Does Winning 'Best Musical' Mean a Boost in Ticket Sales?
by Ben Waterhouse - Jun 5, 2026
Overall, according to our Tony Nominations grosses analysis, none of the new musicals this season are in the upper half of the theoretical monthly average across the industry. Last year, there were six new musicals in that upper half, four of which were nominees for Best Musical. Luckily, this weekend’s Tony Awards is set to potentially change all of that! But in an era where even the most viewed Tony Awards are viewed less than they were pre-2020, what effect do they have on the grosses at this point?
Review: CACTUS FLOWER at New Theatre Restaurant
by Alan Portner - May 4, 2026
The air at New Theatre Restaurant in Overland Park is thick with the scent of high-end buffet favorites and the electric hum of a sold-out crowd. The curtain has risen on a revival of the 1960s Broadway classic Cactus Flower, and if the opening week's standing ovations are any indication, Kansas City has another bona fide hit on its hands.
Review: Make Farce Funny Again with POTUS at Theater West End
by Albert Gutierrez - May 3, 2026
There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.
2026 Tony Awards- The Nominees React
by Nicole Rosky - May 5, 2026
This year's nominees are checking in with BroadwayWorld to tell us all about how they got the news. Check back for live updates!
Review: Updated FLOWER DRUM SONG Returns to Los Angeles by East West Players
by Shari Barrett - Apr 29, 2026
Astounding triple-threat talent is on display in big production numbers with attention-grabbing scenic elements by brilliant designers add to the artistic wonder of the entire production helmed by EWP Artistic Director Lily Tung Crystal, choreographed by Janelle Dote Portman, with music direction by Marc Macalintal.
Review Roundup: THE LOST BOYS Arrives on Broadway
by Nicole Rosky - Apr 26, 2026
The final show of the 2025/26 Broadway season is now open! The world premiere of THE LOST BOYS opened tonight, Sunday, April 26, 2026, at Broadway’s Palace Theatre. Directed by two-time Tony Award winner Michael Arden, the new musical features a book by David Hornsby & Chris Hoch, music & lyrics by The Rescues. Let's see what the critics are saying about the new musical...
Video: Watch a Promo for THE DEATH OF ROBIN HOOD with Hugh Jackman
by Josh Sharpe - Apr 22, 2026
A new promo is here for A24's The Death of Robin Hood, starring Hugh Jackman. The Tony winner plays the famed outlaw in the film, though the folklore figure is now depicted as an aging man full of regrets about his past life of crime and murder.
Review: Matthew Lombardo's WHEN PLAYWRIGHTS KILL Slays with Laughter
by R. Scott Reedy - Apr 14, 2026
Seven years ago, an already hot summer in Boston heated up even more during a pre-Broadway tryout of a truncated version of playwright Matthew Lombardo’s “Tea at Five” at the Huntington Theatre when its star, Academy Award winner Faye Dunaway, was fired after allegations that she physically and verbally assaulted crew members on the troubled production.
The Many Roles of Laurie Metcalf on Stage and Screen
by Stephi Wild - Apr 25, 2026
Laurie Metcalf is back on Broadway! The actress of stage and screen is back in New York, starring in Death of a Salesman. As Metcalf takes her next Broadway bow, we're looking back on some of her many iconic roles.
Review: THE LAST FIVE YEARS at Hudson Theatres Backstage
by Melissa Heckscher - Mar 30, 2026
Chalomot's debut production may not be flawless, but it marks a meaningful first for a new theater company willing to take risks, invest in artists, and bring emotionally-driven theater to smaller spaces.