First Howard Gilman Fellow David Parsons of Parsons Dance Receives MFA from Jacksonville University by BWW News Desk - Sep 21, 2012
This summer, David Parsons was awarded a Master of Fine Arts from Jacksonville University. Mr. Parsons was the first recipient of the Howard Gilman Fellowship to attend the MFA program at the university. This full tuition fellowship is given to one MFA candidate each year. One of the missions of the Howard Gilman Foundation at White Oak is to nurture the artist in development. The MFA at JU nurtures the development of rigorous and refined relationships between three aspects of creative production: stimulus, practice, and analysis. (more...)
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Parsons Dance Holds 2012 Annual Spring Gala Tonight by BWW News Desk - Apr 16, 2012
Parsons Dance and Gala Chair Linda Stocknoff's 2012 Annual spring Gala, Paint it Red, honoring Nancy Browne, Parsons Dance friend and co-commissioner of 2011 premiere work Portinari, will be held tonight, Monday, April 16, 2012 at 7:30 p.m. at Espace, 635 W. 42nd Street, NYC. The evening will begin with cocktails, hors d'oeuvres, and silent auction at 7:30 p.m., followed by a dinner, live auction, and performance by Parsons Dance at 8:30 p.m., then a full night of social dancing. Festive cocktail attire with a splash of red requested. Tickets begin at $700 and are available by calling 212-869-9275, by emailing sandy@parsonsdance.org, or online at www.parsonsdance.org/gala. (more...)
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Parsons Dance Announces 2012 Annual Spring GALA, Paint It Red by BWW News Desk - Mar 27, 2012
Parsons Dance and Gala Chair Linda Stocknoff announce the company's 2012 Annual spring Gala, Paint it Red, honoring Nancy Browne, Parsons Dance friend and co-commissioner of 2011 premiere work Portinari, on Monday, April 16, 2012 at 7:30 p.m. at Espace. The evening will begin with cocktails, hors d'oeuvres, and silent auction at 7:30 p.m., followed by a dinner, live auction, and performance by Parsons Dance at 8:30 p.m., then a full night of social dancing. Festive cocktail attire with a splash of red requested. Tickets begin at $700 and are available by calling 212-869-9275, by emailing sandy@parsonsdance.org, or online at www.parsonsdance.org/gala.
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Parsons Dance Announces 2012 Annual Spring Gala, 4/16 by BWW News Desk - Mar 01, 2012
Parsons Dance and Gala Chair Linda Stocknoff announce the company's 2012 Annual spring Gala, Paint it Red, honoring Nancy Browne, Parsons Dance friend and co-commissioner of 2011 premiere work Portinari, on Monday, April 16, 2012 at 7:30 p.m. at Espace, 635 W. 42nd Street, NYC. The evening will begin with cocktails, hors d'oeuvres, and silent auction at 7:30 p.m., followed by a dinner, live auction, and performance by Parsons Dance at 8:30 p.m., then a full night of social dancing. Festive cocktail attire with a splash of red requested. Tickets begin at $700 and are available by calling 212-869-9275, by emailing sandy@parsonsdance.org, or online at www.parsonsdance.org/gala. (more...)
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Parsons Dance Seeks Male and Female Dancers by BWW News Desk - May 05, 2011
Parsons Dance, praised around the world for its virtuosity, exceptional theatricality, athleticism, energy and accessibility, seeks male and female dancers. Auditions will be held on Saturday, May 21, 2011 at 12pm at New York City Center, Studio 5, 130 W. 56th Street, NYC. Appointments are required for the audition and dancers must bring headshots and resumes. To reserve an appointment, email info@parsonsdance.org. Questions are welcome by phone at 212-869-9275. (more...)
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Review - Pal Joey: I Could Rewrite A Book by Michael Dale - Dec 19, 2008
In case this is your first time reading one of my reviews of a Broadway revival of a classic musical, allow me introduce you to my personal prejudice. I completely abhor the now very common practice of revising the book and messing with the score of any musical theatre piece after the authors are deceased. If a composer, bookwriter or lyricist is around to approve of changes, that's swell, but all too often their estates will allow anything from the sparse, but significant, tweaks to South Pacific to the wholesale revisions of The Pajama Game and The Music Man. Even more deplorable is the practice of letting these changes go uncredited, as was done in the three examples just cited, giving audiences no clue that what they are watching is not wholly the musical the original authors wrote. (more...)
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