Caught in a family feud, and cornered by the men around her, Lucia becomes haunted by memories of the past. When she is tricked into getting married against her will, the scene is set for a shocking climax.
Praised for its intelligence and searing insight, Katie Mitchell’s acclaimed production returns to The Royal Opera, bringing a feminist take to Donizetti’s haunting, gothic opera. Book your tickets for this five star (Independent) production today and experience some of the most stratospheric and emotionally charged music in opera.
German Maestro Kirill Petrenko leads the Bayerisches Staatsorchester and Staatsoper in their United States debut performances at Carnegie Hall over two consecutive evenings this March. Making a rare New York City appearance, Mr. Petrenko steps onto the Carnegie Hall stage for the first time as General Music Director of the Bayeriche Staatsoper and its orchestra. On Wednesday, March 28 at 8:00 p.m. in Stern Auditorium / Perelman Stage, Mr. Petrenko and the Staatsorchester present Tchaikovsky's Manfred Symphony, and are joined by violinist Julia Fischer and cellist Daniel Müller-Schott for Brahms's Double Concerto in A Minor.
Gareth Morrell will replace Maurizio Benini as conductor for Rossini's Semiramide at the Met on Saturday March 3, 2018, at 8.00pm. The British conductor led the opera on February 24th and 28th, 2018.
New York City Opera continues its 2017-18 Chamber Opera Series with a unique double bill of Donizetti's Il Pigmalione and Rameau's Pigmalion, the first time these one-act gems will be presented on the same program. The production also marks the New York premiere of Donizetti's first opera. This double bill will be directed and choreographed by Richard Stafford, with Gil Rose conducting the New York City Opera Orchestra and Chorus. Two performances of Il Pigmalione/Pigmalion will be presented at the Gerald W. Lynch Theater on Saturday, March 24 at 3:00 p.m. and Sunday, March 25 at 4:00 p.m.
Recently, Susan T. Danis, General Director and CEO of Florida Grand Opera, was sitting in the audience, listening to the woman in front of her commenting on the body count in the company's first two operas of the 2017-18 season, Lucia di Lammermoor and Salome.
The Verdi Chorus celebrates its 35th anniversary with its Spring 2018 concert The Force of Destiny for two performances only at the First United Methodist Church in Santa Monica on April 28 and 29 led by Founding Artistic Director Anne Marie Ketchum. As the only choral group in Southern California that focuses primarily on the dramatic and diverse music for opera chorus, their program will feature selections from three Verdi operas - La forza del destino, Nabucco, including the famed chorus "Va, pensiero," the opening party scene of La traviata, and conclude with beloved melodies from Strauss' Die Fledermaus.
Gareth Morrell will replace Maurizio Benini as conductor for performances of Rossini's Semiramide on Saturday February 24 at 8.00pm and Wednesday February 28th at 7.30pm, 2018.
Recently, Susan T. Danis, General Director and CEO of Florida Grand Opera, was sitting in the audience, listening to the woman in front of her commenting on the body count in the company's first two operas of the 2017-18 season, Lucia di Lammermoor and Salome.
Rossini's Semiramide is presented at the Met for the first time in 25 years, with eight performances beginning February 19, 2018, led by Maurizio Benini. The cast, comprised of artists considered by many to be amongst the world's leading bel canto singers, includes Angela Meade in the title role, Elizabeth DeShong as Arsace, Javier Camarena as Idreno, Ildar Abdrazakov as King Assur and Ryan Speedo Green as the High Priest Oroe. On March 10, 2018, the production will be transmitted to cinemas throughout the world as part of the Met's Live in HD series.
National Chorale, New York's premier professional choral company under the Artistic Direction of Everett McCorvey, continues its 2017-2018 Season at Lincoln Center with the New York Premiere of Angela Rice's Thy Will Be Done on Friday, March 16, 2018 at 8pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC. Tickets are $30-100 and are available at www.nationalchorale.com or by calling (212) 333-5333.
Pittsburgh CLO presents the world premiere of UP AND AWAY, January 25 - April 15, 2018 at the CLO Cabaret. As part of its Next Generation Capital Campaign efforts, Pittsburgh CLO debuted a staged reading of this new musical comedy this past spring during New Musicals Weekend at the Benedum Center. Tickets are now available online at CLOCabaret.com, by phone at 412-456-6666 or in person at the Theater Square Box Office. UP AND AWAY is also available as part of a CLO Cabaret Series subscription package.
Washington National Opera (WNO), led by Artistic Director Francesca Zambello, announces its 2018-2019 season, one that continues its focus on bold productions of classic operas, fascinating contemporary perspectives, and the best in American artistry. The season includes a new WNO production of Verdi's classic romantic drama La traviata, the company premiere of Kevin Puts's and Mark Campbell's Pulitzer Prize-winning Silent Night, Tchaikovsky's epic Eugene Onegin, Gounod's devilishly entertaining Faust, and Puccini's towering masterpiece Tosca. The season also features a weekend of four world premieres during the American Opera Initiative Festival; a revival of WNO's hit world-premiere holiday family opera The Lion, the Unicorn, and Me; a special Domingo-Cafritz Young Artist performance of La traviata; and other exciting vocal events, including the annual Mars, lnc.'s Opera in the Outfield.
Lyric Opera is proud to present tenor Piotr Becza a, one of the most sought-after artists of our time, in an intimate recital at the Lyric Opera House on Sunday, February 25 at 3pm. He will be joined by renowned pianist Martin Katz. Tickets for Piotr Becza a in Recital start at $35 and are on sale now atlyricopera.org/beczala or by calling 312-827-5600.
The Atlanta Opera continues its 2017-18 season with Donizetti's The Daughter of the Regiment, known for its romance, comedy, and vocal acrobatics. Andriana Chuchman will make her Atlanta debut as Marie, the adopted daughter of the French 21st regiment. Santiago Ballerini, an alum of The Atlanta Opera Studio artist, returns to Atlanta as Tonio. Mezzo-soprano Stephanie Blythe makes her role debut as The Marquise of Berkenfeld. This production marks the debut of The Daughter of the Regiment at the Cobb Energy Centre, and the first presentation in Atlanta since 1985.
Classic Stage Company, under the leadership of Artistic Director John Doyle and Executive Producer Jeff Griffin, will present the world premiere of Fire and Air, a new play by Tony Award winner Terrence McNally, directed by John Doyle, beginning performances tonight, January 17 at CSC (136 East 13th Street) for a limited engagement through Sunday, February 25. Opening night is Thursday, February 1.
Classic Stage Company presents the world premiere of Terrence McNally's Fire and Air, directed by John Doyle. The production begins performances tomorrow, Wednesday, January 17 at CSC (136 East 13th Street) for a limited engagement through Sunday, February 25. Opening night is Thursday, February 1.
Verdi's Il Trovatore returns to the Met January 22 for eight performances starring Jennifer Rowley in her Met role debut as the heroine Leonora, with Yonghoon Lee as Manrico, a role he sang to acclaim with the company in 2015.
Pittsburgh CLO is proud to announce the cast of the world premiere of UP AND AWAY, January 25 April 15, 2018 at the CLO Cabaret. As part of its Next Generation Capital Campaign efforts, Pittsburgh CLO debuted a staged reading of this new musical comedy this past spring during New Musicals Weekend at the Benedum Center. Tickets are now available online at CLOCabaret.com, by phone at 412-456-6666 or in person at the Theater Square Box Office. UP AND AWAY is also available as part of a CLO Cabaret Series subscription package.
Donizetti's L'Elisir d'Amore returns to the Met on January 16 for ten performances through to February 17, starring South African sopranoPretty Yende as wealthy landowner Adina, and American tenor Matthew Polenzani as Nemorino, the poor villager hopelessly in love with her.
Very few works of art retain the power to shock and disturb that they showed on their opening night decades earlier. One of those is Richard Strauss's 1905 operaSalome. When it first appeared, this steamy brew of eroticism and religion so unnerved audiences that it was banned in Vienna and London. The opera's troubles didn't end there. In 1907, at New York's Metropolitan Opera, it was yanked from the company's repertoire just days after its premiere. At a semipublic dress rehearsal, the way in which the company's Salome, soprano Olive Fremstad, planted a passionate kiss on the severed head of John the Baptist, proved too disturbing for many of the timid Met patrons. The board revolted, demanding that General Manager Heinrich Conried bring Salome'srun to a halt. A statement was issued declaring that the work itself was objectionable and detrimental to the best interests of the Metropolitan Opera House.
The Prologue and role of Peter Quint will be shared by Elgan Ll?r Thomas and William Morgan. Elgan Ll?r Thomas makes his English National Opera debut as a new ENO Harewood Artist having also covered the role of Count Almaviva in The Barber of Seville. A 2016/17 Scottish Opera Emerging Artist, credits include The Elixir of Love, and The Trial with other credits including Il Barbiere di Siviglia (Mananan International Festival), Paul Bunyan (Welsh National Youth Opera) and Eugene Onegin (Garsington Opera). He is currently singing in The Barber of Seville with the Theatre des Champs-Elysees.
American tenor Ren Barbera, praised for his singing suffused with old-fashioned warmth by Opera News, will make nine house debuts this season, cementing his status as an operatic star on the rise.
The Met presents the second of its popular family presentations this holiday season, Richard Jones's acclaimed production of Humperdinck's fairy-tale opera based on the Brothers Grimm story Hansel and Gretel. The English-language production opens December 18 for seven performances through to January 6, with special family pricing.
Verdi's Rigoletto, a searing exploration of patriarchy, power, and commerce, returns to the Canadian Opera Company this winter with a production from acclaimed American director Christopher Alden. A tragedy on a Shakespearean scale, the opera is brought to life by an all-star cast and conducted by pre-eminent American maestro Stephen Lord. Ten performances take place at the Four Seasons Centre for the Performing Arts on January 20, 27, February 1, 4, 6, 9, 11, 17, 21, and 23, 2018.
The Robert E. and Jean Ann Titus Art Song Recital Series will feature American soprano, Nadine Sierra, winner of the 2017 Richard Tucker Award and the 2009 Metropolitan Opera National Council Auditions Finals, in an exclusive recital produced by The Dallas Opera.
Classic Stage Company, under the leadership of Artistic Director John Doyle and Executive Producer Jeff Griffin, will present the world premiere of Fire and Air, a new play by Tony Award winner Terrence McNally, directed by John Doyle, beginning performances Wednesday, January 17 at CSC (136 East 13th Street) for a limited engagement through Sunday, February 25. Opening night is Thursday, February 1.
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