You Never Can Tell Revival 1948 - Articles Page 3

From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.

Steve Ross and Karen Oberlin's recent duo effort at 54 Below, Cheek to Cheek, was a show oozing charm, class, charisma, and chemistry, but most of all they conveyed their love for these legendary performers and the classic tunes associated with them.

I was just a little more than a year into my new side career as a cabaret show reviewer when I first saw a Karen Oberlin show. It was Valentine's Day night 2012 and Oberlin—with guitarist Sean Harkness and guest violinist Aaron Weinstein—would be performing her romance-laced set, Stringing Along With Love, at the Metropolitan Room. At the time, all I knew about Oberlin was that she was considered among New York's best female cabaret singers, and I hadn't researched her performing history pre-show. About a third of the way into her set I leaned over to my wife (it was Valentine's Day after all) and whispered, “You know, she has a real Doris Day quality in her voice and in the way she delivers some lyrics.” This immediately ratcheted up my appreciation for Oberlin since there are four passions I inherited from my Dad—baseball, reading the morning papers, sports writing and Doris Day (well, also Sophia Loren, but that's for another column). Since Dad had grown up during the prime of the Big Band Era of the 1940s, I heard the sultry sounds of a young Doris Day singing songs like “Sentimental Journey” on the family stereo more than a few times. Once I saw Day's strikingly adorable blondness on a record cover and her rocking body in one of her films, I knew what Dad was talking about. As popular, famous, and near iconic as Doris Day became, in my book, as a singer and screen beauty she's always been vastly underrated. Little did I know that Karen Oberlin had been doing a Doris Day tribute show so since 2001 at places like Firebird, Iridium, and the late Danny's Skylight Room, and produced a CD, Secret Love: The Music of Doris Day, in 2002. Karen Oberlin had instantly become my secret love.

The Tribeca Film Festival (TFF), presented by AT&T, today announced its feature film selections in the Spotlight, Midnight, and Special Screenings sections, as well as the selections for the Storyscapes program.

Music has always played the role of Muse for me as a stage director. Occasionally, when I am stuck creatively or wanting to be around the actors in the rehearsal room or need to assistance in focusing, I will play the same piece of music over and over. I have meditated on Dvorak when considering the relationship between Virginia Woolf and Vita Sackville-West in Vita & Virginia, on Bach's cello concertos when considering Julius Caesar, on Bartok when constructing A Midsummer Night's Dream, Zoe Keating for The Tempest, Rachmaninoff for Hamlet, and many others.

Turner Classic Movies (TCM) has added an exciting roster of screen legends and beloved titles to the 2014 TCM Classic Film Festival,

The New-York Historical Society has announced its programs for February 2014. All programs are presented at the New-York Historical Society unless otherwise noted. Details below!

'Grand Illusionist' David Copperfield has become a Las Vegas staple, appearing in his home at the MGM Grand's Hollywood Theatre more than 40 weeks each year. Unlike venues in so many other cities, this one is relatively intimate, seating 740 or so people. The audience is thisclose to the stage so it is important that the performer - especially when the performer is a magician or illusionist - appear transparent.

The New-York Historical Society has announced its programs for February 2014. All programs are presented at the New-York Historical Society unless otherwise noted. Details below!

In this new, in-depth interview below, RAIDING THE ROCK VAULT's Howard Leese [guitarist] and John Payne [Lead Vocals, Bass and producer of the show] discuss how the show was born, its evolution from premiering in Los Angeles last year (November) to kicking off a year-long engagement in Las Vegas

The history of rock 'n' roll will come to life like never before when “RAIDING THE ROCK VAULT,” a one-of-a-kind rock concert experience boasting the ultimate set list, kicks off a year-long run Saturday, March 9th at the LVH – Las Vegas Hotel & Casino. Tickets for “RAIDING THE ROCK VAULT” go on sale Saturday, February 9th at 10am.

The Film Society of Lincoln Center presents a 15-film centenary celebration of THE FILMS OF KEISUKE KINOSHITA, tonight, November 7-15.

The Film Society of Lincoln Center announced today a 15-film centenary celebration of THE FILMS OF KEISUKE KINOSHITA, November 7-15.

ANNIE, the new production of the Tony Award-winning musical, went into rehearsal today in New York City with its full company. The production begins previews October 3, 2012 and opens November 8, 2012 at the Palace Theatre (Broadway at 47th Street). Meet the full cast below!

With just eight days to go until the start of the London 2012 Paralympic Games, London 2012 Festival presents a ground-breaking series of commissions by disabled and deaf artists in the Unlimited programme. Originally initiated as part of the Cultural Olympiad, the programme represents the largest ever series of commissions to disabled and deaf artists and celebrates their work on an unprecedented scale across the UK.

With just eight days to go until the start of the London 2012 Paralympic Games, London 2012 Festival presents a ground-breaking series of commissions by disabled and deaf artists in the Unlimited programme. Originally initiated as part of the Cultural Olympiad, the programme represents the largest ever series of commissions to disabled and deaf artists and celebrates their work on an unprecedented scale across the UK.

ANNIE, the new production of the Tony Award-winning musical, went into rehearsal today in New York City with its full company. The production begins previews October 3, 2012 and opens November 8, 2012 at the Palace Theatre (Broadway at 47th Street). Meet the full cast below!

The Colony Theatre is thrilled to present the fourth production of its 37th season of shows - the Los Angeles Premiere of TRAVELS WITH MY AUNT, written by Graham Greene, adapted for the stage by Giles Havergal, and directed by David Dean Bottrell.

The Colony Theatre is thrilled to present the fourth production of its 37th season of shows - the Los Angeles Premiere of TRAVELS WITH MY AUNT, written by Graham Greene, adapted for the stage by Giles Havergal, and directed by David Dean Bottrell.

The Colony Theatre is thrilled to present the fourth production of its 37th season of shows - the Los Angeles Premiere of TRAVELS WITH MY AUNT, written by Graham Greene, adapted for the stage by Giles Havergal, and directed by David Dean Bottrell.

Today we are continuing our series of coverage of the offerings this Spring at The Public Theater with the playwright of the new LAB production, URGE FOR GOING, Mona Mansour. With topics ranging from the Palestinian crisis to Patty Hearst and the play, ME AND THE SLA, that it inspired; her Lebanese upbringing; her affection for John Waters; humble beginnings at the Groundlings leading now to the New York premiere of her first play at the Public, URGE FOR GOING; and more. Additionally, Mansour provides her insights into the culturally rich material at the core of URGE FOR GOING, her own family's reaction to the controversial material and what audiences can expect from the drama.

In April of 1949, Rodgers and Hammerstein shocked the Theatre World by writing a song for their new musical professing that humans developed racial prejudice by nurture and not by nature.  Later that same year, a scene in the new musical by Maxwell Anderson and Kurt Weill showed two racially different young boys innocently striking up a quick friendship, unaware of why anyone would object.

Beowulf Alley Theatre's Old Time Radio Theatre Company announces their November stories to be presented at the theatre, 11 South 6th Avenue (Downtown between Broadway and Congress) on November 2 and 16, 2010. Performances are at 7:00 p.m. Admission is $8 for ages 13 to adult and $5 for the first two children ages 6-12, cash at the door, first come-first serve seating. The box office phone number is (520) 882-0555.

Beowulf Alley Theatre's Old Time Radio Theatre Company announces their November stories to be presented at the theatre, 11 South 6th Avenue (Downtown between Broadway and Congress) on November 2 and 16, 2010. Performances are at 7:00 p.m. Admission is $8 for ages 13 to adult and $5 for the first two children ages 6-12, cash at the door, first come-first serve seating. The box office phone number is (520) 882-0555.

To open its 30th anniversary summer season, Moonlight Stage Productions presents the most American of American musicals, Rodgers and Hammerstein's OKLAHOMA! from July 14-31 at the Moonlight Amphitheatre.