I came out of my time imposed interview 'retirement' for a quick chat about one of my favorite topics -- the online world of Broadway (pun intended). Sara Fitzpatrick is the Director of Interactive for SpotCo, a leading full-service entertainment advertising and branding agency, working with Broadway and film productions to oversee the development and strategy of their interactive operations. We last spoke to her about the 'State of Broadway on the Web' back in 2010 so with two years having gone quickly by -- it seemed the perfect time to check back in for her latest take.
I've just spent an hour GLUED to the podcast in which THIS AMERICAN LIFE's Ira Glass reveals how they discovered the falsehoods in Daisey's THE AGONY & ECSTASY OF STEVE JOBS on material that makes up both the play and broadcasts that they did based upon it.
Now, BWW is excited to announce that our content is now available on Pinterest as well! CLICK HERE to follow BWW on Pinterest- the latest social media craze that organizes and shares all the latest BroadwayWorld news on our very own virtual pin boards!
The web geek in me generally HATES the (over)use of Flash on any web site, and especially those for Broadway shows. It's often unneeded, slow loading and also makes the site behave crankily on all Apple mobile devices.
All that said, after an eagle-eyed BWW Message Board-er spotted this VERY clever usage on the PETER AND THE STARCATCHER web site, well, it's excellent.
Talking to the London Times, Stephen Sondheim sounds off about much of the current state of commercial theatre, noting that while he can appreciate hits such as The Book of Mormon as a "fun college show", in response to the idea that this perceived trend could be permanent, Sondheim remarks: "I think so. Commercial theatre will only get more narrow as time goes on. There are so many forms of entertainment, theatre is becoming more marginalised. It's become ‘an event': you see Wicked on your anniversary. I don't think commercial theatre can fulfil a function as a constant feeding ground for emotions and thoughts."
I had the good fortune to catch her performance in the London production of EVITA back in 2006, and can NOT wait to see her again on Broadway... Video preview below.
The digital theatre world lit up earlier today (as did our live traffic meters) with the news, first reported by the London Evening Standard that Stephen Sondheim and David Ives have teamed up on a new musical, which is currently in the earliest phases of composition. According to the Standard: "Sondheim speaks of pushing forward and says he has "20 or 30 minutes" written of a new musical that he is collaborating on with American playwright David Ives, a New York regular little known in London."
We reached the legend himself who told us that "it's an idea I've had for a long time and that it springs indirectly from a moment in a play of David's."
Theatre has more than its share of armchair quarterbacks who enjoy prognosticating (bitching) about...well...everything, ESPECIALLY the how and why of the show selection at the very popular Encores! series at City Center.
Next up for the series is Rodgers and Hammerstein's PIPE DREAM, which will star Leslie Uggams, Will Chase, James Clow, James Moye, Laura Osnes, Steve Routman, Leslie Uggams, Stephen Wallem and Tom Wopat.
So, how and why did they select PIPE DREAM?
Encores! Artistic Director Jack Viertel explains exactly why ... here.
Long-time no blog, as my every free waking computer minute has been devoted as of late to some recent and upcoming site updates on both the back and front end. (If you haven't admired our new article, people and show pages - check 'em out, and there's MUCH more on the way including other features coming to those three). We've also more than quadrupled our server speed and capabilities to prepare for some other new features and our ever-expanding traffic.
Back to today's blog, I'd often disagreed with his reviews, but I was still saddened on Friday evening to learn of the passing of longtime theatre critic Howard Kissel, most known for his long tenure at the New York Daily News. His well-known biography of David Merrick - The Abominable Showman has long been amongst my favorite theatre reads; I even re-read (and re-purchased) it on the Kindle a couple of years back. If you haven't read it yet, you're missing out.
Critics are generally an unsung breed, but David Rooney has written a lovely piece, singing Kissel's praises over here @ the Hollywood Reporter.
We've been running Equity audition notices on BroadwayWorld.com for more than a year now, and not a day goes by that we haven't gotten a slew of requests from both readers and from casting directors to start posting notices for other audition opportunities, both large and small.
To that end, we've unveiled a Non Equity Auditions section of the site which now contains free listings for audition opportunities around the country with all the same features that our Equity center includes like our instant search, chart views, regional browsing, daily and instant email alerts and lots more.
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Talking to the London Times, Stephen Sondheim sounds off about much of the current state of commercial theatre, noting that while he can appreciate hits such as The Book of Mormon as a "fun college show", in response to the idea that this perceived trend could be permanent, Sondheim remarks: "I think so. Commercial theatre will only get more narrow as time goes on. There are so many forms of entertainment, theatre is becoming more marginalised. It's become ‘an event': you see Wicked on your anniversary. I don't think commercial theatre can fulfil a function as a constant feeding ground for emotions and thoughts."
The digital theatre world lit up earlier today (as did our live traffic meters) with the news, first reported by the London Evening Standard that Stephen Sondheim and David Ives have teamed up on a new musical, which is currently in the earliest phases of composition. According to the Standard: "Sondheim speaks of pushing forward and says he has "20 or 30 minutes" written of a new musical that he is collaborating on with American playwright David Ives, a New York regular little known in London."
Theatre has more than its share of 
Long-time no blog, as my every free waking computer minute has been devoted as of late to some recent and upcoming site updates on both the back and front end. (If you haven't admired our new article, people and show pages - check 'em out, and there's MUCH more on the way including other features coming to those three). We've also more than quadrupled our server speed and capabilities to prepare for some other new features and our ever-expanding traffic. 
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