Will Aronson News

The Smith Center has shared a new video for MAYBE HAPPY ENDING, the six-time Tony Award winner including Best Musical, now playing in Las Vegas.

The Tony Award-winning Best Musical Maybe Happy Ending, directed by Michael Arden, will launch its North American Tour at Baltimore's Hippodrome Theatre, with original Broadway cast members Steven Huynh and Claire Kwon starring.

What did our critic think of AN EVENING WITH DARREN CRISS at Emerson Colonial Theatre?

You can now get a first look at Zachary Noah Piser as “Oliver” and Hannah Kevitt as “Claire” in Maybe Happy Ending on Broadway. Check out new photos of the stars on stage.

Zachary Noah Piser and Hannah Kevitt took their first bows in Maybe Happy Ending. The pair have taken on the roles of “Oliver” and “Claire”, respectively. Check out the video of their first bows here!

Zachary Noah Piser and Hannah Kevitt will play the roles of “Oliver” and “Claire” in Maybe Happy Ending on Broadway. They join the current original cast members Dez Duron and Marcus Choi. 

Darren Criss played his final performance in Maybe Happy Ending on Sunday, May 17. The performance concluded with the production's 'passing of the charger,' before an emotional stage door visit from Criss. Watch the videos!

The Dramatists Guild of America celebrated its 2026 Awards on Monday, April 27, 2026, in New York City, honoring a remarkable group of playwrights, composers, lyricists, librettists, theater artists, and advocates whose work continues to shape the American theatre. Check out photos here.

Maybe Happy Ending has offered a backstage look at 'Never Fly Away.' In a new social media video, fans can see the view from the wings of the Belasco Theatre as the musicians are revealed in the fan-favorite song.

Zachary Noah Piser (KPOP, Dear Evan Hansen) and Hannah Kevitt (Maybe Happy Ending, Back to the Future) will play the roles of “Oliver” and “Claire” in Maybe Happy Ending on Broadway respectively, beginning on Tuesday, May 19, 2026.

Hannah Kevitt celebrated the end of her run as the full-time 'Claire' in Maybe Happy Ending by 'passing the charger' to her successor, Claire Kwon. A tradition at the production every time a role is passed on to a new performer, watch the video!

Maybe Happy Ending stars from Broadway and Korea joined together for a mashup of “The Way That It Has To Be,” with Will Aronson. Watch a video of Hannah Kevitt, who plays Claire on Broadway, and Jin-Joo Park, who played Claire in Korea.

De la era dorada de Disney a los recientes Tony: analizamos por qué el arrollador éxito musical de GOLDEN apunta a ser el nuevo fenómeno de Broadway

The cast of Maybe Happy Ending recently performed as part of NPR's Tiny Desk Concert series! Darren Criss, Helen J. Shen, Dez Duron, and Marcus Choi performed selections from the show, backed by a ten-person orchestra. Watch the video here!

The 5th Avenue Theatre Company has revealed its 2026/27 season, featuring a collection of five shows, two self-produced, two national tours, and one still to be announced that will combine for a captivating year of theater.

All new photos have been released from MAYBE HAPPY ENDING, featuring the show's new star, Hannah Kevitt as 'Claire', alongside Darren Criss as 'Oliver.' Plus, a new block of tickets is now on sale through Sunday, November 22, 2026.   

Helen J Shen has officially departed Maybe Happy Ending on Broadway, playing her final performance as “Claire” on Sunday, February 15, 2026. Check out video of her final curtain call and touching speeches here!

As the recipient of two Tony Awards for Best Director of a Musical in the past three years, there’s no question that Michael Arden is at the top of his game. Between thrilling and inventive revivals of Parade and Once On This Island, and exciting new work like Maybe Happy Ending and the upcoming The Lost Boys, Arden has shown a remarkable ability to create theatrical magic. 

This week’s newsletter brings together stories of accountability, advocacy, and adaptation across the theatre world. We cover artists and organizations responding to public scrutiny, including Lauren Gunderson’s statement following her appearance in the Epstein files and the Washington Post’s elimination of its chief theater critic role. Elsewhere, new initiatives and events push forward, from Broadway Bares gearing up for its next benefit and Katharine Quinn launching a Broadway-focused marketing agency to Broadway showtunes finding new life on the ice. The issue also examines ongoing debates over access, transparency, and infrastructure, from Equity’s dispute with Spotlight in the UK to closed-door discussions about Portland’s Keller Auditorium.

We open this week with Colleen Dilenschneider’s look at the rise of localism and what it means for cultural organizations navigating tighter schedules and higher barriers to participation. On the awards front, key dates are set for the Tonys, Drama Desk, and Outer Critics Circle, alongside a call for nominations for BroadwayWorld’s Stage Recording Awards. Elsewhere, we cover shifts in Broadway opening-night traditions, major benefit events, regional programming pauses, leadership changes, and a significant format change for Harry Potter and the Cursed Child in the West End.