Next, Please!

Parsons Dance wowed the opening night audience at The Joyce Theater’s Tino & Rajika Puri Auditorium on Wednesday 4/29.

On Friday, April 17th, I had the pleasure of seeing a phenomenal show at the Warner (specifically the Nancy Marine Studio Theatre) in Torrington, CT, THE WEDDING SINGER, based on the 1998 movie that is set in 1985. The book for this stage adaptation of the film written by Chris Herlihy is written by Chad Beguelin and Chris Herlihy, with music by Matthew Sklar and lyrics by Chad Beguelin. Director and choreographer Travis Kendrick-Castanho combines his strong directing talents with those of the associate Emily Rafala and the musical director Nate McCuin to help bring out the best in this first-rate cast! Without exception, every lead and ensemble cast member absolutely excels in his or her role or roles!

Middlebury Community Players will stage NUNSENSE at Town Hall Theater in Middlebury, VT, running April 24 through May 3.

BACK TO THE FUTURE THE MUSICAL has hit Houston’s Hobby Center and plays for just a week through April 5th. Coming along with the trucks and buses of this adaptation of the 1985 Spielberg and Zemeckis hit film is Cartreze Tucker. H

The San Francisco Symphony has revealed details of the Orchestra’s 115th season. The 2026–27 season features 26 guest conductors, including five making their Orchestral Series debuts, alongside a lineup of returning and debuting guest artists.

The 2027 edition of the Sundance Film Festival will take place on January 21–31, 2027 in Boulder, Colorado. This will be the first time the Festival will welcome global audiences to its new location. 

Internationally-acclaimed Ballet Hispánico has announced the lineup for their December Diálogos, their signature conversation series led by Artistic Director & CEO Eduardo Vilaro.

BroadwayWorld talks to Brian Copeland about 'The Waiting Period,' his searingly honest and surprisingly humorous life-saving solo show which will have its 500th performance September 20th at The Marsh Berkeley, coincidingBrian Copeland could easily point to any number of impressive achievements from his multi-faceted career. As a standup comic, he’s opened for icons like Aretha Franklin and Smokey Robinson. His seminal theater piece Not a Genuine Black Man still reigns as the longest-running solo show in San Francisco theater history. For 5 years, he co-hosted KTVUs Mornings on 2, and for 27 years hosted his own radio program on KGO. Related to the latter, he will be inducted into the Bay Area Radio Hall of Fame next month, something of which he is particularly proud. But – if you ask him “What is the most worthwhile thing you’ve ever done?” he answers without hesitation, “The Waiting Period,” because it has actually saved people’s lives. I spoke with him recently to learn more about this uniquely impactful solo theater piece, which will mark its 500th performance on September 20th at The Marsh Berkeley. As has become standard practice for The Waiting Period, tickets are free of charge. Based on his personal experience, the piece is an exploration of depression and suicidal ideation, its title referring to the state-mandated 10 ten days that must elapse between purchasing a gun and taking possession of it. For Copeland, those ten days were literally a lifesaver, and so he felt compelled to share his story. Although he’d long struggled with depression, back in 2008 he was faced with an unimaginable chain of events that was more than he could handle. Within a short time, the grandmother who’d raised him died of a stroke, his wife announced out of the blue that she wanted a divorce, and he got into a horrific accident that totaled his car and necessitated spinal cord surgery, putting on his couch in a neck brace for three months, popping Vicodin. Thoughts of suicide became inescapable so he purchased a TomCat, planning to use it to end his life. Against all odds, he managed to “white-knuckle it” through the waiting period while the most acute aspects of his depression lifted just enough to stop him from killing himself. But, as Copeland says, “The thing about depression is it’s never cured – it’s better, it’s worse, it’s manageable, there are times when it’s absent - but it’s always a hair trigger away from something, from some catastrophe or some chemical imbalance.” Once the fog had lifted at least temporarily, he seriously started rethinking his experience as someone who believes in finding reasons for things. During that period, a young man within Copeland’s circle committed suicide at the age of fifteen and Robin Williams killed himself as well, although the complicating factor of Lewy Body Dementia had not been made public at that time. Copeland took those incidents like a blow to the solar plexus and began to explore what he could personally do to help prevent such tragedies. He was encouraged to bring his own struggles to light by his publicist, who happened to have represented film icon Rock Hudson in 1985 when the actor announced to the world that he had AIDS, thereby removing some of the stigma from that disease. The publicist suggested to Copeland that by going public with his story maybe he could do the same thing for depression and suicidal ideation. Copeland had received his mission. Collaborating with the Bay Area’s guru of solo performance, David Ford, Copeland set out to “create a show about depression that wasn’t depressing,” making sure to include enough reality-based humor to draw audiences in and counterbalance the heaviness of the topic. As he puts it, “the comedy makes the drama much more impactful, and the drama makes the comedy funnier because it’s a release.” The Waiting Period opened at The Marsh in 2012 and became an instant sensation, winning awards and getting extended multiple times. After a year or so, Copeland realized he couldn’t keep performing the show on a regular basis because it required him relive some very dark and harrowing episodes. But he felt he could continue to do the show on an occasional basis, maybe twice a month or so, without seriously endangering his own mental health. He also talked to Stephanie Weisman, artistic director of The Marsh, about making the show free of charge to audiences so that cost wouldn’t be a barrier to attending. Weisman readily agreed to having a GoFundMe campaign was set up to cover basic production costs like theater staffing. Copeland and his publicist then placed calls to various industry contacts and were stunned by the outpouring of support from celebrities like Glenn Close, Ed Asner and Lucie Arnaz, whose lives had been personally touched by depression and suicide. Fast forward to 2025, and Copeland is now embarking on the 500th performance of The Waiting Period on September 20th, timed to coincide with Suicide Prevention Month. Copeland remains committed to continuing to do the show because he knows the profound impact it’s had on the lives of so many people, from the letters he’s received and follow-up conversations he’s had. Just one example: a woman planned to jump off the Golden Gate Bridge one Sunday morning and stopped off at her favorite café enroute to savor one last coffee and pastry before ending her life. She noticed the San Francisco Chronicle “pink” section lying on her table and thumbed through it while finishing her coffee. It happened to contain a brief article about The Waiting Period that noted a performance would be happening that very afternoon. She was intrigued enough to alter her plan - slightly. She decided to flip a coin and if it came up heads, she would proceed straight to the bridge; if it came up tails, she would go see Copeland’s show first. It came up tails, and so she went to see The Waiting Period, the core message of which is “If you’re thinking of doing some kind of harm to yourself, tell someone first.” When the play was over, she remained in her seat crying for another twenty minutes, then called her sister to tell her what she was thinking of doing, and her sister got her help. Or there’s the story of a woman who struggled with depression and her husband always wondered why she couldn’t just lighten up and smell the roses. She basically dragged him to The Waiting Period, and afterwards he said to her, “That’s what you’ve been going through? I had no idea.” And that’s the thing with depression: it is so misunderstood. It’s not something that can be cured by thinking happy thoughts. As Copeland says, “You know, we’re dealing with a disease, and yet people are ashamed of it. There’s such shame and stigma attached to it, and I want people to know they have nothing to be ashamed of, any more than if you had Lou Gehrig’s Disease or muscular dystrophy or cancer. You wouldn’t be ashamed of those afflictions. And the world, society, would be a lot more sympathetic.” As a comedian and talk show host, i.e. someone who earns his living projecting amiability and cheerfulness, Copeland makes a perfect communicator for that message. If someone as seemingly light-hearted as him can suffer from depression, then it can truly happen to anyone. When he started debuted The Waiting Period in 2012, some people were quite surprised to learn that he’d ever wanted to kill himself. And yet, what sticks with him most over the years is the number of people who’ve approached him after a performance and whispered in his ear that they, too, are “one of us,” as Copeland refers to those who experience acute depression. Some of them are people Copeland knows well and are in the public eye, people he says you would never guess struggled with the disease. Toward the conclusion of our conversation, Copeland tells me, “If there’s nothing else at all worthwhile I’ve done while I was here, at least there are a couple of people walking around who might not be here.” I tell him that’s a statement most of us can’t make, myself included, and he responds, “You don’t know that. That’s the thing. I’m fortunate enough that I’m in a position where people are able to reach out and tell me. But you don’t know who you told to have a nice day to, who were planning on doing something and ended up not because of your kindness, you know, in tipping the barista and saying they did a good job one day when they thought they were worthless and were going to do something right after they got off work. There are stories like that, and those stories are real.” (Header photo of Brian Copeland by Joan Marcus) --- The Waiting Period will play its 500th performance 5:00pm, Saturday, September 20 at The Marsh Berkeley, 2120 Allston Way, Berkeley. Additional dates are soon to be announced. Thanks to the support of generous donors, general admission tickets are FREE. Supporters may donate $50/$100 for reserved seats, funds which make it possible for others to see the show at no cost. To order free tickets or reserve seats, please visit themarsh.org. with National Suicide Prevention Month.

Back to the Future The Musical has been bringing audiences on a time-travelling adventure on the West End for four years, adapting the iconic 1985 film by Robert Zemeckis and Bob Gale for the stage. Recently, we had the chance to chat with Oliver Halford, who was cast as the alternate Marty McFly after an open casting call. We discussed what the casting process was like, how this role in particular is full-circle for him and how he survived an absolutely chaotic opening week!

Next month, 54 BELOW will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Beth Leavel, Casey Likes, Joe Iconis and more. See the full month of programming here! 

Musicals at Richter (MAR), celebrating its 41st season as the longest-running outdoor theater in Connecticut, kicks off the summer with 'Evita,' playing July 5 to July 19. Featuring a live band and a cast of talented local actors, performances take place outdoors under the stars at the Richter Arts Center

Ivy Crest Theatre Co. just announced its production of Strange Snow, written by Stephen Metcalfe and directed by David Newer, starring James McCloskey, Rob Minardi and Niki Sawyer. We have all of the details here!

Next week, 54 BELOW will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Jenn Colella, and more. See the full lineup here.

Next month, 54 BELOW will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Tracie Thoms, Jenn Colella and more. See the full lineup here!

Today’s subject Francesca Zambello is currently living her theatre life as the Artistic Director of Washington National Opera (WNO). She has been in the position since 2012. Her production of Porgy and Bess begins performances this evening in the Opera House at Kennedy Center where it will play through May 31st.

Richard Chamberlain, renowned for his roles in 'The Thorn Birds' and 'Shogun,' has died at 90. Chamberlain, celebrated for his versatility in film, theater, and television, passed away on March 29th, 2025, in Waimanalo, HI, following a stroke. His career spanned decades, earning him numerous accolades, including Golden Globes for his performances.

Some diamonds in the rough, but why can't we choose for ourselves from the BBC archive?

Paying tribute to the Judson Church choreographers who pushed the boundaries of what dance could be, New York Theatre Ballet (NYTB) will present Legends & Visionaries: Postmodern Dance at Judson Church.

The Auditorium will present a special evening with Parsons Dance, the New York-based contemporary American dance company founded in 1985, and internationally renowned for its athletic ensemble work, boundary-pushing artistry and life-affirming joy.

Tanglewood has revealed details of its 2025 season, opening in late June. The 2025 Tanglewood season features more than 100 performances. Learn more and see how to purchase tickets.

Simple Minds has announced plans for a major North American headline tour – the legendary UK band’s biggest live run across the US and Canada in four decades.

Ballet Hispánico School of Dance has announced that registration will open for the third trimester of Los Pasitos/Little Steps which begins in March. Learn more about how to attend here!

BACK TO THE FUTURE: The Musical will arrive in Hartford as part of the 2025-26 Broadway Season. Learn more about the musical and find out how to get tickets here!

The 2022 Olivier Award-winning Best New Musical, BACK TO THE FUTURE: The Musical will make its Los Angeles premiere at the Hollywood Pantages Theatre for a limited four-week engagement, from November 5 – December 1, 2024.

Today’s subject Burke Swanson is currently living his theatre life playing the iconic role of George McFly in the North American tour of Back to The Future The Musical. The show is currently playing in the Opera House at Kennedy Center through August 11th.