Tell Me More! 1925 - Articles Page 36

Today we are continuing BroadwayWorld's extensive coverage of NBC's hit musical drama series SMASH with a new entry in our ever-expanding collection of interviews with the cast, creative team and guest stars of the Broadway-based show - don't forget to check out the previous InDepth InterView with songwriters Marc Shaiman and Scott Wittman, as well (available here) - by talking to the leading lady of the show-within-the-show on SMASH itself all about her role on the series; the blonde bombshell of BOMBSHELL, Megan Hilty. In this candid conversation, Hilty and I discuss portraying a musical Marilyn Monroe and the volatile Broadway star playing her, Ivy Lynn, as well as her own personal experiences working on SMASH as we look ahead to the upcoming episodes which will feature the biggest musical sequence on the series so far and will also include guest appearances by Norbert Leo Butz, Marc Kudisch, Uma Thurman and more as BOMBSHELL heads towards its long-awaited big Boston tryout for the season finale. Additionally, Hilty and I take a look back at her prior musical theatre appearances, winning hearts the country over in her starring roles in WICKED and 9-TO-5 on Broadway, in LA and on tour - both under the direction of master director Joe Mantello - and, also, take a look ahead to the forthcoming Encores! GENTLEMEN PREFER BLONDES, which she will be headlining later this Spring. Plus, Hilty shares her experiences working with this week's SMASH guest star and Tony-winning legend Bernadette Peters and reflects on her forthcoming Disney animated film in the TINKER BELL series that features another dynamic diva, her SMASH co-star and fellow participant in this column, Oscar-winner Anjelica Huston (our interview coming up next week) - as well as touching on DOROTHY OF OZ (co-starring Lea Michele), her new animated TV project for Nickelodeon - ROBOTS & MONSTERS - and first news of a solo album coming soon. All of that and much, much more!

Today we are talking to an iconic performer known for his decades on stages and screens around the world, from his variety show roots with sister Marie and their eponymous 70s television staple to his solo pop career in the 1980s and roles in Broadway and Hollywood and beyond since then - the one and only Donny Osmond. Osmond and I recount many of his marvelous show business memories in this all-inclusive chat, putting a particular emphasis on his theatre roles - most of all, his work in the film version of Andrew Lloyd Webber's JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT, filmed in 1999 and presented next week in a super-special Sing-A-Long showing with an exclusive live Q&A hosted by Osmond in Fathom-equipped movie theaters nationwide on March 26. In addition to all about the filming of the spectacular movie musical version of JOSEPH helmed by Steven Pimlott and co-starring Maria Friedman, Osmond and I discuss his experiences playing the title role in the show for six years throughout the 1990s and how he looks back on his experiences in the Biblically-themed pop/rock operetta. Plus, Osmond shares insights into the work of Andrew Lloyd Webber, as well as shares stories of working with legends such as Gene Kelly, Richard Attenborough, Joan Collins and touches upon his appearances in MULAN onscreen, BEAUTY & THE BEAST onstage, DANCING WITH THE STARS on TV - and much, much more!

Broadway favorite Michael Crawford just released a new album in Australia titled 'The Story Of My Life,' and in the video below, the theatre star promotes the album. Click below to watch the theatre star chat with the Telegraph about his career, his own superstitions, and much more!

Recently, noted DREAMGIRLS composer Henry Krieger was generous enough to take a comprehensive look back at his many accomplishments onstage and onscreen with me, turning back the pages of time and sharing memories of DREAMGIRLS, both on Broadway and in Hollywood, THE TAP DANCE KID, SIDE SHOW, KEPT, ROMANTIC POETRY and beyond, as well as discuss many aspects of his exciting new family-friendly musical opening next week at the New Victory Theater, LUCKY DUCK. Over the course of our compelling conversation, Krieger also revealed new details about the forthcoming 2014 production of SIDE SHOW, to be directed by DREAMGIRLS film director and TWILIGHT: BREAKING DAWN helmer Bill Condon - to premiere first at the La Jolla Playhouse and then at the Kennedy Center, as it makes its way towards Broadway - as well as first news on a musical collaboration with lyricist David Yazbek based on the life of television evangelist Tammy Faye Bakker set to star Tony and Emmy-winning Broadway and GLEE standout Kristin Chenoweth. DREAMGIRLS to LUCKY DUCK and much, much more awaits!

Today we are talking to one of the busiest lyricists in show business, Glenn Slater. In the first part of our extensive discussion, besides discussing all aspects of the writing of LOVE NEVER DIES with Andrew Lloyd Webber and its West End debut, Slater also elaborated on the rewriting of the show and how this new Australian production and unprecedented in-theater presentation of it across the US is the ultimate realization of Lloyd Webber's dream vision for the musical drama - something the Lord shared with me himself when he recently did this column. In addition to all about LOVE NEVER DIES, in this second half of our recent chat Slater and I also trace his career trajectory to date, with a focus on his recent collaborations with composer Alan Menken on the smash hit Disney animated film, TANGLED, along with the currently-running Broadway hit, SISTER ACT, and, the upcoming Spring opening of their new musical, LEAP OF FAITH, starring Raul Esparza, as well as their previous theatre venture, THE LITTLE MERMAID. Plus, Slater shines some light on his upcoming projects, which include a Dreamworks animated musical with Menken, as well as a stage collaboration with his wife, Wendy Leigh Wilf, titled BEATSVILLE - all of that and much, much more!

Today we are talking to a stand-up comedienne celebrated for her caustic wit, erudite political humor and illuminating social observations who has also made a name for herself over the last two decades as an actress by appearing in over 100 feature films and television shows, including recurring roles on the TV series SATURDAY NIGHT LIVE, THE BEN STILLER SHOW, THE LARRY SANDERS SHOW and 24, as well as her film resume, ranging from roles in ROMY & MICHELE'S HIGH SCHOOL REUNION to WET HOT AMERICAN SUMMER to REALITY BITES, COP LAND, THE CABLE GUY, NOW AND THEN and many more - the one and only Janeane Garofalo. In addition to a twenty-year career retrospective, touching upon many of her most notable big screen and small screen appearances - sharing comments on many of her favorite colleagues and co-stars along the way - Garofalo also opens up about the theatrically attuned work she has previously done - such as HBO's THE LARAMIE PROJECT - and, most importantly, fills us in on the new play she is starring in for The New Group, RUSSIAN TRANSPORT, directed by Scott Elliott. Besides all about RUSSIAN TRANSPORT, her character in it and the political and social issues the new original play bravely tackles, Garofalo shares her enthusiasm for her newfound experiences in the theatre world and her intention of pursuing a theatre career further. Also, she clues us in on her upcoming film projects, BAD PARENTS and GENERAL EDUCATION, and offers her classic views on current politics as only she can, in her own delightfully droll and ingratiatingly idiosyncratic fashion - plus, much, much more!

The following is BroadwayWorld's exclusive interview with theater, film, and TV legend, Mr. Ben Vereen...

NPR and Olympia Entertainment will present a live performance of Wait Wait...Don't Tell Me! from Detroit on Thursday, January, 19 at 7:30 p.m. The Peabody Award-winning radio show is NPR's weekly hour-long quiz show that will take to the stage at the historic Fox Theatre for a live performance being taped for national broadcast.

On Friday, I had the enviable privilege of talking to ROCK OF AGES Tony Award nominee and AMERICAN IDOL star Constantine Maroulis all about the new musical he is starring in at the Alley Theater in Houston as it eyes Broadway, THE TOXIC AVENGER. In addition to discussing all aspects of the science fiction-themed musical spoof and its creators, David Bryan and Joe DiPietro - of MEMPHIS fame - Maroulis and I also take a look back at his career onstage thus far and his essaying of roles in RENT, JESUS CHRIST SUPERSTAR, THE WEDDING SINGER and JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS and ROCK OF AGES, as well as what we can expect from him in the future, near and far. Additionally, he shares his reflections on appearing on AMERICAN IDOL Season 4 and being mentored by fellow InDepth InterView participant Simon Cowell, as well as the immense impact that that entertainment entity, along with GLEE, has had on a whole new generation of theatregoers in the 21st century. Plus, Constantine clues us in to the exciting expansions that have been made to ROCK OF AGES for the forthcoming feature film version that he makes an appearance in, directed by HAIRSPRAY's Adam Shankman, and also shares his experiences recording the ASTEP benefit album A NEW YORK CITY CHRISTMAS, his new role as a dad and much, much more!

BBC AMERICA and NPR announced today that the Peabody Award-winning radio quiz show, Wait Wait... Don't Tell Me!, will make its television debut on BBC AMERICA with a '2011 Year in Review' special on Friday, December 23, 8:00pm ET/PT. The year-end special will also broadcast on NPR stations on that weekend, December 24 and 25.

Discussing all aspects of her sensitive, charming and emotional new collection of songs, MY LIFELONG LOVE, today we are talking to composer Georgia Stitt, a uniquely gifted artist whose moving new album is an ideal representation of the many facets of her songwriting abilities as well as a portal into her own genre-spanning inspirations and projects from which a number of these songs are culled - many musicals included! In addition to all about MY LIFELONG LOVE and the fabulous Broadway personalities appearing on it - such as Jessie Tyler Ferguson, Susan Egan, Shoshana Bean and Brian D'Arcy James - Stitt also illustrates how her personal life and role as a mother to two daughters has influenced her craft and career, as well as what we can expect from her in the future - like the new jukebox musical, HELLO! MY BABY, and the original musical, BIG RED SUN. Plus, working on the recording of the new ballet, THE TRUMPET OF THE SWAN, with her husband, Tony-winner Jason Robert Brown; music directing and acting as vocal coach on AMERICA'S GOT TALENT and GREASE: YOU'RE THE ONE THAT I WANT, an overview of the musicals she is working on currently - and much, much more!

John Logan, the playwright responsible for the Mark Rothko-inspired 2010 Tony Award winner for Best Play, RED, is also a name familiar to movie buffs around the world who may very well have enjoyed his considerable contributions to cinema - among them, the screenplays for 2000 Best Picture Oscar-winner GLADIATOR (directed by Ridley Scott), Oliver Stone's ANY GIVEN SUNDAY, Martin Scorsese's THE AVIATOR, Tim Burton's film adaptation of Stephen Sondheim's SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (2008 Golden Globe winner for Best Picture, Musical Or Comedy) and many more. Discussing his collaborations with those lauded directors as well as his work for the stage - going all the way back to his Chicago roots - Logan and I also touch on some of his incredibly exciting upcoming projects - the new Sam Mendes James Bond film, SKYFALL; the Ralph Fiennes-directed adaptation of Shakespeare's CORIOLANUS; Martin Scorsese's critically lauded HUGO, now in theaters; and, Steven Spielberg's forthcoming biopic of LINCOLN, co-written with Tony Kushner and starring Daniel Day-Lewis. Additionally, Logan illustrates his appreciation for RED Tony-winning leading man Eddie Redmayne, who also starred in the Kathryn Bigelow-directed HBO pilot of Logan's aborted Broadway-themed musical series, A MIRACULOUS YEAR. All of that, plus early casting ideas for Sweeney and Mrs. Lovett, as well as much, much more!

If only for originating the title role in the longest-running and most successful musical in world history - THE PHANTOM OF THE OPERA - which is merely one of the many impossibly impressive moments in a fifty-year career that truly defies description - Michael Crawford is known and loved the world over. From the Broadway and West End stage to the concert stage; the recording studio to the movie studio; performing everywhere imaginable - he has conquered it all. In a resume-spanning conversation that takes us from Broadway to Hollywood and to the stage of the London Palladium where he is now starring as the eponymous WIZARD OF OZ in Andrew Lloyd Webber's new theatrical adaptation of the classic film, Crawford and I take a look back at his many notable stage roles - among them, BILLY, BARNUM, DANCE OF THE VAMPIRES and, most recently, Andrew Lloyd Webber's THE WOMAN IN WHITE - and he also generously shares stories and recollections of the esteemed figures he has collaborated with over the years, including Barbra Streisand, John Lennon, Oliver Reed, David Foster, Stephen Sondheim, Hal Prince, Sarah Brightman and many more! Additionally, Crawford shares his insightful opinions on the state of theatre today and how it has changed over the course of his decades spent in show business, as well as looks ahead to returning to the concert stage following his departure from THE WIZARD OF OZ in the West End in February. So, catch Crawford while you can - and your little dog, too!

Last night, I spoke to two-time Tony-winner Katie Finneran all about her new Fox sitcom I HATE MY TEENAGE DAUGHTER, co-starring Jaime Pressly, which premiered yesterday at 9:30 PM. Additionally, Finneran and I discuss her recent role in the terrific live performance film adaptation of Stephen Sondheim's COMPANY, co-starring Neil Patrick Harris and Patti LuPone, and we also take a look back at her two Tony-winning Broadway roles from earlier this decade - the lauded Jeremy Sams revival of the comedy NOISES OFF, as well as Rob Ashford's revival of the Burt Bacharach/Hal David/Neil Simon PROMISES, PROMISES. Also, Finneran describes the feeling of reaching a career peak such as she has achieved this year - a new Tony Award, the COMPANY film and headlining a sitcom of her own - and also relates how her role as a new mom has influenced her participation on the battle-of-the-generations comedy. All of that - plus, reminiscences of working on DAMAGES, OZ, roles she would like to play in the future (Dolly, Mame and The Baker's Wife included) and much, much more!

Today, BroadwayWorld is extremely proud to present an extensive conversation with the modern master of the musical theatre himself, Stephen Sondheim, all about the incredibly revealing and thoroughly riveting second volume of his complete collected (and annotated) lyrics (covering 1981-2011) - following last year's superlative FINISHING THE HAT - titled LOOK, I MADE A HAT. With ample insights pertaining to the Pulitzer Prize-winning SUNDAY IN THE PARK WITH GEORGE, INTO THE WOODS, ROAD SHOW, THE FROGS and many more, Sondheim and I also discuss some of his Hollywood endeavors - the proposed film adaptation of INTO THE WOODS, as well as the never-produced SINGING OUT LOUD and his Oscar-winning work for Warren Beatty's DICK TRACY - and his affection for - and process of adapting (in the case of WEST SIDE STORY, the CYMBELINE setting in THE FROGS and his recent scoring of the Public Theatre's production of KING LEAR starring Kevin Kline) - the works of William Shakespeare. Additionally, we discuss the upcoming Encores! revival of MERRILY WE ROLL ALONG starring Lin-Manuel Miranda, the currently-running revival of FOLLIES starring Bernadette Peters (as well as its brand new cast album), the West End transfer of the Michael Ball/Imelda Staunton-led SWEENEY TODD in the UK and much, much more!

BBC AMERICA and NPR announced today that the Peabody Award-winning radio quiz show, Wait Wait... Don't Tell Me!, will make its television debut on BBC AMERICA with a '2011 Year in Review' special on Friday, December 23, 8:00pm ET/PT. The year-end special will also broadcast on NPR stations on that weekend, December 24 and 25.

Today we are talking to a Broadway stalwart with a string of hit shows on his resume - CATS, A CHORUS LINE, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, THE WHO'S TOMMY, CHICAGO and more included - as well as hit solo albums of his own, such as his new release CHANGE BEGINS WITH ME; the one and only Matt Zarley. He also shares all about the shoot for the three music videos for the songs on his new dance album - "WTF" and "Forgive Me" included. Additionally, he shares his thoughts on Broadway now versus when he started out in the late-80s, Gillian Lynne versus Michael Bennett, as well as opinions on GLEE, his own favorite shows and scores, co-stars' careers and much, much more!

Pioneer, innovator and the voice of an entire new musical theatre generation coming in the dawning of the age of GLEE, Tony Award recipient and Grammy-winning composer, lyricist and performer Lin-Manuel Miranda has merged the worlds of the two most significant of original American art forms - musicals and rap - in such a striking and surprisingly inventive way with his hit musical IN THE HEIGHTS - currently touring the country - and is setting out to do the same with his fresh collaboration with Pulitzer Prize-winning NEXT TO NORMAL composer Tom Kitt on their new musical BRING IT ON!, currently in previews out of town in Los Angeles as it eyes New York. In addition to discussing the development of IN THE HEIGHTS and BRING IT ON! in detail, Miranda and I also outline his experience working alongside the two modern-day masters of the musical theatre - Stephen Sondheim and the recently deceased Arthur Laurents - on the Spanish translation and new lyrics for the recent bilingual revival of WEST SIDE STORY - in addition to his forthcoming ALEXANDER HAMILTON project, which Miranda recently performed a medley from for President Obama himself at the White House Poetry Jam. As if all of that were not enough, we also delve into his thought process as he sets out to take on one of Sondheim's most challenging roles in all of musical theatre - that of Charley Kringas in MERRILY WE ROLL ALONG at Encores!, under the direction of James Lapine. Plus, news on his new feature film THE ODD LIFE OF TIMOTHY GREEN, as well as recollections of his fondest Broadway shows, scores, cast albums, movie musicals and general musical and theatrical inspirations - and his favorite Shakespeare plays, too - as well as much, much more!

With one of the most refreshingly unique career trajectories in recent show business history, the quirky late-80s/early-90s film star known for her outlandish John Waters comedies - HAIRSPRAY, CRY-BABY and SERIAL MOM included - parlayed her big screen success to a decade-long running eponymous talk-show in the 90s and early 00s that is still talked about to this day - look no further than Nicki Minaj's verse on the remix of Britney Spears' "Hold It Against Me" for proof - and, now, with news of the 2012 syndicated return of a new iteration of her show, a new memoir, as well as her current compelling casting on the new season of DANCING WITH THE STARS, Ricki Lake has clearly reached a new career high. Imparting her contagious energy and enthusiasm and amply displaying why she is the foremost queen of gab, Lake generously shares her thoughts on a range of topics - Broadway, Hollywood, GLEE, Sondheim, BOOK OF MORMON and much more included - and reveals details about her many upcoming projects and passion, as well as her ongoing star turn on TV's hottest reality competition, DANCING WITH THE STARS. While in rehearsal on Friday night, talking to me from the backstage costume fitting for DANCING/STARS - tutu included - and on the road back to her LA home - before attending Chaz Bono's party later that evening - Lake and I cover it all and she shows why she has been a TV fixture in millions of homes for twenty years and most likely will continue to be so for the next twenty or more - if we are lucky, that is. Plus, she also happens to be a big BroadwayWorld fan, to boot! Who could ask for anything more?

NPR and Olympia Entertainment will present a live performance of Wait Wait...Don't Tell Me! from Detroit on Thursday, January, 19 at 7:30 p.m. The Peabody Award-winning radio show is NPR's weekly hour-long quiz show that will take to the stage at the historic Fox Theatre for a live performance being taped for national broadcast.

Earlier today, prior to his appearance at Comic Con, I had the pleasure of speaking to WALKING DEAD lead actor Jon Bernthal all about his theatre background and his Ovation Award-nominated performance in SMALL ENGINE REPAIR, and, also, his critically praised work on the monster AMC hit series THE WALKING DEAD, which makes its grand return tomorrow night for the launch of its hotly-anticipated second season. I am also happy to share that I was just lucky enough to view the episode myself and I can tell you that it has certainly been worth the wait since THE WALKING DEAD was last seen on TV last year - although the pay-off certainly won't pay off completely until next week given the grisly occurrences in the premiere (and the mind-blowing cliffhanger)! Discussing all aspects of his WALKING DEAD character and what we can expect from tomorrow night's zombie apocalypse shocker - as well as the rest of Season Two - Bernthal and I shed some light on the production of the second season of the hit show so far and how the series will now fare without former show-runner Frank Darabont at the helm. Most importantly, Bernthal shares his deep understanding and passion for theatre and his devotion to his craft - musing on Brecht, Shakespeare and more - as we trace his career trajectory onstage and onscreen from his founding of the Fovea Floods theatre company and the film version of the hit Off-Broadway interactive play TONY N' TINA'S WEDDING in the early 1990s all the way up to HBO'S THE PACIFIC and Roman Polanski's THE GHOST WRITER more recently. Bernthal is also kind enough to share with us what we can look forward to coming up in the near future: RAMPARTS, co-starring fellow InDepth InterView participant Steve Buscemi! Plus, his comments on previous castmates Jason Ritter, Andrea Anders and more!

Today we are featuring the luminescent and golden-voiced Melissa Errico and talking to her all about her sumptuous new album LEGRAND AFFAIR - featuring the music of famed Broadway and Hollywood composer Michel Legrand - and how the labor of love five years in the making has finally come to light with this week's highly-anticipated release of the romantic and moving album. In addition to analyzing the process of putting the project together alongside the legendary Legrand, Errico also shares her thoughtful and passionate insights into the many different worlds inherent in the evocative songs themselves - many with lyrics by Barbra Streisand's constant collaborators, Alan and Marilyn Bergman - and how closely Errico worked with album producers Phil Ramone and Richard Jay-Alexander on perfecting the sound, style, mood and final song list of LEGRAND AFFAIR. Additionally, Errico and I also travel back in time and touch upon her many notable stage appearances over the years - including illustrative comments on her Broadway debut in MY FAIR LADY, as well as starring in HIGH SOCIETY, FINIAN'S RAINBOW, DRACULA, Legrand's own AMOUR, and, most recently, WHITE CHRISTMAS - and she also shares her excitement for the upcoming tenth anniversary reunion concert of SUNDAY IN THE PARK WITH GEORGE at the Kennedy Center in 2012, co-starring Raul Esparza. Plus, news on her forthcoming appearance on Patrick Wilson's A GIFTED MAN on CBS and all the details on her charity organization, Bowery Babes, as well as much, much more!

Today we are talking to the new Roxie in CHICAGO on Broadway best known for her status as one of the most successful songwriters of the twenty-first century, having had hundreds of songs featured on albums by the likes of Britney Spears, Christina Aguilera, Celine Dion, Pink and many, many more - with a significant number of them topping the charts in a variety of genres from pop to rock to country and beyond. In this all-encompassing conversation, DioGuardi and I dissect her career thus far - in front of millions and behind the scenes - and she generously sheds some light on how some of her most famous songs came to be - including the modern-day Gwen Stefani classic "If I Were A Rich Girl", famously sampling a song from FIDDLER ON THE ROOF. Additionally, we talk about her two-year stint on AMERICAN IDOL and what working with Simon Cowell and Paula Abdul was like, as well as her opinions on Simon's new talent competition premiering later this year, THE X-FACTOR, and how she looks back on her experience doing the hit show and her own reality series, PLATINUM HIT. Additionally, we discuss DioGuardi's Broadway baby roots and her formative theatrical experiences, as well as what taking the stage at this point in her career means to her - and, all about wearing Ashlee Simpson's costume. Plus, DioGuardi's thoughts on entertainment legends ranging from CHICAGO composer John Kander to rock icon Jim Steinman to Broadway legends like Liza Minnelli, Gwen Verdon, Stephen Sondheim and many, many more. We also have news on her upcoming songs and collaborations to look out for, featuring a vast array of artists such as Jason Mraz, Bruno Mars, Jason Derulo and more - many featured through her music publishing company, Arthouse Entertainment. As if all of that weren't enough, DioGuardi also shares her affection for GLEE, Broadway song craftsmanship and gypsies!

Today we are kicking off the male-centric portion of our ongoing series of interviews with the stars of Lifetime's DROP DEAD DIVA with the heartthrob of the show and Jane's former fiancee in her past life, legal eagle Grayson, played by the dashing and suave Jackson Hurst. In addition to talking all about Season 3 of DROP DEAD DIVA and the future for Jane and Grayson - as well as the hiccups and roadblocks in his relationship with Deb, before, and, now, Jane, that have cropped up so precipitously along the way - we also analyze the various guest stars on the show over the seasons - everyone from Kathy Griffin to Samuel L. Jackson to Elliot Gould to Liza Minnelli and more! In addition, Hurst and I also discuss his past and future stage and screen roles and his experiences on sets and backstage - including a thorough discussion of working with director Terrence Malick on THE TREE OF LIFE and his starring role in the forthcoming September release, A BIRD OF THE AIR, by CHINATOWN scribe Robert Towne - as well as Hurst's own favorite films and ultimate career aspirations - plus much, much more!

Just in time for this week's international movie theater broadcast of the simply must-see Shakespeare's Globe Film Series production of HENRY IV: Part 2 on August 18, Vice President of NCM Fathom, Dan Diamond, was kind enough discuss with me the role his company plays in bringing major entertainment events to movie screens around the world - such as Shakespeare‘s Globe Film Series, Stephen Sondheim's COMPANY: IN CONCERT, the Tony-winning Best Musical MEMPHIS, the 25th Anniversary concert presentation of LES MISEABLES, Metropolitan Opera broadcasts, ballet, sports events like last year's WIMBELDON in 3D, as well as the August 31 re-release of the new HD print of Brian DePalma's SCARFACE - plus, most importantly, what the eminently exciting future holds for Fathom. Additionally, we touch on upcoming innovations coming to a movie theater near you courtesy of Fathom, such as 4D and lensless 3D technologies and the possibility they hold for capturing live theatre on film, as well as the ever-expanding company's goals for improving the local arts scene in communities large and small, world-wide. In the age of GLEE bringing theatre to a larger audience than ever before, the time is surely right for feature film presentations in the cinema of the best of Broadway and live performance - as well the plans to present all 37 of Shakespeare's plays - and Diamond's commitment and passion for his work comes through in this expansive conversation touching on virtually every aspect of what makes Fathom so fascinating and a formative, necessary element in the foundering and sustaining of a local and national arts scene connected by a network of movie theaters. If all that were not enough, Diamond also clues us in on some future showings such as the new Ozzy Osbourne documentary by his son, Jack, the upcoming Floyd Mayweather boxing match and, just maybe, the upcoming 25th Anniversary production of THE PHANTOM OF THE OPERA slated for October.