WHO IS EARTHA MAE? Will Come to Urbanite Theatre
by Stephi Wild - May 5, 2026
Urbanite Theatre will present WHO IS EARTHA MAE?, a solo work created and performed by Jade Wheeler, at its Sarasota venue. Learn more about the upcoming show here!
Review: RIDE THE CYCLONE, THE MUSICAL at Wilmington Drama League
by Rosanne DellAversano - Apr 28, 2026
For many, the wild and unpredictable ride of a roller coaster is exhilarating and euphoric, while for others, it is traumatic and elicits multiple phobic fears. The musical RIDE THE CYCLONE is very much like a roller coaster in that the mindset of the viewer makes all the difference. Labeled as a “wildly original new musical – part comedy, part tragedy, and wholly unexpected,” is RIDE THE CYCLONE worth the price of a ticket?
Review: TOP HAT at Châtelet
by Patrick Honoré - Apr 20, 2026
Kathleen Marshall’s sumptuous revival of (Top Hat) transforms the Théâtre du Châtelet into a 1930s fantasia of tap brilliance, screwball romance, and Irving Berlin classics. Phillip Attmore and Nicole‑Lily Baisden lead a radiant cast through a whirlwind of mistaken identities, Art Deco glamour, and showstopping choreography. Running until 3 May.
BWW Q&A: Nicole Kelsh Talks LA ESMERALDA at Ballet Theatre of Maryland
by Joshua Wright - Apr 7, 2026
In this uplifting take on Victor Hugo’s masterwork, the vivacious street dancer Esmeralda inadvertently catches the eye of the Archdeacon Claude Frollo. He sends his deformed henchman, Quasimodo, to capture her, but Captain Phoebus de Chateaupers comes to her rescue. Seeing Phoebus’s men begin to punish the misunderstood Quasimodo, Esmeralda is moved by compassion. She begs Phoebus to show mercy.
Review: AFANADOR at Châtelet
by Patrick Honoré - Apr 6, 2026
Marcos Morau and the Ballet Nacional de España bring Afanador to Paris — a hypnotic fusion of flamenco, contemporary dance, photography, and queer aesthetics. A work of ravishing strangeness, formal brilliance, and emotional generosity