with a brand new show. Di Pace will pay tribute to iconic songs from Cole Porter, Stephen Sondheim, Kander & Ebb, and the Bee Gees – plus original compositions. Read a conversation with Di Pace about his upcoming cabaret show and film debut later this month.

Ori Yardeni's drama THE MAN WHO SAVED THE INTERNET WITH A SUNFLOWER, based on entrepreneur Rob Ryan, wins The Season’s Best of Show Prize at The IndieFEST Film Awards after success at the Dances With Films Festival.

The Colburn School has launched a digital archive celebrating the legacies of music pioneer and Holocaust survivor Herbert Zipper and renowned dancer and teacher Trudl Dubsky Zipper, preserving their contributions to the arts.

Discover the talented cast of WEST SIDE STORY at Pittsburgh CLO, featuring a dynamic ensemble ready to bring this classic musical to life.

Tony Award winner Maryann Plunkett has played a wide range of roles in her Broadway career. The Lowell native’s latest, an elderly woman dealing with dementia, in “The Notebook: The Musical,” may be her most personal, however, as she recalls her own mother’s struggle with debilitating memory loss to bring her current character to life.

At the ready on alto, tenor and baritone saxophones, the venerated Boston-based improviser and composer Charlie Kohlhase ascends the proverbial podium to lead his Explorers Club on the new Mandorla Music release A Second Life.

The Lehman Trilogy is a three-act play written by Italian playwright Stephano Massini. The story follows the lives of the Lehman immigrant brothers, from their arrival in America to the famous collapse of their company in 2008, after being in business for 158 years. At the time, this was the largest commercial bank collapse in history.

Based on the board game by USAopoly and in the comedic game show format, BLANK SLATE is a fun and funny game show where thinking alike, in the form of matching answers to clever fill-in-the blank questions, can win you big bucks. Each team of two friends will be paired with a comedian guest, and the teams accumulate points.

The Broadway Green Alliance (BGA) and Sweet Hospitality Group (SHG) are collaborating on a new pilot program to collect, sanitize, and reuse unwanted Broadway souvenir show cups. This initiative, in collaboration with Cup Zero, will aid in reducing the amount of plastic waste generated by Broadway theatres. 

Join us for a three-day celebration of the 100th Anniversary of Balboa Theatre, a symbol of San Diego's arts and cultural heritage. Tickets available in January 2024.

The legacy and lineage of Dais dovetails naturally with the mission statement of Retrospekt: “Reviving retro tech for a new generation.” The fruit of their first collaboration is a chic, white, rose-adorned, limited-edition release of Retrospekt's CP-81 portable cassette player containing an exclusive 19-track compilation cassette.

 This fall, the Broadway Green Alliance (BGA) celebrates its 15th year as an industry-wide initiative that educates, motivates, and inspires the entire theatre community and its patrons to adopt environmentally friendlier practices on Broadway and beyond.

Leading dance and teaching organisation Royal Academy of Dance (RAD) has acquired Dancing Times' photographic archive. Learn more about the archive here!

The 16-track album beautifully chronicles lead singer Jonny Pierce’s journey confronting the deep-rooted childhood trauma he experienced growing up in a cult-like religious community in upstate New York, and ultimately coming through the other side to a place of newfound self-understanding and self-love.