Lucia di Lammermoor 2024 - Articles Page 21

A new production of Bizet's Carmen, directed by Richard Eyre and starring El?na Garan?a in the title role and Roberto Alagna as Don José, premieres at a New Year's Eve gala performance. Garan?a makes her Met role debut as the gypsy femme fatale, reuniting with Alagna following their recent success in these parts at London's Royal Opera, Covent Garden.

The Metropolitan Opera announced plans today to return to Japan for a three-week tour in June 2011, presenting 13 performances of three fully staged operas in Tokyo and Nagoya.

The Met's new production of Offenbach's Les Contes d'Hoffmann, conducted by Music Director James Levine and directed by Tony Award winner Bartlett Sher, premieres on December 3.

Patricia Racette is the first soprano since Teresa Stratas 20 years ago to sing all three leading soprano roles in Puccini's Il Trittico at the Met. Comprised of three one-act operas, Il Tabarro, Suor Angelica, and Gianni Schicchi, Il Trittico returns to the Met in the production by Jack O'Brien that was a popular and critical hit at its premiere in 2007.

Franco Zeffirelli's glittering production of Puccini's Turandot returns on October 28 with Maria Guleghina in the title role and Marcello Giordani as Calàf, both singing these demanding roles for the first time in their Met careers. Marina Poplavskaya and Samuel Ramey make company role debuts as Liù and Timur respectively, and conductor Andris Nelsons makes his Met debut.

Robert Lepage's imaginative production of Berlioz's La Damnation de Faust, which premiered last season to sold out houses, returns to the Met on October 23. Three stars sing their roles for the first time at the Met: Olga Borodina as Marguerite, Ramón Vargas as Faust, and Ildar Abdrazakov as Méphistophélès.

Renee Fleming and Susan Graham star as the Marschallin and Octavian-reprising the acclaimed portrayals which they last sang together at the Met in 2000-in the revival of Richard Strauss's Der Rosenkavalier, opening on October 13.

Bartlett Sher?s hit production of Rossini?s comic masterpiece, Il Barbiere di Siviglia (?The Barber of Seville?), returns to the Met stage on October 3. Joyce DiDonato stars in the role of Rosina, with Barry Banks in his first Met performances as Count Almaviva and Rodion Pogossov in his company role debut as Figaro. John Del Carlo sings the role of Dr. Bartolo, and Orlin Anastassov makes his Met role debut as Don Basilio. Maurizio Benini conducts.

Verdi's grand Egyptian pageant, Aida, returns to the Met stage with soprano Violeta Urmana singing the title role for the first time with the company and mezzo-soprano Dolora Zajick as Amneris, one of her most renowned interpretations.

The Metropolitan Opera has reason to celebrate; $2.5 million worth of tickets were sold on Sunday, the first day of sales, through its box office, telephone call center and Web site, up from $2 million on the first day of sales last year, according to the Associated press.

Matthew Jocelyn, the incoming Artistic and General Director of The Canadian Stage Company and acclaimed director of theatre and opera on the world stage, is slated to direct Lucia di Lammermoor at Oper Frankfurt, an internationally renowned showcase for opera, next month.

Comedy, tragedy, magic, madness, jealousy, deceit and fantasy all will take center stage at IU Bloomington's Musical Arts Center during Indiana University Opera and Ballet Theater's 2009-2010 season.

El?na Garan?a sings the title role of La Cenerentola, Rossini's charming version of the Cinderella story, for the first time with the company beginning May 1. The Latvian mezzo-soprano made her highly acclaimed Met debut last season as Rosina in Il Barbiere di Siviglia.

Donizetti's comic masterpiece L'Elisir d'Amore returns to the Met with Angela Gheorghiu reprising her acclaimed portrayal of Adina and three tenors singing the role of Nemorino for the first time with the company: Massimo Giordano, Rolando Villazón, and Joseph Calleja. Other members of the cast also making role debuts include Franco Vassallo as Belcore and Simone Alaimo as the quack Doctor Dulcamara.

Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.

Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.

A cast of internationally most acclaimed Verdi singers is showcased in the Met's new production of the Italian master's melodic tour de force, Il Trovatore, which opens February 16. Renowned director David McVicar makes his Met debut, and Gianandrea Noseda conducts a cast that includes Marcelo ?lvarez in his first Met performances of the heroic title role, and three singers who are celebrated interpreters of their parts: Sondra Radvanovsky as Leonora, Dolora Zajick as Azucena, and Dmitri Hvorostovsky as Count di Luna. Kwangchul Youn makes his Met role debut as Ferrando. In later performances, Marco Berti is Manrico; Hasmik Papian is Leonora; Luciana D'Intino is Azucena, ?eljko Lučić is di Luna, and Burak Bilgili is Ferrando, conducted by Riccardo Frizza. Performances run through May 8.

A cast of internationally most acclaimed Verdi singers is showcased in the Met's new production of the Italian master's melodic tour de force, Il Trovatore, which opens February 16. Renowned director David McVicar makes his Met debut, and Gianandrea Noseda conducts a cast that includes Marcelo ?lvarez in his first Met performances of the heroic title role, and three singers who are celebrated interpreters of their parts: Sondra Radvanovsky as Leonora, Dolora Zajick as Azucena, and Dmitri Hvorostovsky as Count di Luna. Kwangchul Youn makes his Met role debut as Ferrando. In later performances, Marco Berti is Manrico; Hasmik Papian is Leonora; Luciana D'Intino is Azucena, ?eljko Lučić is di Luna, and Burak Bilgili is Ferrando, conducted by Riccardo Frizza. Performances run through May 8.

Eight new productions, four of which are company premieres, will highlight the Metropolitan Opera's 2009-10 season. General Manager Peter Gelb and Music Director James Levine jointly announced plans that include: the Met premieres of Rossini's Armida, Verdi's Attila, Jan?ček's From the House of the Dead, and Shostakovich's The Nose; new productions of Bizet's Carmen, Offenbach's Les Contes d'Hoffmann, Thomas's Hamlet, and Puccini's Tosca; and 18 revivals from the company's repertory. The season is the first to be entirely planned under Gelb's leadership, in collaboration with Levine (the past three seasons were planned before Gelb became General Manager in 2006-07 but included some productions, repertoire, and casting changes made by Gelb).

Maria Guleghina and Pl?cido Domingo star in Cilea's Adriana Lecouvreur, which opens at the Metropolitan Opera on February 6 with Domingo returning to sing the role of his Met debut 40 years ago. Guleghina sings Adriana, the famous actress in love with the military hero Maurizio, sung by Domingo. Olga Borodina sings the Principessa di Bouillon, Adriana's rival for Maurizio's affections, and Roberto Frontali is Adriana's faithful friend Michonnet. Marco Armiliato conducts all performances, and Marcello Giordani sings the role of Maurizio on February 17. All the principal singers other than Domingo are performing their roles for the first time at the Met. Mark Lamos stages this revival, with set designs by C.M. Cristini after sketches by Camillo Paravicini and costume designs by Ray Diffen with additional costumes by Jane Greenwood. Lighting design is by Duane Schuler and choreography by Sergei Gritsai.

Piotr Beczala will sing Edgardo in Donizetti's Lucia di Lammermoor on Saturday, February 7 at 1:00 p.m., replacing Rolando Villaz?n who is ill. The performance is being transmitted worldwide as part of The Met: Live in HD series. Mr. Beczala sang the role of Edgardo this past October at the Met to both public and critical acclaim. He is currently singing Lensky in Tchaikovsky's Eugene Onegin at the Met, with remaining performances on February 5, 9, 14 matinee, 18, and 21 evening.

Maria Guleghina and Pl?cido Domingo star in Cilea's Adriana Lecouvreur, which opens at the Metropolitan Opera on February 6 with Domingo returning to sing the role of his Met debut 40 years ago. Guleghina sings Adriana, the famous actress in love with the military hero Maurizio, sung by Domingo. Olga Borodina sings the Principessa di Bouillon, Adriana's rival for Maurizio's affections, and Roberto Frontali is Adriana's faithful friend Michonnet. Marco Armiliato conducts all performances, and Marcello Giordani sings the role of Maurizio on February 17. All the principal singers other than Domingo are performing their roles for the first time at the Met. Mark Lamos stages this revival, with set designs by C.M. Cristini after sketches by Camillo Paravicini and costume designs by Ray Diffen with additional costumes by Jane Greenwood. Lighting design is by Duane Schuler and choreography by Sergei Gritsai.

Verdi's popular masterpiece Rigoletto returns to the repertory on January 24 with baritone Roberto Frontali making his Met role debut as the hunchback jester and conductor Riccardo Frizza in his company debut. They are joined by Aleksandra Kurzak as Gilda and Giuseppe Filianoti as the Duke of Mantua, both of whom are also singing their roles for the first time at the Met. Viktoria Vizin makes her Met debut as Maddalena, and Mikhail Petrenko sings his first Sparafucile with the company. Georgian bass George Gagnidze makes his Met debut on January 27 in the title role and sings the following five performances through February 12. Piotr Beczala, whose performances as Edgardo in Lucia di Lammermoor last fall drew wide acclaim, sings the Duke on February 12. A second run of performances begins April 1 and features the first Met Gilda of Diana Damrau, who earlier this season created a sensation with her interpretation of the title role of Lucia di Lammermoor. She will be partnered with Joseph Calleja as the Duke and Roberto Frontali as Rigoletto. Frontali returns for the April performances which run through April 17. Tamara Mumford sings Maddalena and Raymond Aceto is Sparafucile in the April cast. About the performers

After an absence of 82 years, Puccini's bittersweet romance La Rondine returns to the Met in a new production with a gala premiere performance on New Year's Eve. La Rondine stars Angela Gheorghiu as Magda, the Parisian socialite, and Roberto Alagna as Ruggero, her lover. Lisette Oropesa, Marius Brenciu, in his Met debut, and Samuel Ramey are the other principal singers. Marco Armiliato conducts.

Puccini's most popular work returns to the Metropolitan Opera on Monday, December 15, at 8:00 p.m. in the visually stunning classic production by Franco Zeffirelli. Fr?d?ric Chaslin conducts the performances which run through Saturday, January 10, 2008 and feature Mexican tenor Ram?n Vargas and Latvian soprano Maija Kovalevska as Puccini's star-crossed lovers, Rodolfo and Mim?. Fellow Bohemians in the cast are portrayed by Susanna Phillips as Musetta in her Met debut, Mariusz Kwiecien as the painter Marcello, Tommi Hakala as the musician Schaunard, and Oren Gradus as the philosopher Colline. Paul Plishka sings both Benoit and Alcindoro. Massimo Giordano sings Rodolfo in the final two performances.