Executive Producer Lou Spisto today announced the cast and creative team for the World Premiere of Robin and the 7 Hoods - A New Musical featuring a book by Tony Award winner Rupert Holmes and songs by four-time Academy Award winners Sammy Cahn and Jimmy Van Heusen.
Publick Theatre Boston presents Joe Orton's timeless, dark comedy Entertaining Mr. Sloane March 11 through April 3, 2010 at the Plaza Theatre at the Boston Center for the Arts, 539 Tremont Street in Boston's South End.
Publick Theatre Boston presents Joe Orton's timeless, dark comedy Entertaining Mr. Sloane March 11 through April 3, 2010 at the Plaza Theatre at the Boston Center for the Arts, 539 Tremont Street in Boston's South End. Performances are Wednesdays at 7:30pm, Thursdays at 7:30pm, Fridays at 8:00 pm, Saturdays at 3:00 pm and 8:00 pm and Sundays at 3:00pm. Tickets: $33.00 - $37.50. (SPECIAL PERFORMANCE NOTES: Preview Performances March 11 -14 - All Tickets $20. Press Performance is Sunday March 14 at 3pm. Pay What You Can performance is Saturday March 20 at 3pm.) For tickets contact the BostonTheatreScene.com box office at (617) 933-8600 or order online at www.bostontheatrescene.com.
Publick Theatre Boston presents Joe Orton's timeless, dark comedy Entertaining Mr. Sloane March 11 through April 3, 2010 at the Plaza Theatre at the Boston Center for the Arts, 539 Tremont Street in Boston's South End. Performances are Wednesdays at 7:30pm, Thursdays at 7:30pm, Fridays at 8:00 pm, Saturdays at 3:00 pm and 8:00 pm and Sundays at 3:00pm. Tickets: $33.00 - $37.50. (SPECIAL PERFORMANCE NOTES: Preview Performances March 11 -14 - All Tickets $20. Press Performance is Sunday March 14 at 3pm. Pay What You Can performance is Saturday March 20 at 3pm.) For tickets contact the BostonTheatreScene.com box office at (617) 933-8600 or order online at www.bostontheatrescene.com.
The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
The classic musical political satire gets a fast and funny re-mounting
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