A Doll's House Revival 1907

This month, the reader question was “What Broadway show has been revived the most?” Taking both plays and musicals into account, and considering works in repertory, these were the findings.

Prolific playwright Peter Coy has recently published his latest collection of his plays A House In The Country and Other Plays.  I had the chance to pick deeply into Peter’s brain on his works and past schooling.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

Working intimately with directors like Yasujiro Ozu, Akira Kurosawa, Kenji Mizoguchi and Kon Ichikawa on some of their most important films, Kazuo Miyagawa (1908-99) pushed Japanese cinema to its highest artistic peaks through his lyrical, innovative, and technically flawless camerawork. Considered the greatest cinematographer of postwar Japanese cinema whose career endured through the 1990s, Miyagawa has influenced generations of leading filmmakers around the world.

Miles Richardson leads an 11-strong cast of J. M. Barrie's rarely performed play DEAR BRUTUS in its centenary year at Southwark Playhouse, presented by Troupe Theatre and directed by Jonathan O'Boyle.

Miles Richardson leads an 11-strong cast of J. M. Barrie's rarely performed play DEAR BRUTUS in its centenary year at Southwark Playhouse, presented by Troupe Theatre and directed by Jonathan O'Boyle.

OSLO, which last night won Best Play at the Tony Awards, has its UK premiere later this year at the National Theatre and then transfers to the Harold Pinter Theatre in London's West End from 30 September to 30 December. Book tickets here from £24 

'CATS 2: GRIZABELLA'S REVENGE'?, 'STILL WAITING FOR GODOT: THE SEQUEL'? Unlike successful films, which often spawn prequels, sequels and beyond, It's not often that you see a 'Part II' attached to the title of a cherished theatrical work. But that's not to say it never happens!

Broadway in Fort Lauderdale is proud to announce its 26th season of showcasing Broadway's greatest hits with a six-show subscription package that is power-packed with musical blockbusters.

From tonight, March 12, to April 2, August Strindberg Repertory will present Strindberg's DAMASCUS II, adapted by Edgar Chisholm, directed by Robert Greer.

From March 12 to April 2, August Strindberg Repertory will present Strindberg's DAMASCUS II, adapted by Edgar Chisholm, directed by Robert Greer.

August Strindberg Repertory Theatre will present Strindberg's THE STORM, adapted and directed by Robert Greer, October 4 to 30 as part of an exploration of the author's final works.

August Strindberg Repertory Theatre will present Strindberg's THE STORM, adapted and directed by Robert Greer, October 4 to 30 as part of an exploration of the author's final works. The piece deals with the marriage foibles of an elderly government minister. Strindberg named it Opus 1 of his 'Chamber Plays' and wrote it for his Intimate Theater in Stockholm, where it was produced in 1907-8. It will be performed in rotating repertory during the month of October with BURNT HOUSE, Opus 2 of the Chamber Plays, which is also adapted by Robert Greer but directed by Whitney Gail Aronson. Both productions are at Gene Frankel Theatre, 24 Bond Street, where August Strindberg Rep is the resident company.

Art & culture are vital to our existence and Seattle Theatre Group's 2015-2016 season features ample offerings of live performance experiences from arts provocateurs, global masters, cultural icons, and contemporary legends.

Strindberg's 'Kristina' (1903) is the unacknowledged basis for the Garbo film 'Queen Christina.' In this skillful study of a neurotic and complex woman, Strindberg reveals the power of his dramatic conceptions and the mastery he had acquired of his craft. The play was the last of a series of Strindberg's later historical dramas that are among the most powerful plays of the kind produced in modern times. August Strindberg Repertory Theatre will present the masterpiece at the Gene Frankel Theatre tonight, March 13 to 29 translated from the Swedish by Wendy Weckwerth, directed by Whitney Aronson.

Strindberg's 'Kristina' (1903) is the unacknowledged basis for the Garbo film 'Queen Christina.' In this skillful study of a neurotic and complex woman, Strindberg reveals the power of his dramatic conceptions and the mastery he had acquired of his craft. The play was the last of a series of Strindberg's later historical dramas that are among the most powerful plays of the kind produced in modern times. August Strindberg Repertory Theatre will present the masterpiece at the Gene Frankel Theatre March 13 to 29 translated from the Swedish by Wendy Weckwerth, directed by Whitney Aronson.

August Strindberg's 'To Damascus, Part 1' will be adapted to Harlem, 1962 in the next production of August Strindberg Repertory Theatre (www.strindberg.org). The play will be presented with a multi-racial cast today, April 18 to May 11 at the Gene Frankel Theatre, 24 Bond Street (East Village).

August Strindberg's 'To Damascus, Part 1' will be adapted to Harlem, 1962 in the next production of August Strindberg Repertory Theatre (www.strindberg.org). The play will be presented with a multi-racial cast April 18 to May 11 at the Gene Frankel Theatre, 24 Bond Street (East Village). It is the first part of a trilogy (called 'The Road to Damascus' in earlier translations) that has been described as 'Strindberg's most complex plays' and as 'his greatest plays,' due to their synthesis of a wide variety of myths, symbols and ideas with a profound spiritual analysis in a new dramatic form. August Strindberg Rep will present Part 2 in March, 2015 and Part 3 in 2016. It will be the first time the trilogy will have been presented complete in any language in 99 years.

The Drama Desk nominated MARVELL REP will present its Winter 2013 Repertory Project, Desire & Delusion: 3 plays in repertory, from February 8 - March 17, at TBG Theatre, 312 West 36th Street. The project will feature the company's first World Premiere, NIGHT GAMES, a new play written & directed by MARVELL REP Artistic Director, Lenny Leibowitz (February 8-March 6), adapted from the novella Spiel im Morgengrauen, by Arthur Schnitzler. NIGHT GAMES will be followed (in repertory) by SECRETS, The Untold Story of Sigmund Freud & Carl Jung, an original play written & directed by Ken Wydro (February 11-March 10) & FLIRTATION written by Arthur Schnitzler& also directed by Lenny Leibowitz (February 19 - March 17, 2013).

Telechage.com is now listing Arcadia, a revival of Tom Stoppard's play, will return to New York this spring for a limited engagement in an acclaimed new production directed by five-time Tony Award nominee David Leveaux.

Atlantic Theater Company Neil Pepe, Artistic Director; Jeffory Lawson, Managing Director is proud to announce that Patricia Conolly, Michael Countryman, Francesca Faridany, Mikaela Feely-Lehmann, Rick Holmes, John Keating, Peter Maloney, Jaime Ray Newman, Patricia O'Connell, Jeremy Shamos, Joey Slotnick and Tom Patrick Stephens will star in the world premiere adaptation of THE NEW YORK IDEA by Tony Award® winner David Auburn from the original play by Langdon Mitchell and directed by Mark Brokaw.