Caught in a family feud, and cornered by the men around her, Lucia becomes haunted by memories of the past. When she is tricked into getting married against her will, the scene is set for a shocking climax.
Praised for its intelligence and searing insight, Katie Mitchell’s acclaimed production returns to The Royal Opera, bringing a feminist take to Donizetti’s haunting, gothic opera. Book your tickets for this five star (Independent) production today and experience some of the most stratospheric and emotionally charged music in opera.
Seattle Opera's 2010/11 Young Artists Program returns to Bellevue's Theatre at Meydenbauer Center in April with Mozart's Don Giovanni. Featuring eight Seattle Opera Young Artists and one Guest Artist, this fully staged production is directed by Young Artists Program Artistic Director Peter Kazaras and conducted by the program's music director, Brian Garman. Don Giovanni runs for four performances: April 1, 3, 7, and 9, 2011. Sets and lights are designed by Donald Eastman and Connie Yun respectively, who recently collaborated on Seattle Opera's premiere of Don Quichotte. Working with Seattle Opera for the first time is Costume Designer Candace Frank, who trained at the University of Washington and has previously worked with several Seattle-area theaters.
Unforgettable characters, true-to-life emotions, and dazzling arias and ensembles make Don Giovanni the perfect showcase for Seattle Opera's up-and-coming singers. Described by many as the perfect opera, Don Giovanni blends comedy and drama to tell the tale of a womanizing nobleman who pays the ultimate price for his misdeeds. Says Kazaras: "Our production, which sets the action in and around the world of a small cafe-cinema in southern Europe, explores Don Giovanni's transformation into an iconic, mythic figure."
This production follows Mozart's revision of the score, which was first performed in Vienna six months after the Prague premiere. The Vienna version features the seldom-performed duet, "Per queste tue manine," sung by Zerlina and Leporello. (Mozart cut the aria "Il mio tesoro" for the Vienna performances and added "Dalla sua pace" and "Mi tradi.")
Baritone David Krohn is Don Giovanni on opening night and April 9, while Daniel Scofield takes on the role on April 3 and 7. Also double-cast is the role of Don Ottavio, which will be handled by tenor Andrew Stenson on April 1 and 9, and by Eric Neuville on April 3 and 7. Both tenors made their mainstage debuts in last fall's production of Lucia di Lammermoor, Stenson as Arturo and Neuville as Normanno. Don Giovanni also features soprano Marcy Stonikas as Donna Anna, soprano Amanda Opuszynski as Donna Elvira, bass Erik Anstine as Leporello, and bass-baritone Adrian Rosas as both the Commendatore and Masetto (roles that were also performed by the same artist in Mozart's day). Rosas and Scofield made their mainstage debuts in Seattle Opera's Barber of Seville, Rosas as the Sergeant and Scofield as Fiorello. Stonikas, Neuville, and Anstine will all appear in Seattle Opera's production of The Magic Flute in May. Joining this talented group of Young Artists is Guest Artist Jacqueline Bezek, who plays Zerlina.
More than 600 singers applied for the 2010/11 season of Seattle Opera's prestigious Young Artists Program. The program is geared toward singers who have recently completed their college training and are embarking on professional singing careers. Former Young Artists have gone on to perform on Seattle Opera's mainstage and at companies around the world. The intimate nature of the 400-seat Theatre at Meydenbauer Center allows audiences to experience this opera-and its exciting young cast-in a way not possible in conventional opera houses.
Tickets for Don Giovanni are $50 for adults and $20 for students, and can be purchased online at seattleopera.org/yapgiovanni, by calling the box office at 206.389.7676 or 800.426.1619, or by mobile phone at mobile.seattleopera.org. For more information about the Young Artists Program visit seattleopera.org/yap.
Florida Grand Opera has announced the productions for the 2011-2012 season, which will be the Company's 71st consecutive season of producing grand opera in South Florida. The season includes two important 'firsts' for FGO: the first presentation of a zarzuela, Torroba's Luisa Fernanda, and the first production of Puccini's La rondine. The season will also include Verdi's Rigoletto and Gounod's Rom o et Juliette.
The Dallas Opera is pleased to announce the five darkly dazzling operas that comprise the company's 2011-12 season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. With opening night on Friday, October 21, 2011, the 55th international season - "Tragic Obsessions" - will showcase compelling works by Donizetti, Janacek, Wagner, Verdi and Mozart, and will include an outstanding Dallas opera-in-concert, important debuts and some of the company's most renowned productions. Each opera will feature the superbly talented Dallas Opera Orchestra and Dallas Opera Chorus and will be performed in its original language, with English translations projected above the stage at every performance. Exclusive subscriber extras include "A Cabaret Evening with Patricia Racette" and a fun-filled family concert starring soprano Ava Pine and the Dallas Opera Orchestra.
Opera San José presents Puccini's timeless classic La bohème. A story of young love set against the impoverished but joyous lifestyle of 19th-century bohemian Paris, La bohème is Puccini's most beloved opera and for many the quintessential opera. Eight performances are scheduled from April 23 through May 8 at the California Theatre, 345 South First Street in downtown San José.
Natalie Dessay will return to the Metropolitan Opera in the title role of Donizetti's Lucia di Lammermoor for a run of performances beginning February 24.
Earlier this season at the Metropolitan Opera, Joseph Calleja's performance as Rodolfo in Puccini's La bohème prompted the Associated Press to admire his 'voice unlike anyone else on the operatic scene today.' As the review continued: 'A rapid vibrato gives his sound an alluring sweetness, and in recent years he has refined his technique so that the quality is consistent throughout his range, up to high C.' Now, following performances earlier this season as Rodolfo and as the Duke of Mantua in Verdi's Rigoletto, the Maltese tenor returns to New York to take on his third Italian role of the Met season. From February 24 through March 19, he sings Edgardo opposite Natalie Dessay in Donizetti's Lucia di Lammermoor. The March 19 performance will be transmitted live to movie theaters around the world, as part of the 'Met: Live in HD' series. In addition, Joseph Calleja's exclusive record label, the newly re-launched Decca Classics, has announced plans to release the tenor's next solo album, titled The Maltese Tenor, later this year.
The Dallas Opera is pleased to announce the five darkly dazzling operas that comprise the company's 2011-12 season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. With opening night on Friday, October 21, 2011, the 55th international season - "Tragic Obsessions" - will showcase compelling works by Donizetti, Janacek, Wagner, Verdi and Mozart, and will include an outstanding Dallas opera-in-concert, important debuts and some of the company's most renowned productions. Each opera will feature the superbly talented Dallas Opera Orchestra and Dallas Opera Chorus and will be performed in its original language, with English translations projected above the stage at every performance. Exclusive subscriber extras include "A Cabaret Evening with Patricia Racette" and a fun-filled family concert starring soprano Ava Pine and the Dallas Opera Orchestra.
Natalie Dessay will return to the Metropolitan Opera in the title role of Donizetti's Lucia di Lammermoor for a run of performances beginning February 24.
Houston Grand Opera General Director and CEO Anthony Freud announced the company's 2011-2012 season today. Opening on October 21, 2011, the season offers thirty-two performances of six operas. 'We've chosen an exciting array of operas that will thrill, stimulate and entertain,' says Freud. 'From celebrated masterpieces to rarely-performed operatic gems, our 2011-12 season features world-renowned directors, beloved productions and acclaimed singers.
Houston Grand Opera (HGO) continues its 2010-11 season with a new production of Lucia di Lammermoor, Gaetano Donizetti's bel canto masterpiece, opening on Friday, January 28, 2011 at 7:30 p.m. in the Brown Theater of the Wortham Theater Center.
The Atlanta Opera's Zurich General Director Dennis Hanthorn announced today the details of the company's 2011-2012 season, celebrating its fifth anniversary in the Cobb Energy Performing Arts Centre, and welcoming Arthur Fagen as its Music Director
Decca Classics has signed an exclusive recording contract with the young Polish soprano, Aleksandra Kurzak, who, as one of the most exciting young singers on the international opera stage, has been thrilling press and public alike with performances in Europe and the US.
World renowned tenor Anthony Kearns will make his official full-scale U.S. operatic debut this weekend as the powerful tenor voice of 'Edgardo' in Lucia di Lammermoor - considered to be Italian composer Gaetano Donizetti's masterpiece.
World renowned tenor Anthony Kearns will make his official full-scale U.S. operatic debut this weekend as the powerful tenor voice of 'Edgardo' in Lucia di Lammermoor - considered to be Italian composer Gaetano Donizetti's masterpiece.
The Dallas Opera is pleased to announce the five darkly dazzling operas that comprise the company's 2011-12 season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. With opening night on Friday, October 21, 2011, the 55th international season - "Tragic Obsessions" - will showcase compelling works by Donizetti, Janacek, Wagner, Verdi and Mozart, and will include an outstanding Dallas opera-in-concert, important debuts and some of the company's most renowned productions. Each opera will feature the superbly talented Dallas Opera Orchestra and Dallas Opera Chorus and will be performed in its original language, with English translations projected above the stage at every performance. Exclusive subscriber extras include "A Cabaret Evening with Patricia Racette" and a fun-filled family concert starring soprano Ava Pine and the Dallas Opera Orchestra.
Joseph Calleja, who made his Metropolitan Opera debut in 2006 as Verdi's Duke of Mantua, returns to the role at the Met in a January 11-27 run of Rigoletto.
Joseph Calleja, who made his Metropolitan Opera debut in 2006 as Verdi's Duke of Mantua, returns to the role at the Met in a January 11-27 run of Rigoletto.
Houston Grand Opera (HGO) continues its 2010-11 season with a new production of Lucia di Lammermoor, Gaetano Donizetti's bel canto masterpiece, opening on Friday, January 28, 2011 at 7:30 p.m. in the Brown Theater of the Wortham Theater Center.
Seattle Opera today announced its captivating 2011/12 season, featuring an American treasure, the greatest French opera, the company premiere of a work by Verdi, one of opera's fundamental love stories, and a beloved Puccini tragedy. The season opens with Porgy and Bess in July, followed by Carmen in the fall and Attila, Orphée et Eurydice, and Madama Butterfly in 2012.
The Metropolitan Opera celebrates its 80th season of Saturday Afternoon Radio Broadcasts-the longest-running classical music series in American broadcast history-with a 22-week season featuring many of the world's greatest operatic artists, beginning December 18.
"The Maltese-born Calleja…has matured into one of the finest lyric tenors before the public today," declared the Associated Press last month following his stellar performance in Houston Grand Opera's new, season-opening production of Madama Butterfly.
"The Maltese-born Calleja…has matured into one of the finest lyric tenors before the public today," declared the Associated Press last month following his stellar performance in Houston Grand Opera's new, season-opening production of Madama Butterfly.
The Metropolitan Opera celebrates its 80th season of Saturday Afternoon Radio Broadcasts-the longest-running classical music series in American broadcast history-with a 22-week season featuring many of the world's greatest operatic artists, beginning December 18.
Seattle Opera opens its production of Donizetti's thrilling tragic melodrama Lucia di Lammermoor on October 16, 2010. The production will run for eight performances through October 30.
Jefferson Performing Arts Society (JPAS) is thrilled to present Puccini's most beloved opera LA BOHEME.
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