This 1982 Pulitzer Prize-winning thriller has rocketed back into the spotlight, thanks to this 2020 Tony Award®-winning Best Revival from Roundabout Theatre Company. “This is a play that deserves to be staged regularly all over America—though it’s hard to imagine that it will ever be done better than this. It keeps you guessing all the way to the final curtain” (The Wall Street Journal).
In 1944, on a Louisiana Army base, two shots ring out. A Black sergeant is murdered. And a series of interrogations triggers a gripping barrage of questions about sacrifice, service, and identity in America. Broadway’s Norm Lewis leads a powerhouse cast in the show Variety calls “a knock-your-socks-off-drama," directed by Tony winner Kenny Leon.
No pair is more interesting to watch than Lewis and Lee, who cross paths only through Fuller’s bending of time. As Davenport, Lewis is suave, sharp, deeply thoughtful and even funny, both amused and angered by how deeply he is underestimated. Even as he remains process-oriented, it’s clear that he loves these boys, and sees in each of them some version of himself. In a sort of postscript describing their entrance into Nazi Europe, he finally lets his guard down, and the audience can see the exhaustion in his whole body.
Davenport's stalwart and straightforward pursuit of answers ends in a satisfying, though profoundly bittersweet, conclusion—the mystery may resolve, but the war does not. In uncovering the generational trauma of racism that is at the story’s core, the show seems to suggest that the Captain’s ability to find some truth delivers, if not justice, then at least one step forward.
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