Review: New MACBETH Production, ALCINA in Concert at Barcelona's Liceu – Guess Who Comes Out on Top: Part Two
Two operas in two days at Barcelona’s legendary Liceu opera house.
Two operas in two days at Barcelona’s legendary Liceu opera house.
Five years ago, Anna Netrebko unveiled her take on Verdi's Lady Macbeth at the Met and wowed audiences from here to eternity.
No matter what one thinks of the Met's transfiguration of Verdi's RIGOLETTO from Francesco Maria Piave's Mantua to '60s Las Vegas--I personally like much of this “Rat Pack” production from director Michael Mayer--the singing at Saturday's performance [the second of the season] was first rate.
As with most tales of doomed romance, Giuseppe Verdi's LA TRAVIATA highlights the contrasts between two social spheres and the difficulties faced by lovers who try to bridge this chasm.
Talk about baptism by fire! That's what Gustavo Dudamel--that wunderkind of the classical conducting world--faced as he reached the podium of the Met for the first time Friday night.
BWW Review: TOSCA at Metropolitan Opera
Lyric Opera of Chicago is pleased to announce the participation of several outstanding singers in the Renee Fleming 25th Anniversary Concert & Gala*, to honor and celebrate American soprano Renee Fleming's extraordinary commitment to Chicago and her unparalleled contributions to our art form.
Anyone who was expecting the equivalent of Bette Midler's arrival as Dolly in the Harmonia Gardens when Jonas Kaufmann finally returned to the Met, on October 17, after four years and some high-profile cancellations, must have been wildly disappointed.
The trials and tribulations of the Met's new take on Puccini's TOSCA have been well documented--with all three principals replaced along with two conductors--and it would be nice to be able to say that everything came out happily-ever-after.
Emmanuel Villaume will conduct the Met's new production of Puccini's Tosca, on December 31, 2017, and January 3, 6, 9, 12, 23, and 27, 2018, replacing James Levine.
Despite some fine singing from soprano Patricia Racette (who also went the Full Monty in the title role), the Met's revival of Richard Strauss's SALOME was a little tame--something that it should never be.
The Met's production of Verdi's great opera RIGOLETTO, is often referred to as the 'Ratpack' version--because it is set in the Las Vegas days of Frank Sinatra and his high-living cronies.
The title character in Puccini's TOSCA is the quintessential diva--a grand performer ('goddess' in Italian) who thinks the world revolves around her, particularly when it comers to her lover, painter Mario Cavaradossi.
When Verdi and Boito were writing their operatic version of Shakespeare's OTHELLO, they were competing with the already-successful (though less faithful) version written by Rossini and thought about calling their opera IAGO.
The Capitol Center for the Arts is pleased to announce that it will present 11 productions in next season's Met: Live in HD series, beginning with Verdi's Il Trovatore on Saturday, October 3, at 12:55pm.
Soprano Angela Meade, the youngest singer ever featured on the cover of the “Diva Issue” of Opera News (November 2014), launches 2015 with a trio of high-profile events in January.
Verdi's Egyptian tragedy Aida, returned to the Met stage October 30 for a 16-performance revival with rotating casts of acclaimed artists and rising stars.
Soprano Anna Netrebko was AWOL.
Ever since I heard Anna Netrebko's “Verdi” album last year, which highlighted excerpts from the operatic treatment of Shakespeare's MACBETH, I knew her Verdi was the real deal and couldn't wait for her to take on the full Lady Macbeth on stage.
Just what the opera world needs: Another director who doesn't have an idea about what to do with an opera.