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Review: CARLOS AT 50, Royal Opera House

Review: CARLOS AT 50, Royal Opera House

by Matthew Paluch — July 27, 2023

How do mere mortals celebrate their 50th birthday? By having a midlife crisis? Not dance royalty Carlos Acosta, who seems to literally turn back time by making a return to the stage as a dancer - having retired from performing in 2016 - in Carlos at 50 at the Royal Opera House (with five, basically

Student Blog: Cabarets and Costumes

Student Blog: Cabarets and Costumes

by Student Blogger: Allie Beckerman — March 6, 2023

I took a trip down to the costume shop today to begin working on my costume for “Get Down”.

2022 Year in Review: Franco Milazzo's Best of 2022

2022 Year in Review: Franco Milazzo's Best of 2022

by Franco Milazzo — December 28, 2022

If 2020 was the year theatre ground to a halt and 2021 was when it nervously found its legs again (only to fall over occasionally), then 2022 was when it blasted back to some kind of normal with many pandemic-delayed shows finally seeing the inside of a venue.

Review: SARAH, The Coronet Theatre

Review: SARAH, The Coronet Theatre

by Cindy Marcolina — November 24, 2022

Oliver Reese, artistic director of the Berliner Ensemble, translates the tale for the stage transforming it into a one-man-show led by Jonathan Slinger.

Review: THE SNOWMAN, Peacock Theatre

Review: THE SNOWMAN, Peacock Theatre

by Franco Milazzo — November 22, 2022

The Snowman and Christmas go together like bad weather and TfL apologies so it's unsurprising that this adaption by the Birmingham Repertory Theatre of Raymond Brigg's seminal 1978 graphic novel is returning to Sadler's Wells' Peacock Theatre.

Review: EK/FORSYTHE/QUAGEBEUR, Sadler's Wells

Review: EK/FORSYTHE/QUAGEBEUR, Sadler's Wells

by Vikki Jane Vile — November 12, 2022

Time for the annual treat that is an ENB mixed bill at Sadler’s Wells, on this occasion featuring a couple of lockdown greatest hits, and a bold new production of The Rite of Spring.

Review: HANDBAGGED, Kiln Theatre

Review: HANDBAGGED, Kiln Theatre

by Aliya Al-Hassan — September 16, 2022

Indhu Rubasingham's revival of Buffini’s play is playful and fiercely funny, whilst deftly tackling serious issues.


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